Don’t You Forget About Me – State Farm

State Farm is running “Don’t You (Forget About Me)”, a commercial featuring the 1985 Single Minds hit in the context of a soup kitchen, supporting the insurance company’s Neighborhood of Good movement. The holidays are a popular time to get involved and give back, but when the decorations come down and the season of giving ends, there are still people in need in the community. The commercial reminds viewers that the season of giving never ends, and highlights the importance of giving back regardless of the time of the year. In one seamless camera movement, the creative tells a story that emphasises the need for volunteers year-round.

Willis Earl Beal in State Farm commercial Don't You (Forget About Me)

“I think a lot of us can relate to finding ourselves being more generous during the holidays—to finally finding the time to act on the good intentions we have throughout the year. But once they’re over, we often go back to our normal day-to-day… until the next holiday season. This piece dramatises what that reality looks like for many shelters and places of need. And hopefully motivates people to stay involved, well after the lights and decorations of the holidays come down,” said Mel Routhier, SVP and Group Creative Director at DDB about the work.

The film is part of a 360 campaign that supports State Farm’s Neighborhood of Good movement. Creative running across national broadcast, online video, social media, and digital display will drive people to neighborhoodofgood.com where they are able to easily discover and connect with charitable opportunities in their communities. PR and influencers will provide additional support.

Willis Earl Beal, the singer featured in the commercial, experienced homelessness while living in Albuquerque, New Mexico. Here he reflects on the experience of recording for the commercial.

Don’t You Credits

The Don’t You campaign was developed at DDB Chicago by chief creative officers Ari Weiss and John Maxham, group creative director Mel Routhier, copywriter Katie Bero, art director Brian Culp, group strategy director Jesse Bayer, executive producers Scott Kemper and Amy Turner, executive art producer Suzanne Koller, chief production officer Diane Jackson, associate producer Jon Frazza, production manager Zoe Grubbe, music producer Linda Bres, group account director Ben Gladstone, account supervisor Oliver Glenn, account executive Kamerin Elsasser and account director Veronica Zamiar.

Filming was shot by director Aiofe McArdle via Anonymous Content and Somesuch & Co, with director of photography Tom Townend, executive producer Nicky Barnes and producer Debbie Ninnis.

Editor was Joe Guest at Final Cut with executive producer Suzy Ramirez, assistant editors Kit Wells and Megan Marie Connolly, and producer Barbara Healy.

Post production was done at MPC by VFX supervisor Peter Smith, producer Liz Thuvanuti, executive producer Jesse Kurt, colour producer Amy Richardson, colourist George Kyriacou, colour assistants Phil Hambi, 2D lead artists Timo Huber, Steve Koenig, Rob Walker, 2D lead Matt Tremaglio.

Sound was designed at Marshall Grupp by producer Becca Falborn. Sound was mixed at Sound Lounge by mixed Tom Jucarone, executive producers Mike Gullp and Nick Nash. Music was produced at Tin Drum Music by David McEwan.

Music is “Don’t You (Forget About Me)”, written and composed by producer Keith Forsey and Steve Schiff, performed by Willis Earl Beal.

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Why 6 Months in Space Is Not Enough | Cady Coleman | TEDxNASAJSCWomen


Dr. Cady Coleman is a NASA Astronaut, a retired Air Force Colonel, and a veteran of 3 space flights. She returned this past May from a 6 month mission to the ISS as part of the Expedition 26 and 27 crews, launching and landing in Kazakhstan aboard a Russian Soyuz rocket. Her international crew of 6 hosted a record number of supply ships and space shuttles. These brought new modules, experiments and supplies to the space station which is certified to operate thru 2020. Coleman, a polymer scientist by trade, participated in many of the 150 experiments aboard the space station in the areas of fluid physics, material science, technology demonstration and human physiology. She is excited to share her stories of life aboard the International Space Station.

In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)

NYC Textures


An experimental journey through New York City with over a thousand still photographs of its unique textures. Ambient sounds were recorded on location. Directed & animated by Ynon Lan.

Valdemar – Kind


“Slice me up, make me dance.” Director/DoP/Edit/Color/VFX – BABYBABY Hair and make up – Marino Asahi Cast – Grace Lambert and Robin Dodler In ”Kind”, bass producer Valdemar deconstructs modern electronica with the sounds of running below a soon-to-be sleeping city. KIND – iTunes: itunes.apple.com/gb/album/kind-single/1247665419 KIND – Spotify: open.spotify.com/track/59O5FhrMTa6LiXxe2sqBOH KIND – Soundcloud: soundcloud.com/ben-hansen/kind-1

TSIRKU – Director's Cut


Located deep in the Saint Elias mountains where Alaska, British Columbia, and the Yukon converge, there is a place most skiers and snowboarders only dream of visiting. Brought to you by The North Face and Sherpas Cinema, Tsirku is a big-mountain adventure ski film featuring snowboarder Ralph Backstrom and skiers Hadley Hammer and Sam Anthamatten, who set out to tackle the fabled Corrugated spine lines of the Tsirku Glacier.

LUCY HARDCASTLE 2017 REEL

ARCADE SCAM SCIENCE (not clickbait)


Don’t feel bad. You don’t suck, the game makers do.
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Los Angeles is notorious for its private car-based transportation. The biggest disadvantage of the privately-owned car is the fact that it uses too many resources for too little effect. When one or two persons are transported by car they utilize successfully the engine and two of the seats, but the remaining seats as well as the trunk, constitute wasted resources for that specific transportation period. All that waste leads to a reasonable question: “What if we were able to dissect a working car into working components which could be utilized according to given circumstances?” Those components would concern the Engine, the Cabin, and the Trunk. Contemporary cars do not offer the choice between those three components. Basically, you cannot have the one without the other. You cannot own a cabin without an engine or trunk. But it is possible that in the future LA people would be able to own only the Cabin and, through AI centrally controlled circulation, they could create a temporary assembly-unit, an ephemeral design, which would serve their “exact” needs on demand. Los Angeles would then be able to invite its people and visitors to streets liberated from the old overflow of vehicles and ready to accommodate their “exact” needs, no more, no less. oiio studio http://www.oiiostudio.com/