Prologue: Iron Man 2


For those of you who’ve seen Iron Man 2 (has anyone not seen it?), you know that Robert Downey Jr. shares the screen with Mickey Rourke and Don Cheadle for some of the film’s most intense sequences. But the real co-stars—the real palladium in Iron Man’s chest—are the ubiquitous motion design elements laced throughout the entire narrative.

From heads-up displays to preternaturally responsive real-time 3D interfaces, Tony Stark is augmented as much by stunning graphics as by his trademark power suit. Motion graphics even play a crucial role at the film’s turning point, delivering a life-saving “eureka” moment to Stark just in the nick of time.

While a huge number of people and crews worked on the visual effects shots that made Iron Man the box-office smash it quickly became ($251M domestic and counting), we’re going to zero in on the epic work put forth by Prologue, who’ve shared a generous chunk of the process work behind their staggering slate of deliverables.

Read on…

Posted on Motionographer

Imaginary Forces: Machine Vision

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Imaginary Forces got inside the heads of the killer cyborgs in Warner Bros’ Terminator Salvation to develop “machine vision,” making their contribution to the fascinating field of screen design.

Check it out, along with a making-of video and some great screen design work from others. Read on…

Posted on Motionographer