OFFF Barcelona 2011 Main Titles : Mischa Rozema and PostPanic

Director Mischa Rozema says of this piece, “We knew we wanted to make something that would unsettle and menace the audience.” Mission accomplished, Mischa.

Not only is the ambitious undertaking of this year’s OFFF Barcelona main titles beautifully crafted, and quite obviously a labor of love, but it is equally as captivating as it is intense and powerful. On the narrative front, we are instantly sucked into a post-apocalyptic world of darkness, and it seems no idea was left unturned.  Around every corner lies an unexpected twist for the awesome that might not be suitable for the squeamish.

PostPanic’s execution of the VFX is flawless on every front, elevating the piece as a whole to legendary status among main titles, but don’t take my word for it. Full screen it, grab your headphones, and see for yourself.

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F5: YOU WERE HERE

F5 Live Titles – Made by Buck from F5 on Vimeo.

Let’s just address F5 from the heart. It’s been a little over a week and we still can’t get it out of our heads. Ping-pong between the speaker sessions, re:play films, installations, drinks, the massive balloon logo, and above all…the atmosphere.

From Friday morning forward, you brought warmth and curiosity to Roseland. You engaged with each other and the world-at-large. You helped build a village of inspiration that will live far into the future.

Judging from what’s been said, what’s been written, what’s been posted…you also walked away with something new. It could have been an appreciation for artists you just discovered – or those you already knew. You might now be working on a project through a different lens with some new friends. You may have lifted one of the pinatas and have it there, staring at you while you read this. There are so many possibilities and opportunities that came from the festival.

And you got the spirit of F5 from Day One. The minute that Buck’s titles rolled, it was clear that this was like no other conference before. We had puppets, peacocks and robots — DJ’s, VJ’s and MC’s — severed goat heads and happy face avatars — banjos and turntables — a laser harp — and countless perspectives on the creative process.

As Kid Koala finished his set with Moon River, the beauty of our collective spirit was fully awake and you all stood as one – until the balloons fell late on Saturday.
The dreamers and the doers came out. And your smiles said it all. Thank you from the bottom of hearts.

(Our countless thanks to Buck and music/sound design team, Antfood, for an incredible title sequence that brought down the house and set a new benchmark for the future of titles. Basil and Noodles are the new mascots of F5! Check out the full version — and photos from the event)

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And the Nominees Are…

The 2010 Emmy Awards for Best Main Title Sequence are as follows in alphabetical order…


Curious Pictures for Bored To Death • HBO
Tom Barham – Director, Marci Ichimura – Compositing/Animation, Dean Haspiel – Illustrator


Imaginary Forces for Human Target • FOX
Karin Fong – Creative Director, Jeremy Cox – Art Director, Cara McKenny – Creative Lead


Imaginary Forces for Nurse Jackie • Showtime
Steve Fuller – Creative Director, Mark Gardner – Creative Director, Corey Weisz – Editor, Cara McKenny – Creative Lead


Imaginary Forces for The Pacific • HBO
Steve Fuller – Art Director, Ahmet Ahmet – Art Director, Peter Frankfurt – Art Director, Lauren Hartstone – Designer


Shine for Temple Grandin • HBO Films
Creative Director – Michael Riley, Designer/Animator – Zee Nederlander & Dru Nget, Creative Lead – Bob Swensen

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Onesize: Playground Fest Main Titles

onesize_playgrounds
The main title for this year’s Playgrounds Festival, created by Dutch design powerhouse, Onesize, offers us a first-hand look at an action-packed playground battle in super slow motion.

Shot on a Phantom, you ask?  Nope. With just a little over 2 weeks from concept to delivery, Onesize had to think outside the 7000 fps box. Enter photographer Jasper Faber and two flashlights.

That’s right, it’s all photography camera mapped in 3D.  To deal with the tight turnaround, Onesize brought in production company Revolver, to help produce the shoot, while Onesize stayed focused on the heavy post efforts. The 3D was executed using mainly Cinema 4D and 3D Studio Max.

Click for more making-of details and process shots…

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Motion504’s Main Title for AICP: 19th Century Typesetting with “Kinetic Type”

AICP_Full

Minneapolis broadcast design & animation studio Motion504 coined the main titles for the AICP Show, The Art & Technique of the American Commercial, by paying a visit to a dark and unassuming steampunk-style type foundry. In the manner of Victorian craftsmanship, the title sequence introduces each reception sponsor through the invented art of “moving type” by the means of various 19th century widgets.

Opening at the storefront of the fictional Verne Bros. Kinetic Type Company, the title ushers in a cinematic tone, as inside, we meet the elderly protagonist. At the crack of dawn, working fervently, the man opens the shop for business. While the operations of the shop remain a mystery, kinetic type gadgets curiously come to life. Jingling and rattling, the inconceivable gizmos introduce the names of each AICP reception sponsor, one by one.


Client: AICP Minnesota, Kirk Hokanson, Executive Director
Product: AICP Show 2009 reception sponsor reel

Concept, Design & VFX: motion504
Creative Director/3D/Compositor: Scott Wenner
3D/Compositor: Amy Schmitt
Executive Producer: Eric Mueller

Director: Scott Wenner
DP: Bo Hakala
Art Director: Sarah Jean Kruchowski
Producer: Todd Cobery

Editor: Joe Martin

Sound Design: BWN
Sound Designer: Carl White

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