May
16
Our founders, Mark Cho and Alan See, give a brief history of Ring Jacket and break down the unique models The Armoury has to offer.
May
16
Animated Short by Michaela Müller Technique: Paint on Glass Duration: 8 min Produced at Academy of Fine Arts, University of Zagreb, Croatia, 2009, (HR/CH) Animation: Michaela Müller Sound Design: Fa Ventilato, Michaela Müller Music: Fa Ventilato Synopsis: A look at life on the Mediterranean borders of Europe, where tourists try to relax while immigrants struggle to get a chance for a better life. International Premiere: Cannes Film Festival 2010, Selection Cinéfondation Awards: Swiss Film Award Quartz 2011, Best Animation, Lucerne, Switzerland Jury Grand Prix, Animateka International Animation Film Festival 2010, Ljubljana, Slowenia 3 Months Sponsorship at Quartier21/MQ 2011, Tricky Women Film Festival, Vienna, Austria Grand Prix European Student Film, Holland Animation Festival 2010, Utrecht, NE Centaur for Best Debut Film, Message to Man Film Festival 2010, St.Petersburg, Russia Best Animated Film, International Documentary and Short Film Festival 2010, Ismailia, Egypt Special Jury Award, International Izmir Animation Festival 2011, Turkey Jury Award for 2D Animation, International Animation Festival Banja Luka, 2011, BIH Taurus Studios Award for Best (Swiss) Soundtrack Animatou, 2010, Geneva, Switzerland First Prize, 42th Revue of Croatian Film and Video, Samobor, Croatia, 2010 Best Graduation Film, Reanimania 2010, Yerevan, Armenia Best Swiss Film, Fantoche 2010, Baden, Switzerland Best Croatian Film, Tabor Film Festival 2010, Zabok, Croatia Spirit Award for Animation, Brooklyn International Film Festival 2010, New York, USA Octavian for Best Animation, 19th Days of Croatian Film 2010, Zagreb, Croatia Special Mention of Filmcritics, 19th Days of Croatian Film 2010, Zagreb, Croatia Bronze Medal, Unica Film Festival 2011, Luxembourg Best Student Animation, Festival of Croatian Animation 2010, Zagreb, Croatia website: http://www.michaelamuller.com
May
16
Working in collaboration with Google Creative Lab and Anyways Creative, I Designed, Directed and Animated this spot as part of the ‘iPhone People Talking Pixel’ campaign for the Pixel 2 phone. Agency: Google Creative Lab Production: Anyways Creative Watch the other films >> youtu.be/dXGmLwglrwM
May
16
The ULTIMATE $30,000 Gaming PC Setup
Posted in: Animation
Fortnite, PUBG, Far Cry 5? Which game would you play on this gaming PC setup?
Visit SteelSeries.com and use discount code “Unbox15”(letters in discount code ARE case sensitive) to get an Unbox 24hr exclusive of 15% off Arctis Pro + GameDAC: http://steelseries.com/arctispro
The Chair – https://amzn.to/2Km7gC6
The Monitor – https://amzn.to/2jWuQdk
The Gaming PC – https://www.xidax.com/
(More info on gaming PC specs etc. in this video – https://youtu.be/Pvakr7s7qc0)
Is this the ultimate gaming PC setup?
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Unboxing The Samsung Galaxy S9 Clone
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May
16
It’s an 1980s pop music cliche that dates back to 1910.
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If you listen to the first few seconds of Bruno Mars’ “Finesse” (hint: listen to the Cardi B remix) you’ll hear a sound that immediately creates a sense of 80s hip-hop nostalgia. Yes, Cardi B’s flow is very Roxanne Shante, but the sound that drives that nostalgia home isn’t actually from the 1980s.
Robert Fink and the inventor of the Fairlight CMI, Peter Vogel, help me tell the story of the orchestra hit – a sound that was first heard in 1910 at the Paris Opera where the famed 20th century Russian composer Stravinsky debuted his first hit, The Firebird.
The video above is, in short, a history of the original orchestra hit sample from The Firebird Suite to the 1982 hit “Planet Rock” to “Finesse.” And as a treat, here’s a playlist of way more songs with orchestra hits than you probably wanted.
Playlist: https://open.spotify.com/user/estellecaswell/playlist/53plZYDXbG2GooieYDV7fs?si=PnXiBWLjRnWLTO46hY-F_A
Fairlight CMI app: Peter Vogel CMI by Peter Vogel Instruments Pty Ltdhttps://itunes.apple.com/us/app/peter-vogel-cmi/id420212505?mt=8
Robert Fink’s paper: https://www.jstor.org/stable/3877522?seq=1#page_scan_tab_contents
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May
16
Daryl Sawchuk, Visual Effects Supervisor for Method Studios and Animation Supervisor for Black Panther, gives WIRED an exclusive look at breakdowns of the digital Black Panther and Kilmonger suits, and the final fight scene of Marvel’s mega-blockbuster.
Black Panther is available on Blu-Ray and DVD May 15, 2018.
Read more about Black Panther on WIRED.com:
Why Lighting and Makeup Were Black Panther’s Secret Weapons: https://www.wired.com/story/black-panther-lighting-makeup/
Behind the Scenes of Black Panther’s Afrofuturism: https://www.wired.com/story/black-panther-design/
What Black Panther’s Success Means for the Future of Movies: https://www.wired.com/story/black-panther-box-office-hollywood/
Want More Black Panther? Here are 5 Comics to Read: https://www.wired.com/story/black-panther-reading-list/
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ABOUT WIRED
WIRED is where tomorrow is realized. Through thought-provoking stories and videos, WIRED explores the future of business, innovation, and culture.
How Black Panther’s Visual Effects Were Made | WIRED
May
16
VICE invited me to make three short films documenting stories from behind the scenes of some of their most notorious documentaries. In Venom Superman Josh Haddow recalls a shoot he produced in which a man injected himself with venom from the world’s most lethal snakes. Credits Director + animation – Joseph Melhuish Additional animation + design – Harry Butt http://butt-studio.com Production – Polly Williams Sound design – Matt Cheney VO – Josh Haddow Supervising Producer – Emma Yuille Music Supervisor – Bonnie Reilly
May
16
Modern action movies are all about shaky cameras and quick cuts. A lot of filmmakers draw their inspiration from the Bourne Trilogy—a film series that changed the way action movies are made through their unique editing style. But some of those changes have been for the worse. Has the Bourne trilogy sparked an era of poor film editing and deceptive action movies?
The INSIDER team believes that life is an adventure! Subscribe to our channel and visit us at: https://thisisinsider.com
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Produced by: Nathaniel Lee
May
16
GoDaddy Roadshow 2018
Posted in: Animation
The XYZ team packed up their bags and traveled to Arizona to visit GoDaddy’s offices for the annual GoDaddy Roadshow.
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.xyz – for every website, everywhere.
.xyz is the go-to ending for the next generation of internet users who put flexibility, affordability, and recognition first. We end the alphabet with “XYZ” – we end domains the same way.
Get your .xyz domain → https://gen.xyz/
Instagram → https://www.instagram.com/xyz/
Facebook → https://www.facebook.com/xyz/
Twitter → https://www.twitter.com/xyz
May
16
A story about the power of a community working together to make good things. Directed by Fx Goby Commissioned by Google Creatives: Jack Colley, Thomas Manion Creative Producer: Casey Lee Producer: Karen Morris Title: Make Good Things Together Produced at Nexus Studios Producer: Mariano Melman-Carrara, Kirsty Ratcliffe Production Manager: Derek Walsh Production Assistant: Lucy Caetano Art Director: Melanie Climent Designer: Jack Cunningham, James Castillo Murphy Project Lead: Nico Domerego, Dorianne Fibleuil Lead Animator: Lucas Vigroux Lead Lighting: Darren Rolmanis Lead VFX: Hugh Johnson Lead Compositor: Ken Hau Storyboard: Louis Kynd, Will Volley 3D Animation: Lucas Vigroux, Aziz Kocanaogullari, Fabrice Fiteni, Clement Fassler, Edwin Leeds, Remy Herisse, Simone Giampaolo, Ning-En Chang 2D Animation: Samantha Jones, Dani Bethel Rigging: Kasper Larsson, Arthur Ranson Modelling: Dorianne Fibleuil, Corentin Charron, Cesar Eiji-Nunes, Sébastien De Oliveira Bispo, Adam Lindsey, Arnold Pryada, Jerome Ferra, Eder De Souza Texturing: Sophie Blayrat, Sébastien De Oliveira Bispo, Dorianne Fibleuil VFX: Hugh Johnson, Paul Cousins, Gareth Bell, Guillaume Fradin Lighting: Dorianne Fibleuil, Corentin Charron, Darren Rolmanis, Benoit Berthe, Adam Lindsey, Florian Caspar, Sébastien De Oliveira Bispo, Jerome Ferra, Cesar Eiji-Nunes, Paco Rocha, Arnold Pryada, Nicolas Morel. Compositing: Valentin Panisset, Sarah Breakwell, Valerie Guichard, Clarisse Valeix, Lisa Mandelli, Jean-Baptiste Aziere, Bence Varga, Debora Sangermano, Gockcecan Gursoy Art Department: James Castillo Murphy, Samuel Klughertz, Morgan Le Henry, Maxime Dupuy, Slawek Fedorczuk Music: Vulfpeck ‘Animal Spirits’ Countdown Intro: Director: Nicolas Ménard Animators: James Turzynski, Pablo Lozano, Dani Bethel, Amanda Holm Compositor: Daniel Romero Music: Brains&Hunch Editors: Dave Slade, James Alexander, Pablo Noe, Mark Van Heusden Pipeline,Technical Director: Tom Melson, Patrick Hearn IT Support/Systems: Ryan Cawthorne Studio Manager: Natalie Busuttil Assistant Studio Manager: Samira Tristani-Firouzi Audio Post Production: Fonic Dubbing Mixer and Sound Designer: JM Finch Assistant Sound Editor: Rory Hunter Foley recordist: Christopher Swaine Foley Artist: Ruth Sullivan
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