Mar
10
Viz Images: People Silhouettes
Posted in: 1300 high-resolution images of people silouettes are provided in the common PSD, TIF, JPG and EPS formats.
Mar
10
Swimming Pool 3D Models
Posted in: 1100 very detailed and fully textured 3D-models of important details for private and public swimming pools, wellness areas and whir…
Mar
10
Revv-ealing effects: Drive Angry 3D
Posted in: 1Revv-ealing effects: Drive Angry 3D
Director Patrick Lussier’s Drive Angry 3D tells the fantastical story of a vengeful father who escapes from hell to save his granddaughter. VFX supe Glenn Neufeld takes fxguide through the key effects shots and how he used them to help slowly reveal some of the film’s key surprises.
Mar
09
Camaro Training Video
Posted in: 1This training contains a complete series of video tutorials which shows you how to design, animate, rig a fully functional 3D car
Mar
09
an(i)ma is the fastest stand-alone character animation application developed especially for architects and designers, ideal for st…
Mar
09
Exocortex, is pleased to announce that Momentum 2.0, the ultimate high speed multi-physics simulator, is now immediately available…
Mar
08
Female Textures Sources
Posted in: 1Use these professional, 100% real pictures of a female model in order to create textures for your very individual 3D-characters.
Mar
08
Meshmixer 03 Released
Posted in: 1This is a complete UI rewrite with lots of improvements, including 64bit and OSX versions. As always, this is a free download.
Mar
08
Back to NBA’s future with a52
Posted in: 1Back to NBA’s future with a52
Vancouver. 1996. A young Steve Nash is visited by a fan from the future whose life was changed by the NBA superstar. But it’s all thanks to visual effects from a52. Lead Flame artist Glyn Tebbut talks to fxguide about how this ‘Nash’ future kid spot for the NBA was realised. Includes a making of clip.
Mar
07
Rendering a Toy with Mental Ray
Posted in: 1Setup the scene, create the different materials of same product and render the same and explained with video tutorial too.
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