Ok, I have a 5 minute short that was filmed on 35 mil and was transfered (scanned) to a quicktime ProRES 4.2.2
It was filmed & scanned in Prague/FAMU, from a film student. They gave him 2 choices for the transfer to be in, and he picked Quicktime.(wrong choice I bet)
He gave me the edited version that he said is an exact duplicate in QT properties.
Frame Size = 1920 x 1080
Compressor = Apple ProRes 422 (HQ)
Quality = Most (5.00)
From what I understand, film scans are 10bit dpx files. So I don’t know if I should treat this as a "Video" 8 bit or a "Film " 10 bit log?
I am doing color grading on it and from what I hear, 10 bit would give better headroom and better results.
Did we loose any chance to using it as a 10 bit by using a Quicktime?
Is there any way to convert it to 10 bit?
I am so confused….
Thanks,
lou
im dhanoop,im a vfx student.
im doing research on my dissertation topic "digital intermediate"
i need help , please reply and add ur valuable inputs
What is meant by Digital Intermediate?
How did this field begin? history of DI.
What is the role of cinematographer in Digital Intermediate?
What are the difference between traditional color grading process and DI process?
How does DI work?
2k-to-dv
Posted in: Digital Intermediary (DI)what would be the best way (or software) to convert a scanned 2k footage into dv for DVc\dvd release in best quality.!?:radar:
mkv convertion.?
Posted in: Digital Intermediary (DI).in what software pack i should do this.:radar: and what are the conditions.!? :magnify:
p.s:i’m not sure this section is the right one for putting this Q so , i’m sorry if i’m wrong.!:p
Final delivery will be rec 709, not planning on doing film out.
Question is: before transcoding all .r3d’s into mxf’s for offline…should I have exported the vfx shots into half float linear exr’s for use in vfx and transcode those exr’s into mxf’s for offline? Or is it ok I’f I just stick to the way I’m working and switch the .r3d for whatever image sequence I export from nuke as long as it has the same name as the original .r3d?
The EDL will still work since it just looks at the name of the file and timecode data. (exr’s can store timecode data right?)
2k player.
Posted in: Digital Intermediary (DI)let’s say we have a fine system..then what would be the best realtime 2k player software.?!:D
stablize nightmare.!!
Posted in: Digital Intermediary (DI)i have a whole movie ..that in every cut and stabilize the edit people..done something wrong.and we have 2-3 frame vibration on cuts on both sides..:rip:
how can this be fixed.!? i mean can pixel clean stabilize operation do it.!? 🙁
overkill q.!!?
Posted in: Digital Intermediary (DI)DaVinci software only
Posted in: Digital Intermediary (DI)do you think it will start a new price war for DI systems?
if you have already a decent mac you just by the software and maybe a small panel (like tangent wave) and can do now full DI work.
anybody work on DaVinci? whats your feeling about it? do you think it will loose its "pro" status, just because now everybody can have it on its system?
is it a good move to bring DI forward (and to more studios/vendors)?