Don’t Box Yourself In: Four Reasons why Creative Exploration is Good for Your Career
Posted in: AnimationDirector and Creative Director at Scholar studio, Michael Tavarez, tells us why having a ‘specialty’ isn’t the only way to survive and thrive in Motion Design.
WTF are NFTs? | A call for articles
Posted in: AnimationThis is an open call for articles about your experiences with NFTs and the Metaverse.
As a director, Soloff specializes in and takes particular care to engage the viewer with fast-paced movements, using vivid colors as a descriptor of how one feels and wants to express themselves. Much of Soloff’s art is grounded in movement, whether it be a great deal of camera movement or dynamic movement direction with his subjects.
Heckler… Van Gogh, Lexus and The Lume…
Posted in: AnimationWorking with such a versatile, multifaceted landscape such as ‘The Lume’ was like nothing I’ve experienced before. Finding the rhythm of the piece across 30 large scale screens allowed me as the editor to provide the audience with a deeper visual and sensory experience.
Revenant represented by Horton-Stephens
Posted in: AnimationHorton-Stephens have a proven track record of working with the some of the best in stills photography and motion design. Throughout their years of experience they have also nurtured excellent relationships with advertising and creative agencies and are trusted in delivering high quality productions.
Whether your notepad is packed full of resolutions or you’re already back on the cakes and biscuits, there’s still one thing we need to do before we can officially kick start 2022. So, grab yourself a coffee, take a seat, and take a look through our best performing Quickies of last year.