Chase and Status – Alive


Shot on The Blackfeet Indian Reservation, Montana, USA. Many thanks to the whole Blackfeet Nation and The Crazy Dogs Society for making us feel at home there. CREW: Writer/ Director – Josh Cole DoP – Luke Jacobs Producer – Lundi Shackleton Commissioner – James Hackett Director’s Rep – Otis Bell @ OB Management Associate Producer – Jake Bowers Line Producer – Allison Whitmer Casting Manager/ Production Assistant – Sterling HolyWhiteMountain Sound Recordist / Sound Design – Nick Davies Focus Puller/ DIT Operator – Chris McGaughey Hair + Make-up / Prosthetics – Kate Dixson Octocopter – Josh Lambeth and Noel Lucas @ Birds Eye Productions, Phoenix Location / Unit / Horse Wranglers – THE CRAZY DOGS Rick Ground, Sheldon Carlson, Jay Young Running Crane, Johnny Ground, Leland Ground, Leon Rattler, Larry Ground, Wally Salem, Jason Paul. Post Production Sound Assistant – Gaz Steel Production Trailer – Lena Cassidy EDIT @ THE ASSEMBLY ROOMS Editor – Ruth Hegarty Assistant Editors – Edward Cooper, Katherine Janes and Naman Ali Edit Producer – Polly Kemp POST @ ELECTRIC THEATRE Colour Grade – Houmam Abdallah Flame Artist – Fasa Oyibo Compositing – Ana Siguenza Post Producer – James Drew CAST: Maistoinaa Heavy Runner – Hero Treyace Yellow Owl – Girlfriend Steve Reevis – Father Macile Reevis – Mother Sean Lewis – Lookout/ shooter Robber 1/ Drug Dealer – Philbert Joe Robber 2 – Vallen Crawford Shop Keeper – Amorette Ground Drug Dealer – Clay Spotted Bear House party: Clay Spotted Bear Kordell Big Knife Brandon Running Crane Mariah Kipp Elias Moore Funeral: Sheldon Carlson Jay Young Running Crane Rick Ground Sterling HolyWhiteMountain Roxanne Demarce Cyril Archambault Mariah Kipp Afterlife: Curly Reevis Lila Reevis Feather Still Smoking Jimmy St. Goddard Afterlife music: Larry Ground Special thanks to the Blackfeet Lands Department, Blackfeet Housing, Blackfeet Boxing Club, Browning Video, Roxanne Demarce, Jimmy St. Goddard, Joe Croff and Feather Still Smoking. Also thanks to Tom Wadsworth @ Aerobotix for the amazing rig and Film Scape Media for the lenses.

Pink Floyd Louder Than Words

Pink Floyd has released a music video for Louder Than Words, the last track from their new album, The Endless River. With lyrics by David Gilmour’s wife Polly Sampson, the track acts as a tribute to the connection between musicians in the band, particularly Gimour and keyboardist Rick Wright. The music video ties together 1993 footage of the band recording The Division Bell, 2014 studio footage of Gilmour and Nick Mason, concept art relating to the album cover by 8-year-old Egyptian artist Ahmed Emad Eldin, and footage from near the remains of the Aral Sea on the border between Kazakhstan and Uzbekistan.

Pink Floyd Louder Than Words music video

Director Po Powell found his inspiration for the music video when he saw an image of rusting ships lying in the sand where the river used to flow. “A surreal image if ever I saw one,” says Powell, “and a shocking example of human mismanagement and one of the planet’s worst environmental disasters. The river has shrunk to 10 percent of its original size, destroying the fishing industry and whole townships.”

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Rolling Stone reports that the remote location made for a very challenging shoot. “It’s a journey lasting some 18 hours,” says Powell. “The ships lie a further two hours drive over rough roads carved through the ancient sea bed. The weather was dismal – snowing for some of the time and then a chilly 10 degrees below freezing with 20 mph winds. Just what you don’t need! However, the sun shone for a few hours each day, and we filmed as if our lives depended on it.”

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Pink Floyd Louder Than Words music video

Credits

Filming was shot by Hipgnosis director Aubrey Po Powell, with producer Fiz Oliver, director of photography (UK) Brett Turnbull, editor Laurence Trickett, working with Kochegary Studio, Kazakhstan, with producer Valentin Zakharov, studio producer/location scout Stanislav Kotyay, administrator Danik Korganbayev, aerial film team Dmitry Stupin & Irina Druchinina, camera team Maxim Pupisov and Maxim Pokazeev.

Richard Hogg and Mummu: Hello FutureLearners!

Charmingly sharp character animation in this spot for FutureLearn.com. I got a chuckle out of everyone featured, but really, Lynn steals the show. More about the making-of from the site’s blog: All of our conversations were recorded over the phone, so we don’t know what Anzela, Guljan, Tony and Lynn look like (and who knows, maybe they really do have… Read more »

Paper and ink animation to promote plant based packaging for Coke

Lucinda Schreiber’s “Kiss,” is a 15 second stop motion animation made of paper and ink to promote the new “plant bottles” for Coca-Cola, a new technology which replaces plastics with plant matter. (Agency: Ogilvy NYC)

Aerial Burton 3D display projects images into mid-air #DigInfo


Aerial Burton True 3D display projects images into mid-air
(http://www.diginfo.tv/v/14-0044-d-en.php)

20/10/2014

Aerial Burton
3D Display Project

DigInfo TV – http://www.diginfo.tv

Levi's Brand Name – Robert Abel and Associates 1977


Hi-resolution upload of this milestone commercial for Levi’s created in 1977 by Robert Abel & Associates and Chris Blum of Foote, Cone, and Belding/Honig. Voice-over by Ken Nordine using a re-worded version of one of his Word Jazz pieces. Scored a whopping 59 Burke score for audience retention (achieving a Burke score in low 30’s was usually considered an A+, according to Levi Strauss Creative Director Chris Blum.) Features the first use of motion-control in a television commercial to allow multiple repeatable camera passes in real-time. Fifty-two foot long set was designed in forced-perpective by Richard Taylor for ‘infinite’ feel. ‘Faceless beings’ wearing wet-suits coated with 3M reflective glass spheres similar to those used in street signs were filmed in separate passes against black velvet.

Jessica Lawrence: On leading


Jessica Lawrence talks about what she has learned about leadership from early teenage miscues through her tenure with the Girl Scouts of the USA and on to running NY Tech Meetup, the world’s largest meetup with over 40,000 members.

CES 2012: Aerial True 3D Holo Projector Display


Burton Inc. had an interesting display on 3D projectors. Rather than simply using a screen that had artificial depth to it, they used a single green laser to project onto a blast of ozone within a sealed container. Because the laser was rotating so rapidly, it was quickly burning out from the use, but looked much better earlier in the week.

Home Improvement Theme Song From Every Season


These are all of the openings.

Ten Hours of Princess Leia Walking in NYC


Ten Hours of Princess Leia Walking in NYC

Princess Leia is propositioned numerous times as she walks down the streets of New York City.

Produced and written by Josh Apter (@pjmakemovies) and Gary Mahmoud (@garyleenyc) of Are We There Yet.

Directed and edited by Josh Apter.

Special thanks to http://abracadabrasuperstore.com/ for the great costumes!

And a big thank you as well to Alex Grybauskas for the lightsaber FX!
http://alexgry.wordpress.com/

Filmed on an iPad mini using http://thepadcaster.com/ Turn your iPad into a mobile production studio!

Thanks to great performances from:

Michele McNally…Leia
Nathan…Jawa
Robert…Jawa
Rob King…Lando
Jane…Yoda
Dan Jamieson…Han
Scott Bolohan…Stormtrooper/Luke
Alden Gewirtz…Lobot
Laurence Cantor…Obi Wan
Andrew Ginsburg…Vader

…with Josh Apter as Boba Fett and Gary Mahmoud as The Emperor and Indiana Jones

The Padcaster® is a multifunctional case made from a durable yet lightweight aluminum frame and a flexible urethane insert that holds your iPad securely in place.

You can simply attach The Padcaster to a tripod or turn it into a complete and portable production studio for steady shooting on-the-go by attaching an external microphone, lights,and other camera accessories to enhance filming with the iPad.

The Padcaster is endlessly adaptable and an affordable solution that can satisfy our high expectations for creating videos. The Padcaster is now available for all Apple iPad sizes (iPad, iPad Air and now the iPad mini).

Accessories mentioned – www.filmicpro.com, www.apogeedigital.com/products/jam, www.rodemic.com/microphones/videomic most of which are included with The Padcaster Bundles and can be purchased at www.thepadcaster.com

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