Hasta La Motion!

Everybody knows that reality is an illusion and we exist within a computer simulation. What everybody doesn’t know? The plot of The Matrix trilogy.

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Script and Voices by Max Knoblauch & Bob Al-Greene
Illustrations by Bob Al-Greene
Editing & Animation by Noah Sterling

Samantha Bryan is a mixed-media artist based in West Yorkshire. She works from a studio in the West Yorkshire Print Workshop situated in Mirfield. Samantha finds herself preoccupied with everyday life, but not her own- that of the fairy. Consequently her sculptures place what can only be described as ‘fairies’ with machine-like contraptions. They depict fairies going about their everyday lives. Within her work her extraordinary objective is to realise the necessities and requirements that would be involved in ‘fairy life’: to provide everything a fairy would demand during its daily existence. http://samanthabryan.co.uk

Originally created as the ideal high-altitude power food, our Tsampa Soup is also delicious as a side dish for dinner at home. Add a drizzle of olive oil and Parmesan shavings for an extra treat. PatagoniaProvisions.com for more info.

Watch the full 12 minute film Oct 19: www.philips.com/ambilight Presented by Philips TV and Atomic Skis Featuring: Pep Fujas, Eric Hjorleifson, Daron Rahlves, and Chris Benchetler From the depth of the creative visuals to the groundbreaking, never-been-done-before scale of the shoot, Afterglow is being hailed as one of the most cinematically profound ski movies ever made. Deep pillows and Alaskan spines, all filmed at night, with massive lights, custom made LED suits, and a national governments worth of logistics, planning, and civil engineering. Filmed as a partnership between Sweetgrass Productions, Philips TV, and the Swedish Agency Ahlstrand & Wållgren, it’s two parts creativity, one part branded content, and a pinch of masochism for good measure. Overall, it’s an incredibly unique partnership between our vision of skiing and the color and light technology behind the Philips Ambilight TV. Supported by: Atomic, Freefly Systems (MOVI), NiteRider, Golden Alpine Holidays, Alyeska Resort & Talvista Lodge. Shot on location at: Golden Alpine Holidays Sentry Lodge, Alyeska Resort, and the Alaskan Wilderness Directed by Nick Waggoner & Mike Brown Executive Producer Nick Waggoner Produced by Zac Ramras, Mike Brown, and Max Santeusanio Edited by Mike Brown First AC Max Santeusanio Aerial Cinematography by Nick Wolcott and Zac Ramras Guides Cam McClellan and Ken Bibby Gaffer Mark Stuen Key Grip Kyle Metzger Best Boy Grip Shane Treat Cook AJ Frye BTS Unit Jason Mannings Agency Ahlstrand & Wållgren Account Director Ulf Ahlstrand Creative Director Joakim Wållgren Account Manager Helena Bengtsson Associate Creative Director Cristopher Gedda Westrell Art Director Johan Schonfeldt Agency Producer Mark Baughen, Colony

Terrance premiered at Dazed & Confused Magazine: At first he seemed a little shy. Quiet but eager to tell stories, share experiences…but maybe not too much. There is still something opaque about him that signals he’s holding back. After a few questions everything begins to fall into place. As a teenager of 17 years, Terrance’s life experience has led him through trauma and hardship that most adults haven’t had to contend with. He’s lost multiple caretakers, and while he’s been fortunate to stay out of the foster care system, he grapples with deep depression and post-traumatic stress disorder due to grief and an overwhelming sense of loss. His story so far has been dominated with the need to cope with past and present, though he looks forward to a day when he can comprehend what he wants for his future. Physical problems in ourselves and in others can be seen, and there’s often a doctor who can fix them. Mental and emotional problems are a completely different animal. They can be far more challenging to identify, comprehend, and deal with on your own, let alone ask someone for help. It should come as no surprise that teenagers are a group that is especially unlikely to seek help. “People ask me why they can’t see my injury when I return from the health center,” Terrance says. He’s uncomfortable having to explain it, and fears that other students will perceive him as strange. But it was the individual and group therapies available to him at school that is helping Terrance get his life back on track. The feeling that he is not alone, that is can be normal to feel this way, and especially the fact that there are other people with the same situations and feelings have boosted Terrance’s confidence. The results are impressive: Terrance’s attendance and performance at school have both improved drastically, as has his general attitude about his future. There are of course many more kids and teenagers dealing with similar issues, and all of them deserve adequate support. Early help can make a big difference, not only for the individual but also for the greater society (these kids are our future, after all). With the kind of help offered to kids like Terrance by the Los Angeles Unified School District (LAUSD), more students are motivated to finish school and lead a productive life. Greater awareness may be called for more now than ever, especially in communities where young males face considerable pressure to join a gang and young females are statistically more likely to confront a teenage pregnancy. See below for more information about the LAUSD program that has helped our good friend, Terrance.