ABC (Australia) closing logo from 1975
Posted in: Animation
An ABC (Australia) television network closing logo from 1975. There were only four networks in Australia at the time…
An ABC (Australia) television network closing logo from 1975. There were only four networks in Australia at the time…
One of India’s most prominent events revolving around all things animation, Toonz Media Group’s Animation Masters Summit opened for its 19th edition today. As always, this summit has a different approach compared to other such events of the country and it stayed true to its value.
The venue stood testimony to its almost two decade-long run. Delegates had already gathered from all around and the seats filled up quick as the festival was about to kick off. With all eyes on the stage, the seats on the stage were filled by veterans and known names from the industry. After an energetic session of advices and words of aspirations from the opening speakers, the summit director, Avaneesh Muraleedharan officially green lit the event making way for this year’s masters to the stage.
The first master to grace the stage was Vaibhav Studios founder Vaibhav Kumaresh. Following the theme of this year’s summit of ‘Animation and Beyond’, Kumaresh in his way explained what it meant to him. According to him, it was very subjective as every individual is different in their own ways, which resonated with the crowd as well. The animator further went on to express his feelings about storytelling and how he wished to tell stories longer in length. However, he did not fail to tickle the ribs with the showcase of the studio’s globally acclaimed micro series, Lamput. On parting notes, Kumaresh asserted the young audience about the importance about having fun with their craft and not to run after the profits only and that the content will prove itself only when it reaches the audience.
Following up Kumaresh was ChuChu TV CEO and creative director Vinoth Chandar. Chandar shared his journey of how experimentation with online video content led to the rise of the aforementioned channel which now stands at number one spot in the kids and family entertainment category on YouTube. The master revealed that the internet sensation video titled ‘Charlie bit my finger’ gave him further motivation to go ahead with the plan. Initiating with a web development business, the creator soon opened a channel with his daughter’s (ChuChu) nickname, creating her animated avatar to tell stories to pre-school kids. Soon the channel started gaining followers in abundance and the phenomenon happened. He further revealed the future plans for the channel. The channel, he said, would look into penetrating several more regional and international territories and would look to create content for higher age groups as well.
After a brief lunch break the next master was up. Paul Robinson, throughout his session kept the audience at the edge of their seats with a barrage of statistics. From the popularity of influencers to the importance of mediums and licensing and merchandising, the session covered every area a content creator needs to focus while trying to reach out to the right audience and make a mark. He stressed on the point that television still stays strong as a medium, despite of various reports saying it doesn’t, however he did not fail to mention the importance of mobiles as a way to leverage the reach of content. He asserted that, creating good stories and characters were of immense importance, but never to keep its business potential out of mind. With AR/VR technologies evolving, change in the entertainment space is set to evolve at a rapid pace as well and Robinson advised everyone to be at par with the latest technologies and leverage the same to reap benefits.
The moment had come for the last master for the day to address the crowd of enthusiasts. Firefly Creative Studio co-founder and director P C Sanath told his slice of the story to the audience. Starting off with his initial days of experience and VFX was of less importance in the Indian entertainment circuit and how he, along with his team brought about a change in the ecosystem and made VFX of equal importance, if not more to the system. He further delved into the nitty-gritty of the project portfolios of his studio and explained how very little things help in setting the tone and mood of a content piece. With a few words of advice, the master concluded his session.
A traditional musical performance on finding one self drew the curtains for the first day of the Animation Masters Summit 2018 with everyone looking forward eagerly for the next day, and so are we!
The post Animation Masters Summit opens for its 19th edition appeared first on AnimationXpress.
From NAB 2018, Sabour Amirazodi shows you how he created original content for Pioneer’s tradeshow booth for DJ equipment.
Amirazodi will break down three scenes from the project:
1. Warehouse elevators
2. Time travel
“I figured it would be kind of cool to do a mixing board as the main focal point of this time travel experience…”
“We used a lot of amazing tools for this. Vitaly Bulgarov makes a really cool bashkit… I used a lot of the Greyscalegorilla City Kit to populate the city. I even used Video Copilot’s amazing Saber plugin.
It’s using a lot of the tools that these amazing artists have created for us, to make it to where we can go home and spend time with our families, as opposed to creating all these assets from scratch. It really is invaluable, the amount of time these guys put into making our lives a little easier. And more importantly getting these projects done. There’s no way we’d be able to finish this project if it weren’t for these amazing tools.”
3. Pirate ship on the high seas
Throughout the presentation, Amirazodi also shares his strategies for working faster in Cinema 4D. He makes extensive use of preset content and then combines it in ways that are unrecognizable.
Let’s hop into the presentation from Cineversity at the 2018 Maxon Cinema 4D booth.
Here’s a timestamped breakdown courtesy of Cineversity:
01:17 – Project Overview
03:02 – Pirate Scene
05:51 – Setting up a Template for a Non-Standard Format
13:24 – Warehouse Scene
14:19 – Creating an Elevator
17:39 – Kit Bashing
22:44 – Adding Textures and Interior Details
24:05 – Animating the Elevator
29:58 – Pirate Ship
30:53 – Rigging Imported Models
33:54 – Adding Wind to the Sails
39:10 – Creating Ocean
43:20 – Time Travel Scene
47:35 – Animating the Time Machine
49:37 – Adding Cables
More from Sabour Amirazodi:
More Cineversity Presentations:
The post Cineversity Tutorial: Creating Multi-Screen Experiences with C4D appeared first on Greyscalegorilla.
Solo: A Star Wars Story director Ron Howard narrates the story of Star Wars: A New Hope, Arrested Development style, in this sketch from The Star Wars Show.
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Star Wars: The Digital Collection, Star Wars: The Force Awakens, Rogue One A Star Wars Story, Star Wars Rebels, Star Wars: The Last Jedi and Star Wars: The Clone Wars available on iTunes. Solo: A Star Wars Story in theaters May 25, 2018.
Nickelodeon CCO Creative & Marketing: Kim Rosenblum SVP Creative Director Art & Design: Michael Waldron SVP Creative Director Brand: Tony Maxwell VP Animation Director Motion GFX: Kurt Hartman VP Art Director: Shannon Macneilage VP Nick Brand Deisgn: Sandy Goijberg VP Creative Director Brand: Erica Ottenberg VP Project Manager: Adam Weiner Sr. Director Production: Joseph Pappalardo Producer: Tony Herman Production Manager: Kate Brennan Project Manager: Jon McNally Graphics Manager: Marisa Bramwell Principal Partner Superestudio, Buenos Aires Explosion Robinson Original Music, Sound Design, & Sonic Branding
Client: Adobe Creative Direction: Michael Chaize, Production: Leigh Cooper Directed by: oddfellows Creative Direction: Chris Kelly Art Direction: Yuki Yamada, Jay Quercia Animation Direction: Josh Parker Production: Erica Kelly, TJ Kearney Design: Yuki Yamada, Sarah Beth Hulver, Jay Quercia, Manddy Wyckens & Dana Kalnick 2d Animation: Josh Parker, Tyler Morgan, Handel Eugene, Kavan Magsoodi, Khylin Woodrow, Stan Cameron, Alec Cummings 3d Animation: Chris Guyot, Chris Kelly, Music and Sound: CypherAudio
Executive Producer: Christian Knowles-Fitton Written by: Steve Mckevitt Producer: Abi Saleem Illustrations: Lee Roberts Ash Spurr 3D: Alex Shackleton Richard Taylor Nick Quayle Alex Hilbert Animation: Alfonso Petrovita Nick Quayle Music & SFX: Marc Mitchell
Awaken Akira was created by two friends, Ash Thorp and Zaoeyo (XiaoLin Zeng), who wanted to collaborate on a tribute to the iconic anime, Akira, by Katsuhiro Otomo. It’s creation took over a year, as we had to coordinate our time on it with other project commitments. We hope you find it was well worth the wait and truly enjoy our efforts. We would like to thank Pilotpriest for the masterful score, as well as Raf Grassetti and The Joelsons for their help on the project. We would also like to give our most sincere thank you to Otomo-san and all the men and women who helped bring Akira to life. Akira has and will always be a timeless and continual muse for all of us. For the complete experience, please visit awakenakira.com Tribute by – ASH THORP & ZAOEYO Score by – PILOTPRIEST Character Modeler – RAF GRASSETTI Photography – THE JOELSONS Website by – OBLIO