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POGO prepares for the month of May with ‘Sun Sunny Bheem’

POGO has unveiled plans for the summer season with ‘Sun Sunny Bheem’ – a series of fresh content starring superhero Bheem – which will be aired throughout May.

 In its bid to offer hours of fun and entertaining content to young viewers, POGO will telecast four different locally-made animated shows featuring Bheem, who will be seen in his many avatars. Another fresh series Chhota Bheem KungFu Dhamaka will air between 1 to 9 May, every day, at 12.30 pm.

Kids can also be entertained by new Bheem movies every day as part of Bheem Ka Daily Dose starting Friday, 1 May onwards, at 11.30 am, this also includes a movie premiere Chhota Bheem Aur Arazim Ka Raaz’ on Sunday, 10 May at 11.30 am. In addition to this, they can also catch new episodes of Super Bheem every afternoon starting from 11 May, Monday to Friday, at 12.30 pm.

Speaking on the announcement Cartoon Network and POGO South Asia network head Abhishek Dutta said, “Since its inception, ‘Bheem’ has been immensely popular among kids, who look up to him for his actions and values. Over the years, the character has led to several popular IPs that resonate with our young viewers. We are delighted to present the ‘Sun Sunny Bheem’ on POGO, that will air fresh content starring Bheem every day. With this launch, we are looking forward to creating a fun, engaging and entertaining summer for young fans.”

 In addition to ‘Sun Sunny Bheem’, POGO will also continue to air other popular comedies in May such as Grizzy and the Lemmings. The shows will be available in Tamil and Hindi.

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Monster Hunter World: Iceborne Alatreon Update Delayed Due to Coronavirus

Capcom’s recent tweet confirmed that the fourth free title update for Monster Hunter World: Iceborne has been delayed due to the COVID-19 pandemic. The game’s production has been impacted that has led Capcom to postpone the update. The tweet also reveals that voice over production for the French, Italian, and Spanish versions has been affected and it will be replaced with simplified recordings.

Capcom has also updated the title roadmap to show changes in production. The update will have the black dragon Alatreon, along with Alatreon weapons and armour. Monster Hunter World: Iceborne recently introduced Arch-Tempered Namielle and Master Rank Kulve Taroth as well as a tier of layered weapons.

The development team writes: “Unfortunately, coronavirus related impacts on production have made it necessary to postpone the release of the fourth free title update for Monster Hunter World: Iceborne […] Thank you very much for your continued support and patience. From all the development team at Capcom, happy hunting and stay safe!”

The game has featured some exclusive Event Quests, which will be extended in the future as Capcom is working on the next update.

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DreamWorks ‘Kipo and The Age of Wonderbeasts’ will return to Netflix worldwide in June

DreamWorks created animated series, Kipo and the Age of Wonderbeasts, which is popular on Netflix, has officially been renewed for a second season on the streamer. The new teaser for season two of Kipo and the Age of Wonderbeasts shows the return of Kipo, Benson, Wolf as well as mutant characters Dave and Mandu. It also teases some new characters that fans can expect to see in season two.

The series is created and executive produced by Radford Sechrist (story artist, How to Train Your Dragon 2) and executive produced and developed for television by Bill Wolkoff (writer, The Man Who Fell to Earth).

The cast features Karen Fukuhara (She-Ra and the Princesses of Power) as Kipo, Sydney Mikayla (General Hospital) as Wolf, a weapon-wielding survivor; Coy Stewart (The Blacklist) as Benson; Deon Cole (black-ish) as Dave, a talking insect; and Dee Bradley Baker (Star Wars: The Clone Wars) as mutant pig Mandu.

Sterling K. Brown (Frozen II) returns as Kipo’s father Lio Oak; Dan Stevens (Legion) as the power-hungry Scarlemagne; Jake Green (The Boss Baby: Back in Business) as mod frog Jamack; Lea DeLaria (Orange Is the New Black) as Timbercat Molly Yarnchopper; and Amy Landecker (Transparent) as the mysterious Dr. Emilia.

Kipo and The Age of Wonderbeasts will return to Netflix worldwide on 12 June.

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MyTeam11 unveils their Rummy platform MyteamRummy

MyTeam11-One of a fantasy sports platform aiming to offer their user base with something new as they announced the launch of MyteamRummy today.

MyTeam11 which already has fantasy sports offerings like Cricket, Hockey, Volleyball, Basketball, Kabaddi, Football, Handball and Baseball also launched MyTeam11Quiz earlier this month, giving the users a new dimension on their platform. MyteamRummy will follow suit to become the second new offering coming from the fantasy gaming giant in the month of April.

MyteamRummy will allow users to enjoy a 13-card Rummy game with competitors from across the nation. The USP with which the game is being launched includes an Rs. 2000 Sign-up bonus for all the new users and Rs 1000 bonus on each successful referral by an existing user. Moreover, if the user already has an existing MyTeam11 user ID he/she can use the same to sign-up with MyteamRummy.

Speaking about the launch of MyteamRummy, MyTeam11 CEO and co-founder Vinit Godara, said, “MyTeam11 has grown slowly and gradually to become a prominent name in the online gaming ecosystem. An intriguing game like Rummy was the need of the hour and it was something our users were waiting for. To our advantage, Rummy doesn’t have a season and isn’t dependent on ongoing sporting events. With the addition of such a traditional game to our bouquet, MyTeam11 wants to tap a very potent user base who just wants to participate in online gaming for fun and entertainment. The ongoing COVID-19 situation has led to LIVE sports coming to standstill and has demanded innovations. Since the last four years, the brand has stuck to its core value of leading by example in product innovation and ensuring that our user base always has something to look forward to. I strongly believe that MyteamRummy will prove to be a great fit for people across the country.”

The decision to launch MyteamRummy was taken after thorough market research and further supplemented by key industry studies like KPMG’s report in 2019 and a report in 2020 on India’s Media and Entertainment Sector titled ‘The era of consumer A.R.T. – Acquisition Retention and Transaction’ by Federation of Indian Chambers of Commerce & Industry (FICCI) and consulting firm Ernst & Young (EY).

Both the studies predicted a steep growth in the online gaming industry over the coming years. The former estimated a compounded growth rate of 32 per cent over a five year period approximated to a value of Rs 25,000 Crores in FY24. The 2020 study by FICCI and EY, on the other hand, indicated a growth rate of 43 per cent over the next three years approximated to a value of Rs 18,700 Crores. In both cases, Rummy will have a pivotal role to play as the studies suggested. The users can download MyteamRummy both from Myteamrummy official page and from the MyTeam11 application.

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The Oscars tweaks rules because of Coronavirus

Given coronavirus pandemic’s impact on Hollywood, The Academy of Motion Picture Arts and Sciences announced new rules on Tuesday for the 93rd Academy Awards that will allow movies that debuted on digital or streaming platforms to qualify for Best Picture. There are catches, however, the foremost being that this is an exception made for this year’s Oscars race only and not in perpetuity.

The Academy’s current rules need a film to be shown in a commercial movie theater in L.A. County “for a theatrical qualifying run of at least seven consecutive days, during which period screenings must occur at least three times daily.”

There are provisions. The Academy dictates:

  • The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  • The film must meet all other eligibility requirements.

From now on, but for only the 93rd Oscars, films that were previously planned for theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards.

 

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British Esports Association partners with Pearson to offer BTEC qualification in esports

The British Esports Association has partnered with British educational company Pearson to devise a BTEC qualification for esports. The qualification is said to be “skilled-focused” and a “major step forward” in creating esports careers in the United Kingdom.

According to Newzoo, the esports industry is projected to generate revenues of $1.1 billion in 2020 with the total esports audience set to rise to 495m.

British Esports Association chairperson Andy Payne said, “Esports is a growing, exciting industry that many young people are looking at with interest and it’s important they have the opportunity to unlock their potential and be the leaders of tomorrow. The industry is still finding its feet, but with big names like Pearson coming on board to bring learning and curriculum design expertise, this bodes well for the future workforce.”

These qualifications are a unique development that can elevate esports education in the UK and around the world. Payne added, “We have taken our time to ensure the qualifications are as comprehensive and high quality as possible, in order to provide students with a valuable qualification that will give them the knowledge and skills they need to pursue a career in esports, video games, tech or other related sectors.”

The esports BTEC from the British Esports Association and Pearson will be available for institutions in the UK – and internationally – to offer from September 2020. Funding has been confirmed from the Education and Skills Funding Agency in the UK.

Pearson senior vice president BTEC and Apprenticeships Cindy Rampersaud added: “The world of esports offers huge employment potential both in the UK and across the world and these new BTEC qualifications will give learners the knowledge and skills they need to build a career in this exciting sector. We have worked closely with industry experts to create a career-focused set of qualifications that will support the rapid growth of the esports sector and offer learners a pathway into working in esports and related industries.”

The BTEC level three course comprises of 20 units, including skills such as entrepreneurship, strategy and analysis, events management, live-stream broadcasting, casting, coaching, health and wellbeing, law and legislation, and video production.

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Irrfan Khan : Remembered through the lens of animators, comic artists and illustrators

2020 is of no good till now! While the country is grappling with deaths due to the COVID-19 pandemic, renowned Bollywood actor Irrfan Khan passed away today, 29 April, aged 53, succumbing to a two year fight with neuroendocrine tumour.

Khan was diagnosed with the tumour in 2018 and underwent treatment in the UK for a year, before returning in February 2019. He was admitted to Mumbai’s Kokilaben Dhirubhai Ambani Hospital on 28 April 2020, for a colon infection. Surprisingly, his mother died four days ago on Saturday, 25 April in Jaipur whose last rites he couldn’t attend.

An actor par excellence, Khan breathed life into various memorable characters from Maqbool, to Haider, Paan Singh Tomar, The Lunchbox, Hindi Medium, Karwaan, Piku, Qarib Qarib Single, Salaam Bombay, Angrezi Medium and many others. His versatility, emotive eyes and expressions made him one of the best actors in Indian cinema. He also achieved considerable success in the West with films like The Namesake, Life of Pi, Jurassic World, Slumdog Millionaire, Inferno, The Amazing Spider-Man and so on.

His untimely demise has shocked the country as well as the foreign film fraternity. The country mourned the death of one of its beloved actors. Condolences and posts have flooded social media prompting actors, fans, politicians from across the world to express their grief at his death. Animators, comic artists, illustrators and graphic novel artists have also paid tribute to this legend through their artworks. Here are our few picks – 

Saswata and Susruta Mukherjee (Bob_Almost and Almost_Bobby) – Animators, illustrators and graphic artists

Shared the brother duo with us, “For reasons unknown we often grow a very personal bond with people we’ve never met. Irrfan Khan’s demise felt like a very personal loss. We were heartbroken when he was diagnosed with neuroendocrine tumor back in 2018. Today we feel so devastated. I’m sure many have felt this way. Deep down we believe an artist of his stature can never die. Wanted to express that feeling through an artwork of Roohdaar, one of our favorite characters played by him. The Lunchbox and Maqbool are two of our favorite Irrfan Khan performances.”

Mahfuj Ali (MAli’s) – graphic illustrator

Deeply saddened he said, “It’s really difficult to express my feelings in words, when I heard the news, I wished it was fake. I knew Irrfan Khan from those Sunday mornings of Chandrakantha. From there he made himself one of the finest actors ever. He had something special in his acting ability which made him very close to my heart. He made every character distinct. A romantic comedy role in life in a metro, a bandit in Paan Singh Tomar, police officer in Talvar, Maqbool, Life of Pi, all of these movies are memorable because of him. I especially like his comedies like Karwaan, Qarib Qarib Single, and of course Piku. In Piku he made us a part of that journey and we still wish to be within his car. Someone said it’s not just a star that has fallen. He is more than a star. He was a galaxy and he will be in our hearts forever.”

Sourav Mukherjee – Graphic illustrator and artist

Added he, “I feel he is the most versatile and honest actor of our generation. His demise is a huge loss for the art that we call cinema. No one can match the way he delivers his lines, even the pauses with his eyes. Initially I thought of making a single portrait of him to pay my tribute then I thought a person who can pull off a ‘hopeless romantic in Qarib Qarib Single’ or ‘ a rebel in Paan Singh Tomar’ or a ‘calm yet frightening Don in Maqbool’- with equal panache, no art can justify that much in one single portrait. That’s why I chose to draw all my favourite Irrfan khan’s characters in one frame. My all-time top five Irrfan khan films will be- Billu, The Lunchbox, Paan Singh Tomar, Qissa and Maqbool.” (Order backwards from 5 to 1).

Dapoon Rai Dewan – animator at Vaibhav Studios

Dewan commented, “I’ve always been a huge admirer of Irrfan Sir and his amazing ability to diversify so effortlessly. He’s one actor who gives me something to remember him by. Be it commercial cinema or parallel, the way he slips into each of them so comfortably was something I could never tire of. I constantly watch and rewatch his performances and one liners countless times, and even enact the same with my friends. Even in his interviews, he seemed so relatable and approachable. His loss is like a loss of a relative. Like someone I knew personally is no longer there and I will never be able to see again. It’s just an extremely unfortunate turn of events.

All of his performances have stayed with me. But here are the ones I’ve rewatched countless times – Namesake, Life of Pi, Life in a Metro, Lunchbox, Dil Kabbadi and Karwaan.”

Satrajit Choudhury – Comic Artist at Comics by Satra

Griefstricken Choudhury noted, “Irrfan Khan’s demise is the greatest loss of the decade, for Indian as well as world cinema. Irrfan was one of the rare actors who would light up the screen even without a single dialogue. My favourite films of this magnificent actor are Maqbool, Haasil and Namesake.

Rohan Chakraborty – Comic Artist at Green Humour

“He has been one of my favourite method actors. I have always seen him as India’s answer to Daniel Day Lewis. A lot of his fans would reminisce about his more notable performances like Paan Singh Tomar and Life of Pi at this time, but for me his brief but mighty performance as Roohdar in Haider stands out. There are several things his character represented in the film, one of which was a catalyst to wage battle with your own inner demons. Nobody else could have brought out that philosophical depth in the character like Irrfan did. My most favourite performance of his is Maqbool. I’m a big cinephile, and his demise has felt like a very personal loss,” expressed Chakraborty. 

Kalpesh Khare – founder and art director at Innvention Studio

Khare stated, “Irrfan khan was one of my favourite actors and was also an inspiration to me as an artist and as a person. I have observed him speaking more through his eyes which I have also tried to mention in my today’s artwork. I loved and admired his performances especially in movies like Hindi Medium, The Lunchbox, Madaari, and so on. He has left behind a legacy of achievements to inspire us.”

Arko Chakraborty – animator, graphic artist and illustrator

Mentioned he, “My first experience with the talent of Irrfan Khan was in the film Maqbool. There I was awestruck by his character which is an adaptation of Shakespeare’s Macbeth. I was fascinated by his eyes, so expressive yet so cold. But the interesting thing about that as I was discovering his other characters in different films and television works, that intensity in the eyes stayed the same but it was constantly changing and complementing with the characters he was portraying, whether its a cold blooded killer or a sympathetic father. There are very few actors who can achieve that kind of perfection. And Irrfan Khan was one of the finest of that group.”

Personally, my spontaneous remembrance of Khan goes back to the enigmatic Roohdaar who gave a new dimension to Hamlet’s ‘Ghost’ in Haider. To a literature nerd like me, that was a sheer delight. It also goes back to the adult Pi Patel who’s strong yet vulnerable and deeply pained because of the unrequited friendship with Richard Parker in Life of Pi. Khan bidding adieu to the mortal world has made innumerable people feel gutted as if it’s a personal loss. But that’s how people like he goes – silently, like a whimper who came, created history and left without saying a goodbye. Just like Richard Parker!

Rest in peace and cinema, Sahabzade Irrfan Ali Khan!

Irrfan Khan in Life of Pi

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Synamedia partners with Google Cloud to maximise its OTT offerings

Synamedia, one of the world’s largest independent video software providers, has joined hands with Google Cloud to expand its video network portfolio with new over-the-top (OTT) offerings ‘as a service’.

With this partnership, Synamedia will be able to further address customer needs for high availability, increased scalability and maximised performance for OTT services while simultaneously reducing operational costs and complexity, particularly with live sports events. The tech innovators have come together to maximise OTT service uptime and achieve broadcast quality latency.

To leave a mark in the new video landscape, service providers require similar viewing experiences between live broadcast and OTT streams at scale. One primary challenge for OTT services is latency, often airing delays up to a minute behind traditional broadcast TV, commonly referred to as the “goal effect.” 

This collaboration will enable both OTT streaming services and traditional broadcasters benefiting from Google Cloud’s best-in-class low latency network and Synamedia’s best-in-class low latency solution for live linear video delivery. Synamedia achieves this from content ingestion to OTT device delivery in five to seven seconds – equivalent to broadcast capabilities.

Speaking about the partnership, Synamedia senior VP and video network general manager Julien Signes mentioned, “As the live TV landscape shifts toward OTT delivery, the industry needs technology that matches what viewers have become accustomed to with premium digital TV services. Thanks to our partnership with Google Cloud, we are enabling the Infinite Entertainment viewers expect, without delay and with the highest quality.”

Synamedia will leverage Google Kubernetes Engine (GKE), an enterprise-grade platform for containerised applications, to enable customers to scale as they grow with an end-to-end automation pipeline that can ramp up media processing workflows in minutes and recover from disasters more quickly than ever before. This video network “as-a-service” offers unifies previously siloed workflows on one platform, making operations more seamless and deployment faster.

This partnership will also bring together artificial intelligence and machine learning innovation from both companies to enable customers to create powerful content and better media experiences. Intelligent pattern matching techniques allow deep content awareness in media workflows, providing premium experiences such as live sports with minimal bandwidth requirements.

A recent report has disclosed a 58 per cent year-over-year increase in streaming video consumption in 2019. As more viewers look to OTT services for video content, OTT service providers can reach enhanced video network stability and maximised channel uptime with Synamedia’s proven high availability deployment options on Google Cloud Platform (GCP).

Google Cloud media & entertainment industry solutions managing director Anil Jain added further, “We’re excited to partner with Synamedia to help advance the future of streaming video and entertainment. By delivering Synamedia’s portfolio of OTT solutions, running as a service on Google Cloud, we can deliver high-uptime, low-latency, and scalable video services to businesses around the world.”

Synamedia’s video network portfolio includes award-winning services and solutions that enable secure distribution, processing and delivery of media.

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