Hasta La Motion!

GRAVE OF THE FIREFLIES (HOTARU NO HAKA, 1988) by Takahata Isao is a prime example of how naturalistic colors are organized into restricted concepts that help “make the film more easily understood” (to quote character color stylist Yasuda Michiyo). This color analysis is based on the official Blu ray transfer, i.e. a stellar digital restoration which – for several reasons – may or may not replicate the exact colors of an original 35mm print from 1988. For studying and educational purposes only. No copyright infringement intended. If you have any concerns about this video essay, please contact me directly through the comments or private message. Thank you!