Hasta La Motion!

An avid computer gamer lives with his mom. One day the power fails in the middle of an important game, and his world collapses. In a desperate attempt to get the power back, his mother gives him a simple chore that lures him out of his dark cave. SCREENING 2018 – Short Shorts Film Festival & Asia / In competition 2018 – Seattle International Film Festival / In competition 2018 – Richmond International Film Festival / In competition 2018 – Odense International Film Festival / In competition CAST Marcus Gad Johansen Michelle Bjørn-Andersen CREW Director – Mads Reuther Writer – Mads Reuther Producer – Maj Andersson Director of Photography – Eddie Klint Editor – Kristian Håskjold Sound design – Signe Mansdotter Composer – Signe Mansdotter Colorist – Christian Schwanenflügel Production Designer – Eva Lendorph 1st AD – Marc Sutton Production Manager – Trine Kortland Sound recordist – Henrik Gliese Gaffer – Emil Borch Camera assist – Viktor Knotzel, Christine Radl Costume – Rebecca Sophia Morris Sigaard Make up – Lilli Tollerup, Emma Jasmin Hildebrandt DIT – Malthe Frijs-Hagen Still-Photograoher – René Wrede Kristensen Poster – Julie Reuther Props (dead fish) – Anna Ladas Consultant at Aarhus Filmværksted – Amalie Næsby Fich Gamer gear – Asus, Regnar Jakobsen Gamer consultants – Lauge Nissen, Nikolaj Friis Knudsen

This is the NHTSA NCAP frontal crash test for 2018 Tesla Model 3 (RWD/Long Range)

NHTSA New Car Assessment Program (NCAP) Frontal Impact:
The frontal crash test evaluates injury to the head, neck, chest, and legs of the driver and front seat passenger. Crash test dummies representing an average-sized adult male and a small-sized adult female are placed in the driver and front passenger seats, respectively, and are secured with seat belts. Vehicles are crashed into a fixed barrier at 35 mph (56.3km/h), which is equivalent to a head-on collision between two similar vehicles each moving at 35 mph. 1 star is the lowest rating; 5 stars is the highest. More stars equal safer cars.

Overall Rating: 5-Star

Overall Front Star Rating: 5-Star
Front Driver Side: 5-Star
Front Passenger Side: 5-Star

Overall Side Star Rating: 5-Star
Combined Side Barrier and Pole Ratings (Front Seat): 5-Star
Combined Side Barrier and Pole Ratings (Rear Seat): 5-Star

Side Barrier Rating: 5-Star
Side Barrier (Driver): 5-Star
Side Barrier (Rear Passenger): 5-Star

Rollover Star Rating: 5-Star
The rollover rating measures the risk of rollover in a single-vehicle, loss-of-control scenario.

CrashNet1 is a crash test video database with a collection of over 1,500 crash tests. Videos include test footages of late model vehicles, vintage car crash tests, child seat crash tests and more. We’d love to have you as a subscriber.

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Cinema4D, Cycles4D, X-Particles https://www.behance.net/gallery/70443211/RNDM-v2

Due to its near silent operation at lower speeds, the All-Electric Jaguar I-PACE features a distinctive Audible Vehicle Alert System that emits an acoustic signal to ensure pedestrians are aware of it approaching.

Find out more: http://ow.ly/lGac30iFhxQ

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We spend more and more of our lives in front of small screens. Smartphone, computer, tablet and television screens seem to have to upper hand on the silver screen that is traditionally the habitat of the feature film. Instead of taking the fight (and their content) to those small screens, a number of recent films have opted to bring those digital screens into their cinematic realm… in a very radical way. Desktop films are audiovisual narratives that unfold entirely on a computer screen, using the myriad apps and programs as vessels for parts of their narration. This video essay by film student Katja Jansen looks at the unique possibilities that arise from this self-imposed limitation. Fittingly, it does so in the form of a desktop video. Please visit www.filmscalpel.com/desktop-films/ for detailed credits and more information. This video was made solely for educational purposes and makes “fair use” of copyrighted material. Fair use is codified at Section 107 of the Copyright Act: Under the fair use doctrine, it is not an infringement to use the copyrighted works of another in some circumstances, such as for commentary, criticism, news reporting, or educational use.