Name of TV ad bidding website?

Hey everyone, I was reading a thread somewhere on these boards a week or so ago about the state of the vfx industry. In it, someone posted a link to a website where people put in for TV ad contracts that were going for crazy low rates. Like a Geico commercial for $9,000.

Does anyone know the website I’m talking about?

Thanks

Looking for a 3d model of Manhattan?

Hi all, any suggestions on where I’d find an accurate 3d city of Manhattan? I’m not having much luck with my searches.

Thanks
John

Wire removal

Can any one give wire removal tutorials plzz it’s urjent.

cmiVFX Releases New Simulating Creatures in Endorphin Training Video

cmiVFX Releases New Simulating Creatures in Endorphin Training Video
High Definition Training Videos for the Visual Effects Industry

Princeton, NJ (february 6, 2011) – cmiVFX launches its latest full feature training video on Natural Motion’s "Endorphin", premiere character simulation and artificial intelligence package entitled "Simulating Creatures In Endorphin". This video covers topics in creating custom creatures ( horse and human in this course ) using all features of Endorphin to simulate realistic behavior and movement for any kind of shot. The learning structure used in this video, gears all users up to be able to follow its contents from start to beginning. This is one of the few videos made that allow a novice or experienced Endorphin user the ability to learn on the same level. The results produced by this video are truly superb, and near impossible to achieve any other way. With this revolutionary blend of technology, every user can have the ability to understand the roots and principles of constructing default characters so you can change its shape into a custom creature and manipulate its behavior. At this same time, you will learn how to seamlessly transfer (without any plug-ins or interoperability software) between Endorphin and your favorite 3D application (We use Autodesk Maya to demonstrate). When you’re finished with the video, you will have the opportunity to create very complicated movements for your custom creatures, in very difficult scenarios, such as impacts, falls, and anything else you can dream up.

In this course we will investigate all the little "problems" that could face us during this process of of creating our creature, so we can learn how to fix them or even prevent them from happening. (We show different techniques of solving production pipeline problems.)

Here at cmiVFX we maintain a current training library for the latest versions of popular software titles. When it comes to high end CG and VFX training, there is only once choice… cmiVFX!

Don’t forget about the cmiSubscription plan! Get one today. cmiVFX launched the most affordable subscription plan in Visual FX Training History for only $299 USD, and if you were a subscriber, this New Training Release would already be in your account. This video is also available a-la-cart in our brand new HTML5 player system.

Simulating Creatures In Endorphin (or Maya ) Training Video
(This video is awesome. Some things you just need to watch regardless what part of the industry you are in)

http://cmivfx.com/tutorials/view/279…s+in+Endorphin

Introduction To Endorphin – Discovering Endorphin’s Special Environment
In this video we will navigate through Endorphin’s special and simple layout to get comfortable with its tools and nodes, and we will set a simple environment ( room ) to define collision and mass objects which are the main materials for all fixed and moving objects and characters in Endorphin. We then set rules for interaction between them all.

Characters In Endorphin
In this section of the video, we will define various kinds of characters in Endorphin with its collection of preset characters and props. We will make a rock, a door ( in Maya to Endorphin ), then a horse prop character. We then introduce joint limits ( swing and twist ) tools, to define our character’s movement limits. Then we will create our first human simulation character so we can transfer its animation into Maya for the very first time.

Building Horse Simulation Character ( Our First Creature )
This is the longest chapter in the course. We will study our creature’s anatomy ( horse ) and compare it with human anatomy. We do this to understand the similarities between the two in order to ease the process of reshaping the default human simulation character’s skeleton into our horse character’s skeleton. This way, we can get all the benefits of the features and behaviors of the default simulation character into our creature character. We will then limit the joints’ twist and swing angles and reshape the mass and collision objects to suit the horse meshes shape. Then we will put the horse into action by applying some forces and behaviors to test its movement in Endorphin, and then Maya where we will discover some problems with the front knees. ( Setting us up for the next chapter. )

Fixing Problems
In this section of the video we’ll re-rig the horse’s front knees to improve and correct their bending direction, and to explore how easy these modifications can be in Endorphin. Then we will try applying some forces and behaviors against our horse to test in Endorphin, then in Maya for the last time before we save the new creature ( horse ) character in Endorphin’s library.

Animating The Horse
Up till now, we have been working on rigging and creating our creature and applying simple animation to test the rig. This chapter will try to push the rig harder into more breakable animation circumstances to test the joint’s limits and outer collision objects’ behaviors. This is done by applying a run cycle from Maya to our character and pushing the horse from its cycle with a force node while applying a jump behavior.

Finally, we will introduce the latest Endorphin release version and some of its new features where we can do the simulation character reshaping process in Maya and then use the Endorphin_Maya plugin. This allows us to work mostly in the Maya environment, while previously we preferred to do most of the work in Endorphin. This lesson is one invaluable way for us to show you how to work the way you want to work. (It wouldn’t be a cmiVFX video if we didn’t show you all possible scenarios!)

About The Author
Hashem Alshaer is a 34 years old Palestinian VFX supervisor. He studied mathematics and physics in college, then graduated from an electronics engineering university. With more than 10 years of experience in visual effects, he is currently teaching 3D visual effects at Arab European University’s Visual Communication department. (If you are located in that area, and are looking for live training, please email us at info@cmivfx.com) Hashem started as character specialist, then as technical director, and since 2006 has become a visual effects supervisor. He loves painting and sculpting but developing smart robots is his main passion. Currently, he is working at ArtWare corp as a vfx supervisor primarily for commercials and film effects. Recently he began work on the company’s first feature film.

He uses several softwares in his daily grind such as 3DS max, Maya, Houdini, Massive, several Tracking systems, Real flow, and Endorphin. Because of his company’s unique production line, he has acquire experience in motion control data management and tracking tools.

Project Contents
In the course files, to get very realistic horse movement such as Lord of the Rings or King Kong’s creatures, we included a high resolution skinned and rigged horse mesh, with skeleton mesh visualization, to ease the comparison with human skeleton in 3D environment. We also included a realistic run cycle for this horse so you can manipulate and change some of its timing and key frames to get your custom movement.

This video is available today at the cmiVFX Store: http://store.cmivfx.com/

About cmiVFX
cmiVFX is the leader in High Definition Video Training for the Visual Effects Community. Register for FREE and receive hours of FREE content at the cmiVFX Video-on-Demand Player. ( http://store.cmivfx.com/login ) For additional information about cmiVFX, visit http://www.cmivfx.com. © 2010 cmiVFX | cmiStudios. All rights reserved.

Wereth Exposed

Here’s a visual effect making of for our new film, I thought you guys would enjoy it:

http://www.youtube.com/watch?v=wgoVUqj1KyA

Write information contained in Read node

Hi Nukers,

I’m trying to:
1) add an expression/python to a Write node,
so that when I
2) render it
the correlating render, once Read in will
3) have information stored in the Label tab of the read node

The purpose is simply so other people using this render will have extra information about the sequence

Is this possible?

Fast Motion Like ‘The Flash’… kinda

I’m thinking of an effect where you have a fast moving superhero who comes (almost comically) whipping into the scene.

My project is short notice, so I’m asking if anyone has any experience/tips for getting that quick, motion blurry, super-fast, superhero entrance, that ends with the hero standing chest out with his hands on his hips. Without making it look cheezy/cheap.

Tips on the actors performance and a technique to achieve the effect would be appriated.

A while back I saw some examples of what I’m going for, but now that I need it… well, you know the rest. 🙂

Where people is?

I don’t know if i’m posting in the right place,
but.., I was wondering where people like alcali, diogo girondi are. Why they’re listed as "No longer here"?
🙂

Learning VFX for a Director?

Hey guys,

I want to direct films that involve heavy VFX. Pirates of the Caribbean, Alice in Wonderland, Harry Potter, How the Grinch Stole Christmas… etc. Adventure/Fantasy films.

Anyway, I’ve always had an interest in learning visual effects but I wanted to get some feedback from the community…

Is learning VFX and starting a career as a Visual Effects Artist be worth it for an aspiring Director? Or should I just focus my energy on writing and directing some low budget indie films to try to get attention from the big guys?

I’ve noticed a trend in how many effects artists are becoming directors (Eric Brevig, Stefen Fangmeier, Neil Blomkamp, Garath Edwards).

If I was to go the low budget indie route, whats the best genre to start in if I want to get to Fantasy films one day? Fantasy in itself is a bigger budget beast, but I feel like starting in comedy or drama would be like taking the rocky road uphill… is there a better start?

Paint on actors for keying

Hi guys. What paint will work best for use on an actor’s skin for chroma keying?