Smith Foulkes: “Paint It Black”

Paint It Black, from Nexus directors, Smith & Foulkes, is refreshingly witty. The color (or shade) black serves as the visual glue that binds the narrative of the piece together and creates a visual dialect that—like much of Smith & Foulkes work—is distinguished by character driven narratives and artful storytelling.

While the piece is entirely 3d, it maintains a graphical uniformity by limiting the palette and rendering each character with a soft finish. Evidently, the directors understand the nuances of great transitions and can intelligently craft a matrix of character subjects into one coherent aesthetic. As well, the ominous voice-over is playfully poetic and harks back to a kind of horror-esuqe delivery from a Boris Karloff or Vincent Price—making the piece filmic while still being commercially proper.


Credits:
Client: Panasonic
Title: Black
Length: 30”

Agency: The Campaign Palace
Creative Team: Nic Buckingham & Hywel James
Agency Producer: Katrina Maw

Production Company: Nexus
Director: Smith & Foulkes
Executive Producers: Julia Parfitt
Producer: Luke Youngman
Project Lead: Michael Greenwood
Illustrator / Designer: Mark Gmehling
Animation: Nexus
Compositing: Hugo Guerra

Sound Design: 750mph (London) / Nylon Studios (Sydney)

Posted on Motionographer

The Black Dog’s Progress


Deliciously dark is how I’d describe Director Stephen Irwin’s latest offering.

A tragic, darkly animated and powerful journey through the life of one dog as he travels from abusive home to even worse.

On the audio side Sorenious Bonk did an amazing job scoring the soundtrack, creating a truly haunting atmosphere of unease.

Warning: because of the subject matter some folk might deem this as NSFW.

Posted on Motionographer