Mantas Flying on the Edge | Racing Extinction (360 Video)


A group of more than 50 Manta Rays feeding on plankton appeared, demonstrating their curiosity and grace. “Flying” through the waters off the coast of Mexico these aquatic wonders appeared while feeding near whale sharks.

Join a conservation biologist on an interactive mission to learn how animals critical to the world’s ecosystem thrive and survive in the wild.

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Runner gets tangled up in pole vault crossbars at the final stretch of race.


IUAA Indoor Championships 2017 semi 800 last lap mishap

This is a clip from the original live stream from Fyffes Ireland covering the Irish Universities Athletics Association Indoor Championships 2017.

This was the end of the semi 800m race. Officials came up to him afterwards and told him not to worry and that he would automatically be sent to the finals.

Here’s a link to the live stream video. Starts at (3:15:44) https://youtu.be/lXvpvRa-Hfg?t=3h15m44s

This Is America, so Call Me Maybe


I just want to make this clear, my intentions weren’t to be disrespectful to the message of the song. There’s some very messed up things going on in America right now, racism wise. There’s no denying it. This is just a shitpost that spiraled out of control. I made it in 30 minutes and posted it to have a laugh with my friends. It’s not meant to offend, but for laughter. The original video for TIA caused a great conversation, and still is. But most of the energy surrounding it is negative. I wasn’t purposefully to be ignorant to the climate we’re in, but i think the fact that so many people of all races are enjoying this is something to look at. It’s just a meme made to laugh at, nothing else.

Xylophone


(2016) Cutout animation using watercolor. Music: Corey Marc Fogel. When a woman impulsively steals a goat from a petting zoo, her morning routine turns into a madcap romp through her neighborhood. SCREENINGS: 2017 Ann Arbor Film Festival (winner: Ken Burns Best of Festival award) 2017 Chicago Feminist Film Festival 2017 DTLA Film Festival 2016 Edinburgh Artists’ Moving Image Festival 2017 ReAnimania International Animation Festival of Yerevan 2016 San Diego Underground Film Festival 2016 Winnipeg Underground Film Festival

Prom | Film School Shorts


A blossoming romance between an Indian American teenager and his white date is derailed by racism. Adapted from a true story by Hasan Minhaj (‘The Daily Show’). A short film by Imran J. Khan. Visit our Website: http://www.kqed.org/fss Like us on Facebook: https://www.facebook.com/FilmSchoolShorts Follow us on Twitter: https://twitter.com/FilmSchoolShort Film School Shorts is made possible by a grant from Maurice Kanbar, celebrating the vitality and power of the moving image, and by the members of KQED. Film School Shorts is a production of KQED.

“The Video Editors’ Toolbox”- the ultimate knowledge sharing experience for video editors and industry professionals

It was a humid day in Chennai with sweat beads on foreheads, cacophony and people wrapping up the busy week. But that didn’t stop them from pouring in good numbers for the “The Video Editors’ Toolbox” presented by AnimationXpress in association with Adobe, on 11 May at Hotel Green Park, Chennai and making the event a successful one.

Organised for video editors, film editors and industry artists, the event was designed to address the need for fast pacing work and keeping the professionals updated with the softwares and technology, and at the same time making their job easier with upgraded options with the aid of Adobe Premiere Pro.

Anil Wanvari, AnimationXpress

The event was declared open by AnimationXpress founder, CEO and editor-in-chief Anil Wanvari who welcomed the speakers and attendees, beside highlighting the importance of a video or a film editor who shape up a film and “turn a fabric into a beautiful piece of cloth”. He also thanked the Adobe team for associating with AnimationXpress to organise such useful seminars for the industry workers.

The first speakers lined up for the day were Vijay TV senior manager for system engineering Ashwin Sripathi and supervisor editor Kamals Roshan. They talked about using Premiere Pro for the past four years after they decided to make it big on digital platforms. During interaction with attendees, they revealed that it has reduced their work pressure as it is faster, easier and has smoothened the workflow. “It’s a great tool to use. We actually got more time to schedule our work because previously when there was digitising we used to wait for the footages to come in, and now with everything being done digitally, someone else manages the footage and we’re always ready to edit them,” Ashwin and Kamals quoted, jointly.

Kamals Roshan and Ashwin Sripathi, Vijay TV

They further added that Premiere Pro is very free hand and user friendly, enabling one to easily work on overlays and maintain the formats in comparison to the earlier softwares. There the entire process of transforming the footages into the system for them to edit, was much time consuming. “After getting Premiere Pro, we actually don’t have to get in interactions with producers about what cameras and formats we use, (as Premiere supports most of the current cameras and formats) because now we’re not worried about transcoding, so once the footage comes we can start editing immediately,” they revealed.

When questioned about their training process to editors, Roshan replied, “We get invited to a lot of seminars. After that Ashwin and myself have small sessions with editors and discuss what we have come to know and learnt from there. So we reach to an equilibrium with their questions answered and doubts cleared.” Ashwin concluded their session by supporting his partner’s words- “Once it’s done, we start implementing our learning and begin working on the software. People at Adobe are very friendly and are very prompt with solutions, especially Chetan. It’s easier to work on Premiere Pro for it involves less confusion and better clarity.”

Up next was Adobe South Asia senior solution consultant Guru Vaidya, the session that attendees were eagerly looking forward to. Vaidya spoke about the new features and improvements that have been added to Premiere Pro, explaining in detail about the latest add-ons and how to utilise them. He started  by sharing a piece of information about Alfred Hitchcock, one of the most influential names in the world of cinema and his mastery of editing. He continued about how video editing is an integral part of the film industry now and also highlighted on the fact that with the world going digital, “people have become more adventurous, they tend to shoot a lot more. So the problem becomes to manage all these materials and that’s where Premiere Pro comes in”.

Guru Vaidya, Adobe

Understanding the plight that video editors face daily, he started by enquiring about how many of the Chennai professionals are aware of Premiere Pro and its uses. He then explained how with the help of the software, users can resolve their issues in multiple ways. The audience got their queries answered to their content and also regarding the nitty gritties of the software.

“Premiere has been around for quite some time now, almost 32 years. And it’s only in the last 10 years that it has made big strides in the editing space, and the reason why it happened was because, six-seven years ago the industry was going through a major change. Tape based works changed to digital and suddenly there was no more capturing or DTR but just copy pasting your clips and it became a lot more convenient. Adobe saw that opportunity, with the shift from analog to digital, to make Premiere shine as it was new and nobody has used it before,” Vaidya informed.

In 2010, Adobe decided that they want Premiere to be for videos what Photoshop is to images. To do that they did three things which made maximum number of video professionals shift to Premiere Pro. From producing raw support to whatever digital camera they use to bring the clips natively, saving them the hassle of creating proxies and then editing it, and addressing particular hardwares that have become cheaper over the years. Unlike Avid, Adobe is all about software and thus they try their best to cater to the needs of their customers.

Navigating effortlessly through the software, Vaidya demonstrated several tricks and tips about the new features in Adobe Premiere Pro, from adding cinematic visual effects with Adobe after effects CC with some motion graphics, to make the audience witness some magic that Adobe has introduced in Adobe Audition CC to remove noise from audio -video files and even created his own audio and video mixes, using Adobe SpeedGrade CC to colour correct video and adding unique looks to a video.

The audience were quite impressed with the way Vaidya enthusiastically showed the techniques to go about the software and endowed him with applause at regular intervals. Vaidya pulled down the curtains on his session by saying that they envisioned Premiere Pro in such a way so that it helps the professionals to put their best foot forward, “One can’t only be an editor now. One has to understand how graphics work, how auditioning works. We have tried to make Premiere Pro the most useful tool kit for delivering an entire film.”

Arun Ezilmaivannan

The final speaker for event was Arun Ezilmaivannam, film editor from Chennai. He connected well with the audience by communicating and imaparting his experience, knowledge about the field and the Adobe software in their local language. It turned out to be an enriching experience with more interactions. He informed, “After 2013, most of the online softwares started accepting AAF and XMLs. So in Adobe we also have an option AAF where multiple layers, frame rates are supported and can be worked on simultaneously.”

He also shared his previous experience about working on Premiere Pro where he could customise, innovate and save a lot of time. He ended his session by complimenting AnimationXpress for taking the initiative to come to South India and educate more video and film editors about the upgradations and usefulness of Adobe’s Premiere Pro.

The programme ended with Anil Wanvari taking to the stage and urging the attendees to introduce themselves and share their feedbacks about the knowledge sharing session. The audience reciprocated positively and shared their gratitude for having been benefited much from the event. They also got a chance to interact with the speakers and the peers at the event which opened new arenas of ideation for them. The speakers were felicitated by Mr Wanvari with the book Creativity Inc. penned by Amy Wallace and Edwin Catmull.

Sourabh Chenni, Adobe

Adobe India marketing specialist Sourabh Chenni delivered the vote of thanks and appreciated the participation of the audience. “We loved the energy of the crowd. This gives us the enthusiasm to conduct such events. We look forward to host more knowledge sharing sessions,” he noted.

With a fascinating response from the attendees, AnimationXpress and Adobe look forward to more such events and interactive sessions with the industry artists, professionals and creative geniuses with greater participation because the motto of AnimationXpress is to -“educate, engage and entertain”.

The AnimationXpress Team

The post “The Video Editors’ Toolbox”- the ultimate knowledge sharing experience for video editors and industry professionals appeared first on AnimationXpress.

Cinestaan and Goldfinch will revive Bollywood romance with ‘Bombay Rose’

Cinestaan Film Company from India and Goldfinch Entertainment from UK are collaborating for their first animated feature Bombay Rose. The story is inspired by the romance of Bollywood cinema.

Written and directed by animator, filmmaker Gitanjali Rao who won the Cannes Critics award for short Printed Rainbow, the film will have music from Goldfinch’s music branch. Lillian Kibedi’s Akobera Films will be the financing partner.

The project was selected for the Work-In-Progress section of the 2016 Film Bazaar, presented by India’s National Film Development Corporation.

The film will weave multiple human stories together against the backdrop of Mumbai’s “seedy underbelly.”

Cinestaan has offices in Mumbai, London and Los Angeles, producing films both for the Indian domestic market and international audiences. Its current productions include feature documentary The Torch (with IFC) and Aasha the Street Dog with director Frederick Du Chau.

Goldfinch Studios is growing its presence in Asia, having launched Goldfinch Neon in Hong Kong earlier this year. The company has live-action projects in pipeline named Waiting for Anya, starring Anjelica Huston, Jean Reno and Noah Schnapp; and Sometimes Always Never, starring Bill Nighy, Sam Riley and Jenny Agutter.

Here is the trailer of work in progress of Bombay Rose:

The post Cinestaan and Goldfinch will revive Bollywood romance with ‘Bombay Rose’ appeared first on AnimationXpress.

DHX Media gets in strategic partnership with Sony Entertainment, Japan for ‘Peanuts’

DHX Media and Sony Music Entertainment, Japan (SMEJ) have announced to have entered into a definitive agreement whereby SMEJ will indirectly purchase 49 per cent of DHX Media’s 80 per cent  interest in Peanuts for US$185 million, subject to customary working capital adjustments. DHX Media will own 41 per cent of Peanuts, SMEJ will own 39 per cent and the members of the family of Charles M. Schulz will continue to own 20 per cent.

DHX Media and SMEJ have also agreed to extend the duration of the current licensing and syndication agency agreement with SMEJ’s consumer products division, Sony Creative Products (SCP) in Japan. A leading intellectual property management company in Japan, SCP has represented Peanuts since 2010, and is currently spearheading multiple licensing programs celebrating the 50th Anniversary of Peanuts’ launch in Japan.

Peanuts gang

“We are honoured to deepen our relationship with Sony Music Entertainment (Japan) as we continue our expansion of Peanuts globally. Sony Music Entertainment has incredible expertise in rights management across the entertainment and consumer products industries, having successfully grown the Peanuts business in Japan over 200 per cent since they became our agent in 2010. This transaction will allow DHX Media to de-lever our balance sheet as we team up with an ideal partner to help us reach our worldwide growth targets for Peanuts in the coming years,” commented DHX Media CEO and executive chair Michael Donovan.

DHX Media intends to use the net proceeds from the transaction after the payment of transaction costs, to reduce its indebtedness under its term credit facility.

Advised by Deutsche Bank Securities and Canaccord Genuity, DHX Media and SMEJ aim to complete the transaction on or about 30 June 2018. The completion of the transaction is subject to customary closing conditions, required regulatory approvals, applicable third party consents and the execution of certain ancillary agreements. Two of the world’s top entertainment and IP management companies forge global partnership to grow Snoopy, Charlie Brown and the Peanuts gang.

The post DHX Media gets in strategic partnership with Sony Entertainment, Japan for ‘Peanuts’ appeared first on AnimationXpress.

Meet Rahul Bhandare, the comic therapist

When an engineering student after working as an assistant manager for a leading brand for two long years suddenly feels something is amiss, he tries giving himself a THERAPY!

Rahul Bhandare, a graduate from Bhavans college realised his love for comics while he was still pursuing engineering. Thinking of it as just a hobby, he continued creating comics on his website The Comic Space.

After doodling and drawing since school, Bhandare realised his liking towards story telling. And eureka! The idea of something new and unknown struck him. He did a PG course in advertising and made his switch towards copywriting. Of course, creating comics never stopped!

“To tell a story, make someone smile, and maybe even make someone’s life a little better through my work. That’s what inspires me,” says Bhandare beamingly.

Bhandare feels that simple illustrations work better depending on the story of the comic. Too much detail can make an illustration just seem like a still photograph. It’s about balancing both these approaches. He thinks simple designs bring the characters to life.

Circuit Therapy has robots. We see a bit of ourselves in the basic face structures. Also I wanted the characters to have a more silly  and relatable feel,” he adds.

Anyone who is open to reading to something new, funny, interesting and uniquely Indian, here is something just for you. With unique illustrations and quirky concepts, Bhandare gives you a view in the outer world with his comics.

Tick Tock

Life isn’t easy. Even for a wrist watch. This comic is a silent tale reflecting on the many ups and downs we all go through. And through the journey of the watch, we look at the struggle life can bring in all our lives.

A really different take on the aspects on life, Bhandare with his simplified illustrations and easy to understand language puts up before us or maybe teaches us what life actually is!

 

 

 

 

 

 

Circuit Therapy – Time Turners

The characters (robots) in this comic can make time go slow or fast. They can see the future. They can alter your timeline. In this story, the robots face one thing that defeats all of us in the end – Time.

Circuit Therapy is a blend of fantasy and science fiction. But at the same time it’s also about various human conditions. Time Turners is in part about Kulfi’s struggle with forgiving himself.

 

 

 

 

 

 

Circuit Therapy – The Code of Light

This comic was published at the 2018 Indie Comix Fest.

The programmer wants every robot on a planet to behave as per a strict moral and religious ‘Code of Light’. So how do you fight something that is now inside your own mind? The robots will soon find out in their mission.

The Code of Light is about oppressive social conditions and how to deal with them.

 

 

 

 

 

 

Every comic from Bhandare has a deep thought behind it. Though portrayed in the most simplified way, these comics tell something beyond one’s imagination.

Through his seven years of making comics, Bhandare worked on a comic with Tinkle, published comic strips, showcased longer comic books at the Indie Comix Fest, and worked on a few illustration projects. His other works include Monsoon Moments which is a play on pop culture and Detective Das, a silly take on the detective genre.

Monsoon Moments

When asked about his own favourite, Bhandare without a blink says, “Tick Tock was my first proper long comic and hence it’s special to me. I made it while I was still working as an assistant manager. I really enjoyed drawing the various characters in a Mumbai-like city. Many people have been very kind and appreciative about Tick Tock, so that feels great.”

Bhandare looks forward to his web-comic series, The Friend Zone which will be launching soon.  It’s a story in where a ‘Friend Zone’ is an actual place. The web-comic is a funny take on rejection and also explores the nature of our restless mind.

“There’s an audience out there that is curious about comics. Events like Indie Comix Fest and even the artist section in Comic Con India are helping artists showcase their work. So the future does hold promise. Hopefully as artists gain more visibility, the Indian comic industry as a whole can gain greater recognition, “Bhandare expressed.

Detective Das

Bhandare has worked on a comic with Tinkle, comic strips with the Youth Incorporated magazine and few illustrations for Filtercopy, but his passion to do something for kids never ceased. He will soon come up with story book for children and also another Circuit Therapy story. And we are waiting!

The post Meet Rahul Bhandare, the comic therapist appeared first on AnimationXpress.

BREAKING HABITS – Cannes18