Leftchannel: motion 2013 Opener

Columbus-based Leftchannel has been plugging away for over 10 years, but it’s been a while since we’ve posted them on Motionographer.

Their recently launched opener for the 2013 motion Conference, which kicks off this Friday in Albuquerque, breaks that silence. It’s a delightful typographic romp seasoned with cute character work and a couple visual surprises that make it worthy of repeat viewing.

Leftchannel’s Creative Director Alberto Scirocco will also be presenting three sessions at motion 2013.

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TSB – The Story by Studio AKA

Studio AKA (London) tells the history behind the building of the TSB bank through this beautiful piece.

Combining the hand crafted artistry of 2D character animation within a stunningly integrated use of 3D CGI sets, the journey through time is reflected in the film’s opening shot; an unbroken take which lasts a whopping 95 seconds.

Check out some of the process below. Plus, there’s a 2-part interview on the D&AD website.

Written by – Marc Craste and Damon Collins
Client: TSB
Paul Pester
Catherine Kehoe
Mike Regnier
Terry McParlane

Agency: Joint London
Creative Director – Damon Collins
Producer – Matt Keen

Music: Anne Dudley
Sound Design: Factory

Production Company: Studio AKA
Writer/Director: Marc Craste
Producer: Nikki Kefford-White
Character Design: Steve Small
Additional Art Direction: Dave Prosser
Previsualisation: Christian Mills, Anna Kubik
Supervising Animators: Steve Small, Michael Schlingmann
2D Animators: Peter Dodd, Sharon Smith, Nicolette van Gendt
2D Assistant Animators: Nick Appleton, Gerry Gallego, Freya Hotson, Simon Swales, Margot Tsakiri-Scanatovits, Justine Waldie, Jonathan Wren
2D Paint: Eamonn O’Neill, Kristian Andrews, Gemma Mortlock
2D Compositing: Michael Schlingmann
Supervising CG Artists: James Gaillard, Christian Mills
Modelling & Texturing: Adam Avery, Sara Diaz, Will Eager, Vincent Husset, Raymond Slattery
Rigging: Adam Avery
Lighting, Rendering & Compositing: James Gaillard, Daniel Garnerone, Alex Holman, Christian Mills, Will Eager, Cristobal Infante
Simulation & FX: Cristobal Infante
3D Animators: Boris Kossmehl, Fabienne Rivory, Marie Verhoeven, Lucas Vigroux
Technical Director: Fabrice Altman
Editor: Nic Gill
Production Co-ordinator: Ren Pesci
Production Assistant: Alli Albion

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Gobelins: Myosis

The students of Gobelins strike again. “Myosis” is an existential love story, a lyrical tale of passion and the creative destruction sometimes necessary to stay in touch with it.

The animation is stunning, but so is the overall art direction. Impeccable control of the palette combines with elegantly framed shots to create a powerful sequence of visuals. Superbly done.

Some nice process work in Guillaume Dousse’s portfolio.

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GDOUSSE_PORTFOLIO_05
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MYOSIS_11 copy
MYOSIS_01 copy
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Full credits at the film’s end. Primary creators:

Emmanuel Asquier-Brassart
Ricky Cometa
Guillaume Dousse
Adrien Gromelle
Thibaud Petitpas

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Moonbot Studios: Chipotle “The Scarecrow”

Following up on Johnny Kelly’s insanely successful “Back to the Start” stop-action film for Chipotle is not an easy task. The project mopped up at award shows and was a crowd favorite. Its analogue technique meaningfully echoed Chipotle’s message of bucking factory farming and technologically-powered “progress” for a more hands-on approach to food.

Louisiana-based Moonbot Studios, who won an Academy Award for the short, “The Fantastic Flying Books of Morris Lessmore” and set the gold standard for interactive storybooks with the accompanying Morris Lessmore iPad app, was up for the challenge.

Their recently released “The Scarecrow” echoes many of the same themes as “Back to the Start,” and its soundtrack also features a cover of a famous song performed by an unexpected artist. While “Back to the Start” had Willie Nelson singing Coldplay, in “The Scarecrow” Fiona Apple sings “Pure Imagination” from Willy Wonka and the Chocolate Factory. The effect is equal parts haunting and magical.

It’s also worth noting that Moonbot’s film is entirely CG. A helpful reader added some detail in the comments:

“Moonbot’s film is entirely CG” isn’t entirely accurate, the barn and the kitchen interior were built as miniatures, filmed, and composited into the CG scenes.

Where “Back to the Start” shined a bright light on the hand-crafted nature of its production, “The Scarecrow” dives deeper into its protagonist’s life. While both films are emotionally powerful, “The Scarecrow” feels more like a mini-feature film, executed with the same scale and grandeur as a Pixar film.

Scarecrow: The Game

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Keeping with the Morris Lessmore formula, Moonbot Studios also created an iOS game to accompany “The Scarecrow.” From Moonbot:

Created in collaboration with Chipotle Mexican Grill, “The Scarecrow” is an arcade-style adventure game for iPhone, iPad and iPod touch and a companion animated short film. Both pieces depict a scarecrow’s journey to bring wholesome food back to the people by providing an alternative to the processed food that dominates his world.

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Land


Outstanding piece by Tokyo-based Masanobu Hiraoka, one of the creatives from Je Regarde.

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Assembly: NZI “The Devil’s Chair”

New Zealand-based Assembly strikes again, showing their incredible range for agency Draft FCB and insurance company NZI.

Whether you focus on the craftsmanship of each shot or the comic timing of each vignette, the spot holds up to repeat viewing. The lighting alone had me scrubbing back and forth like mad.

For more about Assembly, read our in-depth interview with the crew.

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Conor Finnegan: Fear of Flying

Conor Finnegan’s delightful coming of age short dives into the troubled psyche of a bird with a problem of existential proportions: he’s afraid to fly. To make matters worse, he’s in love with a girl who’s headed south for the winter. What to do, what to do.

In addition to an engaging storyline and endearing voice work, the animation technique is notable. Nearly all of the characters, sets and props were practically built. Conor and his team essentially puppeted the characters with rods. The rods were removed in post, and animated limbs were then comped on top of the footage. The result is naturalistic movement, complete with all the charming quirks you get from human-controlled motion.

Sound and music by Echolab.

Making Of

Official site

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Tumbleweed Tango

“A balloon dog is lost in a world of danger. One wrong step and his dancing days are done. Only love, and tango, can possibly save him.”

Sam Stephens and Christopher Mauch (Hyrda) co-directed this charming short about a pair of balloon animals in love. It’s one of those sweetly told tales that ticks along effortlessly, bringing you and your smile with it.

The audio is a huge component of this short. Joe Miuccio’s sound design pumps up the comedy while the original score from Michael Hewett and Matt Nakoa undulates and contorts as playfully as the main characters. Superb work.

Produced by Humble.

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[NSFW] Griff & Scott Garrett: Wish List


WISH LIST is an animated film, directed and animated by UK based Andrew Griffin (aka GRIFF) with illustrations from Scott Garrett. The amazing humour, the uniqueness of each character and the great illustration, makes this one of my favourite animations of all times.

Hat tip to Carolina Monza and Fred Cordier.

Director, animation & Sound Design: Griff
Original concept & Illustration: Scott Garrett
Written by Scoff & Gritt
Voices: Steve Furst
Commissioned by Chris Shepherd
Produced in association with Lupus Films for Channel 4 / Random Acts
Copyright Scott Garrett & Griff 2013

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Giovanni Braggio: Animation Tutorial Part 1

Intimidated by character animation? Don’t be! Giovanni Braggio shows you just how easy it is.

Hat tip to Danica Perry.

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