5 talks you have to see at VIEW

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One of the great things about the VIEW Conference – taking place 22-26 October in Turin, Italy – is that you can basically sit down in the morning and stay all day to watch wall-to-wall incredible VFX and animation talks. And you can do that all week. It’s basically one inspiring speaker after another.

This year, VIEW’s programme is pretty much jam-packed with notable speakers, so that’s exactly what I’ll be doing each day: plonking myself down and listening about the latest in feature film, TV show and immersive entertainment until the end of each day.

If you’re still tossing up whether to head over to VIEW, I thought I’d highlight just five of the many talks on offer this year, and why I think they are likely to offer something different than what you might see elsewhere.

1. Magic Leap’s John Gaeta

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Everyone seems to know John Gaeta from the Matrix films and ‘bullet-time’ – and why wouldn’t you? That work will be ever-lasting in VFX history. But since then, Gaeta has gone on to do some amazing things, including at ILMxLAB and now at Magic Leap. His talk, ‘What is the Magicverse?’, is sure to give an insight into the, until now, largely secretive company and what it is doing in the AR/MR space.

2. ILM’s Dennis Muren

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Dennis Muren could talk about just one of the many, many films he’s worked on, and it would be something I’d definitely see. But it’s his accumulated knowledge about filmmaking, ‘shots’ and the visual effects process that will be part of his talk, ‘Defining that critical, elusive & final 5%’, and that is something rarely discussed in this industry. Muren has been ‘threatening’ to write a book on the subject for years – you can count on him sharing some incredibly rich morsels of information in his talk.

3. Pixar DOP Danielle Feinberg

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When you watch a normal live action film, if the cinematography is good, you probably don’t even realise the kinds of additions it is making to the story. That’s now the same way I feel about Pixar films. Director of photography Danielle Feinberg will be, in her talk ‘The Art of Cinematography: Storytelling with Light’, showing how camera and lighting are a huge part of animated storytelling on films like Coco, just as they are in live action.

4. Westworld VFX supervisor Jay Worth

Westworld

I’m the first to admit that season 2 of Westworld kept bamboozling me, right up until the end (and afterwards). One thing that works so well amongst the chaos, however, is the invisible effects work. Readers will know I am OBSESSED with invisible effects, and Worth’s talk on Westworld will reveal the VFX work in the HBO show that you probably didn’t even know was there.

5. The Breadwinner director Nora Twomey

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There’s something about Cartoon Saloon that makes their animated films stand out from the rest. Whether it’s embracing culturally relevant stories, or finding different emotions in their stories, the studio has managed to produce vastly different, and relevant, films. Cartoon Saloon’s Nora Twomey, who directed the Oscar-nominated The Breadwinner, is going to explore that further in her talk ‘Finding the intersection between empathy and entertainment’.

The full program is now online for VIEW – check it out at https://www.viewconference.it/pages/program. Now’s the time to buy tickets for the event, which also happens to be at a new venue, the OGR – Corso Castelfidardo. See you there!

2D tools and what they let you do in 3D

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For Cartoon Brew, I wrote about the 3D and 2D cross-over in some of the top animation tools. It’s amazing what can be done nowadays.

25 years of Nightmare Before Christmas

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I talked to director Henry Selick about his film, The Nightmare Before Christmas, which is celebrating its 25th (!) anniversary this year. Check it out at Cartoon Brew.

Puppet time

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For VFX Voice, I asked Stargate Studios VFX supe Sam Nicholson about the crazy work involved in making The Happytime Murders possible.

MPC’s creature tales

CreatureTales

Go behind the scenes of MPC’s Creature Lab in this new – and very practical piece – in 3D World magazine.

Dermodex Unphotographed Album for Late Adopters

Reckitt Benckiser nappy rash brand Dermodex has launched the Unphotographed Album (O Álbum Nunca Fotografado), in association with Brazilian National Adoption Day (May 25). Late adoption in Brazil is still rare in Brazil, often associated with various myths and prejudices. Today, 92% of children who are waiting for adoption are over 7 years old. However, of the 37,000 parents who want to adopt, only 9% welcome children of that age or older, according to data from the National Justice Council. Dermodex brand worked with BETC São Paulo to run an experiment with three Brazilian families, allowing late-adoption parents to see themselves, for the first time, with their children in what would have been special moments from their birth day to the present.

Dermodex Unphotographed Album

Three couples – Ester and Moacir, Cacalo and Zé Antônio, and Malu and Joachim – were honored with The UnPhotographed Album. Through an album of memories, these parents had the opportunity to see themselves next to their children, since each of their child’s birth day. After months of detailed research, studying the past of those families before the adoption, BETC São Paulo found out which moments and stories the parents and their children would like to have lived together. From this, in partnership with Studio Ícone, they created customized albums full of realistic illustrations, bringing unforgettable images of those families, from moments that would have happened before they met: diaper changing, birthday parties, weddings, garden games, among many other situations.

“If I could choose a moment, I would like them to be my little bridesmaids, so they would enter the church hall with me on my wedding day. They would be two little ones!”. comments Ester, who, along with Moacir, adopted Sabrina at age 7 and then Ketelyn at age 11, and had one of the illustrations materializing this desired moment.

The activation also brings the love at first sight of Cacalo and Zé Antônio with Matheus, who was born with a serious vision problem that did not stop him from reaching a new home at age 7. “This translates all my thoughts of all those years. Everything I thought I could have lived with him” says Cacalo on the film.

“All the time we did not have is here, on this album” says Malu, next to her husband Joachim. The couple adopted the three biological sisters Gabriela, Rafaela and Emily, who were 6, 4 and 3 years old, respectively, at that time.

With the message “They were already a family. They just hadn’t met yet”, the film can be seen in Dermodex’s social networks, and it also invites people to form new families inspired by those stories.

Dermodex Unphotographed Album Credits

The Unphotographed Album was developed for Reckitt Benckiser at BETC São Paulo by chief creative officer Erh Ray, executive creative director Rodolfo Barreto, creative director Daniel Schiavon, copywriters Americo Vizer, Chico Lucas, Fillipe Abreu, Pedro Rosas, art director/typographer José Pedro Bortolini, art directors Michel Morem, Gabriel Marcondes, Savio Hatherly, brand and business team Daniela Keller and Luana Gregorio, communication/PR officer Camila Nakagawa, strategist Utymo Oliveira, channels team Carlinha Gagliardi, Felippe Sobrinho and Artur Martins, production team Mariane Goebel, Ana Lucia Marques and Tiago Hasegawa, graphic production team Gilmar Mendes, Renata Germani, Juliana Arantes, Carlos Valeriano and Plínio Junior, working with Reckitt Benckiser marketing team Alan Kirszenwurcel, Fernanda Inoguti and Márcio Aguiar.

Filming was shot by director Claudio Cinelli via Trator Filmes. Sound and music were produced at Jamute.

Illustration was produced at Estúdio Ícone. Printing was done at Gráfica P+E.

ORB Release Date!

Our new plug-in and Tutorial for ORB is launching tomorrow! Release Date: 9-18-2018 I would write more but there’s work to do!

 

Create 3D Glossy Metal Text in After Effects (No Plugins Required)

In this 3D After Effects tutorial, you will learn how to create glossy metallic text and logos without having to use third-party plugins. Free download included!

If you have the Adobe Creative Cloud, then you have the tools to create simple 3D animations like logo reveals and flying text. With After Effects, you can create this glossy 3D metal logo animation, and you can make it without having to use additional plugins.

Now you can use the text of your choice, or any logo file to follow along. I’m going to use the Greyscalegorilla logo Illustrator file, and in After Effects I’ll turn it into a Shape from Vector Layer. Then we will dive into settings, extrusions, lighting, and animating the logo. 

Before diving in, you can download the project file to follow along or breakdown my scene.


Free Download

Click the button below to get the Free After Effects project file.

FREE DOWNLOAD


Tutorial: Glossy 3D Metal Logo in After Effects

Ready to render? Let’s get started in After Effects.

I hope you find this tutorial helpful, and if you want to learn more about 3D in After Effects, we have more no-plugin After Effects only 3D tutorials here:


If you are ready to master After Effects and the Adobe Creative Cloud, check out the Motion Design 101 training series. It’s an in-depth guide to motion design that you can stream at your own pace.

The series includes nearly 100 videos with over 35 hours of training and bonus content, all lead by world-renowned creative Jr.canest. (You can learn all about his work here.)

Learn more about the professional training series here.


For tutorials on 3D text and titles in Cinema 4D, check out these Greyscalegorilla tutorials.

The post Create 3D Glossy Metal Text in After Effects (No Plugins Required) appeared first on Greyscalegorilla.

The Top Ten New Features in Light Kit Pro 3

Want to learn more about the Light Kit Pro 3 plugin for Cinema 4D? Here are our top ten new features in action.

Did you know Light Kit Pro 3 is the biggest plugin ever built by Greyscalegorilla? It’s so much more than just lights! Packed into the over 13,000 lines of code are tons of new features, tools, presets, and more.

The Top Ten New Features in Light Kit Pro 3 - Position

Sure, Light Kit Pro 3 introduces some nice new things, like customizable studio presets, a searchable Light Kit Browser, dockable palette icons, and a PC and Mac installer so you can get up and running in no time, but there are ten standout new features that we think you have to know about. 

Top Ten New Features in Light Kit Pro 3

Chad Ashley breaksdown his 10 favorite features in Light Kit Pro 3.

Chad’s Top Ten Features:

  1. Render Switch
  2. Cast Light / Reflected Light
  3. Light Kit Studio Object
  4. Cyc Objects
  5. Viewport Modes
  6. Expose Light
  7. Soft Edge, Imperfections, and Gradients
  8. Solo Light
  9. Position Controls
  10. Light Types and Controls

Get Light Kit Pro 3

The Top Ten New Features in Light Kit Pro 3 - Offer

Buy Light Kit Pro 3 before 9/12/18 and get an additional 80 studio presets for free! That’s $98 in savings. 

All customers who purchased Light Kit Pro (versions 1-2) in the past are eligible for upgrade pricing. Login to your Greyscalegorilla account to take $100 off your upgrade.

Buy Now


What’s your favorite new feature? Let us know in the comments below.

The post The Top Ten New Features in Light Kit Pro 3 appeared first on Greyscalegorilla.

Fixing Third-Party Plugins in Cinema 4D R20

Ready to get up and running with Cinema 4D R20, but noticed all your third-party plugins are not working? Here’s the fix.

Cinema 4D R20 introduced a ton of new features and options, but you may notice a new change when trying to install your go-to plugins. All third-party plugins are not initially compatible with Cinema 4D R20, so you will need to update every plugin, whether they are from Greyscalegorilla or not.

To get the R20 compatible version of your third-party plugin, you’ll need to go back to the original developer or market you purchased the plugins from.

If you purchased a Greyscalegorilla plugin from our site, the updated R20 compatible version is now available in your Greyscalegorilla Account. Head over to Your Products and Training to find the most recent update. You will need to do a complete install with the new zip file.

The following Greyscalegorilla Plugins are R20 compatible with the free updated download:

Note: We are actively working on an update to make Signal R20 compatible.

For X-Particles customers, Insydium LTD has released the following,

We are pleased to announce you’ll soon be able to use our latest Cycles 4D and X-Particles with MAXONs Cinema 4D R20. Please note: Your existing plugins will not work with R20, you will need our new builds, which will be going out under the Early Access Programme. More info to follow soon!

If you purchased Greyscalegorilla plugins from re-sellers, like Toolfarm, your Toolfarm account will be automatically updated with the latest download.

For other third-party plugins purchased on other sites, head over there to find your updated download. Keep in mind that R20 is a new release and other vendors may take need some more time to release their updates.


Start Learning about Cinema 4D R20

Curious about what’s new in R20? Get started with these tutorials.

The post Fixing Third-Party Plugins in Cinema 4D R20 appeared first on Greyscalegorilla.