A widower is facing the difficulties of being alone. Without his wife everything seems out of place. The table is set, but there’s no breakfast. He found his trousers but where’s his shirt? A film about loss, loneliness and learning to survive without a soul mate.
Once Upon an Artist is a documentary series that narrates the experiences of the artists from a philosophical and poetic view. Each chapter is an interpretation of their work from a different approach. We use the tool of visual metaphor to redraw what our artists tell about their work. All during their work’s process. In Chapter One, the sculptor Rubén Fuentes tells us how hard was to create a 1’5 meter sculpture made of compact quartz. We follow him throughout his inspirational journey. ************************************************************************** “For a sculptor the material is anything that can be used to generate an object. It may be light, vacuum… Every idea needs a material and each material is a path with different landscapes. I start working at 7… until I drop. Working alone is hard, if you don’t enjoy what you do, you may look for another job Experience is circular, what you learn at first always comes back, and once you complete the circle, you fill the bag of new techniques. When an idea is born inside my head, it is in darkness, nobody can see it. Then I transfer it to a paper, I bring it to light, what lets me show it and see other’s reactions. Materials are the thread where ideas are created. All materials are noble but some of them give different sensations. Some colors are chosen for an emotional affinity. This piece has been designed to be touched. For me, sculpture today can be a way of communicating, a passion, and my way of life to create is to live, in an intense way. Maybe we’re all creators… Even unconsciously” ************************************************************************** Concept & Direction by Marc Guardiola and Pepe Ábalos Cinematography by Marc Guardiola Production Design by Nadia Montero Music by Papu Sebastián Sound Design by Pepe Ábalos Visual Effects by Marc Guardiola Shot on Sony FS700 + Odyssey 7Q Plus + Zeiss Lenses
About the Work
WOW has produced a 4K battle movie that personifies 3D animation software, “Max Man & Maya Man.” The special movie in conjunction with the announcement of the release of new versions of 3D animation software packages “Autodesk 3ds Max®” and “Autodesk Maya®.” This film features a battle scene between robots that personify the unique features of each software package, “Max Man” and “Maya Man.” WOW was in charge of planning, character design, and movie creation.
Autodesk’s special site, the 3D model data for the two characters in the film, “Max Man” and “Maya Man” are made available free of charge for use within the software applications. Also, by providing free trial versions of the software packages and an environment that makes it easily accessible, they hope to spark an interest in VFX among new users and the younger generation. They plan to release 3D print data for Max Man and Maya Man, so it will be easy to make 3D prints of the characters.
作品について
3Dアニメーションソフトウェア「Autodesk 3ds Max®」および「Autodesk Maya®」の最新バージョンの発表に合わせ、4Kのスペシャルムービーを制作。各ソフトの特徴を擬人化したロボット「Max Man」と「Maya Man」に見立て、二体のバトルシーンを描いた。WOWは、企画、キャラクターデザイン、ムービー制作を担当。
オートデスクのスペシャルサイトでは、ムービー内で登場する二体のキャラクター「Max Man」と「Maya Man」の3Dモデルデータを無料で提供。同ソフトウェア上でキャラクターを使用した制作体験が可能。また、ソフトウェアの体験版も提供しており、若い世代や新規ユーザーが、よりアクセスしやすい環境、VFXへの興味喚起を狙いとしている。3Dプリント用のデータも公開予定となっており、「Max man」「Maya man」を気軽に3Dプリントすることも可能。
Staff
Director / Designer：Tomoya Kimpara
Music：Tokuro Oka
Producer：Hiroshi Takahashi, Shinichi Saeki
About the Work WOW has produced a 4K battle movie that personifies 3D animation software, “Max Man & Maya Man.” The special movie in conjunction with the announcement of the release of new versions of 3D animation software packages “Autodesk 3ds Max®” and “Autodesk Maya®.” This film features a battle scene between robots that personify the unique features of each software package, “Max Man” and “Maya Man.” WOW was in charge of planning, character design, and movie creation. Autodesk’s special site, the 3D model data for the two characters in the film, “Max Man” and “Maya Man” are made available free of charge for use within the software applications. Also, by providing free trial versions of the software packages and an environment that makes it easily accessible, they hope to spark an interest in VFX among new users and the younger generation. They plan to release 3D print data for Max Man and Maya Man, so it will be easy to make 3D prints of the characters. 作品について 3Dアニメーションソフトウェア「Autodesk 3ds Max®」および「Autodesk Maya®」の最新バージョンの発表に合わせ、4Kのスペシャルムービーを制作。各ソフトの特徴を擬人化したロボット「Max Man」と「Maya Man」に見立て、二体のバトルシーンを描いた。WOWは、企画、キャラクターデザイン、ムービー制作を担当。 オートデスクのスペシャルサイトでは、ムービー内で登場する二体のキャラクター「Max Man」と「Maya Man」の3Dモデルデータを無料で提供。同ソフトウェア上でキャラクターを使用した制作体験が可能。また、ソフトウェアの体験版も提供しており、若い世代や新規ユーザーが、よりアクセスしやすい環境、VFXへの興味喚起を狙いとしている。3Dプリント用のデータも公開予定となっており、「Max man」「Maya man」を気軽に3Dプリントすることも可能。 Autodesk Website▶http://area.autodesk.jp/maxman_mayaman/ YouTube 4K Movie▶https://www.youtube.com/watch?v=29bsyXXtlio&feature=youtu.be Staff Director / Designer：Tomoya Kimpara Music：Tokuro Oka Producer：Hiroshi Takahashi, Shinichi Saeki
Please listen with headphones on, volume up Sub Pop http://u.subpop.com/lese_majesty Directed by Stephan Gray Produced by Zack Tupper VFX by Traver Hoar, David Godwin, Joe Garber Colored by Joel Voelker Shot/Edited by Stephan Gray Label: Sub Pop Records Images and Video courtesy of the Earth Science and Remote Sensing Unit, NASA Johnson Space Center http://eol.jsc.nasa.gov Additional images provided by NASA from the Hubble & Cassini missions. Please go visit these galleries! – http://www.nasa.gov/mission_pages/hubble/main/index.html – http://www.nasa.gov/mission_pages/cassini/main/index.html Go check out ALL of NASA’s image galleries. It’s incredible content. In case those wondering out there, there are slight variations in this version because of last minute decisions I made. Sub Pop and Shabazz both approved this cut, I just didn’t get it to them in time.
Mexican beer Cerveza Indio is running an advertising campaign featuring the work of cinematographer Emmanuel Chivo Lubezki. Cerveza Indio is marketed as the rebel or underground beer of Mexico, with communication strategy focused on creativity and artistic expressions, such as alternative music, urban art and design. The current campaign hopes to broaden beyond the underground niche to connect the creative, artistic, rebel essence with a wider audience. Emmanuel Lubezki, a three time Oscar winner widely admired in Mexico for his film work, presents a challenge to young people to let go of their fear and search for the authenticity within them. Lubezki was filmed over three days at work in Los Angeles, with the support of fellow director of photographer Alexis Zabé and film director Arturo Pereyra. Lubezki too the team to his favourite places, Los Angeles Theatre, where the light inspires him the most, giving viewers a chance to see him at work, along with the results of his work. The self portrait was aired during the 2016 Oscars, the first commercial after Chico received his his third consecutive cinematography Oscar, for The Revenant, following on from Gravity (2014) and Birdman (2015). The film directs viewers to the Indio site, lubezki.indio.com.mx, where they can explore further Lubezki’s work.
The Cerveza Indio Chivo Lubezki campaign was developed at Montalvo by chief creative officer Pepe Montalvo, copywriter Agustín Vélez, art director Sergio Díaz Infante, account director Romina Levi and agency producer Gilberto Amézquita.
Filming was shot by director Arturo Pereyra with producer Salvador De La Fuente, directors of photography Emmanuel “Chivo” Lubezki and Alexis Zabé. Music is by Max Richter.
In this video I look at the various ways filmmakers use slow motion. Help support the videos – https://www.patreon.com/thediscardedimage For educational purposes only. Follow Me: https://twitter.com/julianjpalmer https://www.fb.com/DiscardedImagery If you would like to embed this video onto your blog, or website, please use the YouTube version – http://bit.ly/1Y6zL9M
We made a gummy bear piñata. Then we put it on a drone. Then we destroyed it. Thank you for 2 billion views on YouTube!
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Classics ads for products still sold, including: Florida Citrus, Glade, Maxwell House, Borden’s milk, Pampers, Dawn, Sugar Crisp, and a brand of booze. Gee whiz, that Sugar Crisp ad featuring “Friday” is weird, just weird. It had previously been rejected for inclusion in a previous volume, but I am running low on ads so it got included. These ads were drawn from the adviews section of the Internet Archive, a big section which constantly attributes ads to the wrong decade. Because of that I am not certain on the dates of these commercials.
A collection of earthworks in motion made in 2015. All locations are within the Minneapolis/St. Paul metro area. Elapsed time for each stop motion clip is around 1 to 2 hours. -Music Clip: “Strange” by Hidden Orchestra -Shot with remote triggered Nikon D600 -Edited with Adobe Premiere Pro
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
