The Art of Editing – The Promo Cut


This video montage showcases our certain style in promo editing. We are specialized in storytelling using the techniques of film/video-editing, supported by a sensitive sense for the merge and emotional power of image and sound. We find our inspirations driven by the astethics in picture and music, which is characterized and overruled by emotion and therefore results in an intense reviving of the senses. NO COPYRIGHT INFRINGEMENTS INTENDED.

Splitting 10 Decks of Playing Cards with Hydraulic Press | in 4K!


Playing Cards vs. our hydraulic press
Slow motion videos were filmed with Chronos 1.4 high speed camera http://www.krontech.ca/
Our second channel https://www.youtube.com/channel/UCveB47lgzZJ1WOf4XYVJNBw
Our fan shop https://www.printmotor.com/hydraulicpresschannel/
https://www.facebook.com/officialhpc/ https://www.instagram.com/hydraulicpresschannel

Do not try this at home!! or at any where else!!

Music Thor’s Hammer-Ethan Meixell

"Handshake" Animated Short Film by Patrick Smith


In this animated film, an innocent greeting between two people is quickly transformed into a tangled struggle, illustrating the twists and turns of a full-fledged relationship.

est Animation, 2004 Northampton Film Festival.
Best Animation, 2005 Savannah Film Festival.
Best Animation, 2005 Temecula Valley International Film and Music Festival.
Best Animation, 2005 Myrtle Beach Film Festival.
Best Animation, 2005 Golden Film Festival.
Best Animation, 2005 Spindletop Film Fesitval.
Best Animation, 2005 Long Island Film Expo.
Best Animation, 2005 Black Point Film Festival..
Best Animation, 2006 Garden State Film Festival.
1st Place, 2005 ASIFA-East (Association Internationale du Film d’Animation)
Pulcinella Award Nomination, Cartoons on the Bay 2005, Italy.
Honorable Mention, Tribeca Underground Film Festival, 2005.
Honorable Mention, Smogdance International Film Festival, 2006.
Honorable Mention, 2005 ASIFA-San Francisco(Association Internationale du Film d’Animation)
Finalist, 2006 Nicktoons Film Festival.

OSCAR SONG DEMO – "Why Not Me?"


We were asked to write a song for this year’s Academy Awards…
Unfortunately, it wasn’t chosen because it was “financially and logistically impossible”, so for fun we thought we’d share the rough storyboards of what would have been a fully shot, star-studded
music video of exorbitant cost.
All vocals and visuals are temp, so please use
your imagination and enjoy!

Composer: Greg Chun
Demo singing by: Greg Chun, Baraka May, (and us)

Paddington 2 | VFX Breakdown | Framestore


Slip on your duffle coat and help yourself to a generous spread of marmalade: here’s our VFX breakdown of the work produced in our London and Montréal studios for Paddington 2.

Framestore reunited with Paul King and David Heyman to carve the story around the bear’s second (mis)adventure, which proves just as funny and heartwarming as the original.

Cut for Time: Star Warriors – SNL


The Mos Eisley Five (Mikey Day, Kate McKinnon, Charles Barkley) try to make a deal with Goba (Kenan Thompson) to free a captured pilot (Pete Davidson).

#SNL #SNL43

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THE DIFFERENCE BETWEEN AUSTRALIA & NEW ZEALAND


Hi, I’m How to DAD and I’m not from Australia.

__________________________________________

I make Dad video things. Not Subscribed? well, you should probably go and Subscribe – new stuff every week, funny stuff.

FACEBOOK: https://www.facebook.com/HowtoDADnz/
INSTAGRAM: @HowtoDADnz

7 Weeks, 917 Frames, Glass Beads, Hair Wax, And Vaseline

EarlyMan_broll2

…and don’t forget a power drill for motion blur, and that time Nick Park massaged Tom Hiddleston. Check out how it was done for Early Man in my Cartoon Brew story.

Korean pavilion the highlight of FICCI Content Market 2018

On the sidelines of the mega media and entertainment convention FICCI Frames, FICCI has also launched the first edition of the content market aimed at facilitating the business of content, setting the ball rolling for greater content exchange.

Speaking about the market, FICCI assistant secretary general Leena Jaisani said, “This is being organised with the support and advise from the media and entertainment industry professionals. There was a dearth for such a market and with this first step, we hope to move ahead towards filling this void and facilitating more business for content.”

Over 100 buyers from across the globe have been invited for the bazaar, including the likes of 102 Distribution, Edko Films, Shoreline Entertainment, Spuul, Top Entertainment, Aurora Global Media Capital, Front Row Entertainment, Alpha Violet Sarl and Indian companies like Zee Enterprises, Star, Eros Now, Reliance Entertainment among others.

The Korean pavilion is a highlight of the FICCI Content Market 2018.

“The content market is an excellent initiative by FICCI that will help build a strong interface between our local content creators and the global film and television business community. I look forward to this becoming an annual feature of FICCI Frames, building on the foundation laid this year,” said FICCI media and entertainment co-chair Siddharth Roy Kapur.

In the first edition of the market, a special screening facility has also been set up to introduce festival programmers and key buyers to a highly curated slate of new Indian films. Festival programmers from international film festivals such as London, Venice, Edinburgh among others will also be in attendance.

FICCI AVGC chairman and Punnaryug Artvision founder Ashish Kulkarni added, “The FICCI Content Market 2018 is an unique initiative for the content creators from Indian sub-continent to sell and distribute their content globally. Over 1200 one on one meetings already scheduled will provide great opportunity for co-productions of content for films, TV, digital, animation , gaming, comics, AR, VR etc.”

The content market will run alongside the conference from 5 to 7 March at Grand Hyatt in Mumbai.

The post Korean pavilion the highlight of FICCI Content Market 2018 appeared first on AnimationXpress.

FICCI 2018 Day 1: State tourism ministries discuss shoot at site in detail; VR panel delves into prospects of VR for M&E industry

The three-day global convention covering the media and entertainment industry, FICCI Frames, commenced today at Grand Hyatt in Mumbai.

Covering films, broadcast (TV and radio), print media, digital entertainment, advertisement, live entertainment, animation, visual effects, gaming, digital media and new media, the conference began with a keynote by Viacom18 group CEO Sudhanshu Vats on “Media and Entertainment: The force multiplier at the heart of society.”

From industry to governance, from consumerism to spiritualism, the media and entertainment sector defines society as we know it. Not only do we act as a force multiplier for numerous other industries, as technological advances disrupt established principles and norms, the media industry is the conduit that is facilitating this amplification of the new world order. In this constant state of flux, as new worlds are opened Vats explained how we, as an industry, prepare to increase our influence.

The first session of the day was “Enhancing Film Tourism”, a special session on shoot at site. The session was moderated by FICCI DSG Rahul Sharma, and on the panel were eminent film-maker Ramesh Sippy, ministry of tourism (GOI) regional director Neela Lad, Department of Tourism (Government of Rajasthan) additional director of development Sanjay Pande, Delhi Tourism Tpt. Dev. Corporation chief manager – PR and publicity/tourism Sudhir Sobti, Department of Tourism (Government of Gujarat) head of film facilitation, medical and wellness cell Khyati Nayak, and KriArj Entertainment film producer Prerna Arora.

FICCI MRSS Knowledge Report launch

“The media and entertainment industry is growing 15 to 16 per cent whereas tourism is up by 20 per cent and I’m looking forward to even better figures,” said Sippy. “The country needs more beautiful places for people to visit. Cinema is what’s madly followed in our country and people are easily intrigued by the places shown in any song or a film where it’s set. While filming Sholay, we tried to find a different location that looks similar to the ones manifested by the dacoits. So we went south and did find a place that was quite a sight for us.”

Nayak, Sobti and Pande showed videos of the various beautiful places of their respective states as well as the clips of films shot previously on those locations, urging the film-makers to explore those places through their lenses.

“There’s a natural link between cinema and tourism. So it is for us now to bring in everything else that’s necessary; hospitality, connectivity, flights, trains, buses etc. The government and tourism board in the respective place should co-operate with the same.”

“We need to simplify the process of regulation; we need to facilitate the trade. Rajasthan is the first state to have a single people window. Now all you have to do is submit an online application to the director of tourism and he can get all the approvals for you from all the concerned persons,” Pande added. “My request to this gathering would be that even after the simplification of the process, if there’s still some rule or regulation that’s causing hindrance, please bring them to our notice and we will be more than happy to drive it out immediately.”

The panelists also released the FICCI – MRSS Knowledge Report on Film Tourism: The Mega Opportunity for Destinations.

With VR and AR technologies seemingly making their presence felt at myriad sectors of industries, FICCI Frames 2018 was not an exception either. “How are Indian Entertainment Organisations Embracing AR/VR?” was this year’s attempt at FICCI where a panel from the industry tried to delve into ways of leveraging the potential of VR and AR in the M&E sector.

We are at the edge of a major revolution from consumption to immersive experiences. In the past two years, we have seen a wave of devices entering the M&E industry employing the two spectrums of immersive experiences – AR and VR. A range of major products that came to market are from companies including Oculus VR (Facebook), Sony and Google.

AR/VR is bid to change how we create and experience content and is offering a completely new creative medium. This revolution is impacting all the aspects of the media and entertainment industry from films to gaming to advertising.

Unity Technologies evangelist bizdev – film Ron Martin presented the keynote on Unity and Storytelling. He also moderated the panel which comprised of Star Sports Studio head Viraj Verma, Blippar India managing director Arnav Ghosh, VR Storytellers CEO Eddie Avil, Red Chillies VFX and Red Chillies Color chief business development officer Nishit R Shetty, MPC Advertising creative director Nishanth Shrinivasa, Vancouver Film and Media Centre (Vancouver Economic Commission with the City of Vancouver) Vancouver film commissioner David Shepheard.

The panel talked about the implications of the VR industry in the country. It pointed out that in the entertainment sector, films and sports are the ones who are at a place to leverage these technologies. Star Sports’ presentation showcased a kaleidoscope of excerpts from their sports programs which was replete with VR/AR content, making viewing experience more pleasurable and the representative from the channel that with IPL coming this year, the brand will try to improve the experience even further.

The panelists also showcased the various projects that their respective organisations have been working on. Finally, the panel concluded that India is a land of many stories and hence virtual reality can be of immense potential in bringing those stories to life by redefining reality and simulating senses.

The post FICCI 2018 Day 1: State tourism ministries discuss shoot at site in detail; VR panel delves into prospects of VR for M&E industry appeared first on AnimationXpress.