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Falling asleep might be difficult, but if you’re having trouble, here might be some causes and solutions.
Watch more: How Much Sleep Do You REALLY Need? ►► https://www.youtube.com/watch?v=9HjtFqBi494&list=PL8L0MzSk_V6JtEDRfRMyb6rFd1acqYSlO&index=66
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We are LIFE NOGGIN! An animated and educational web show designed to teach you all about your awesome life and the brain that makes you able to live it! We answer questions about everything from inside the human body to deep outer space. Stay tuned for more videos on every Monday and Thursday! Keep On Thinking.
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Animation by Robert Grisham
Written by Michael Sago: https://twitter.com/MichaelSago
Sources:
https://sleepfoundation.org/insomnia/content/what-do-when-you-cant-sleep
https://www.livescience.com/19462-fall-asleep.html
https://web.mst.edu/~psyworld/sleep_stages.htm
http://facweb.furman.edu/~einstein/general/sleepdemo/sleep.htm
http://sleepdisorders.sleepfoundation.org/chapter-1-normal-sleep/stages-of-human-sleep/
https://www.huffingtonpost.com/2013/07/29/full-moon-sleep-problems_n_3654323.html
http://www.cell.com/current-biology/fulltext/S0960-9822(13)00754-9
https://www.webmd.com/sleep-disorders/ss/slideshow-sleep-foods
https://www.livestrong.com/article/423778-does-too-much-protein-fats-keep-you-awake/
https://www.pcrm.org/nbBlog/eat-your-way-to-a-good-nights-sleep
http://sleepcenter.ucla.edu/sleep-older
https://sleep.org/articles/temperature-for-sleep/
https://sleep.org/articles/what-happens-during-sleep/
http://www.whatsthebestbed.org/top-reasons-you-cant-fall-asleep-and-their-simple-solutions/
Remember when your clothes and your backpack were your Facebook wall? Welcome to freshman year 1996. Everything Sucks! premieres February 16, 2018.
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Netflix is the world’s leading Internet television network with over 100 million members in over 190 countries enjoying more than 125 million hours of TV shows and movies per day, including original series, documentaries and feature films. Members can watch as much as they want, anytime, anywhere, on nearly any Internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
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Everything Sucks! | Date Announcement [HD] | Netflix
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Berlin. Hell of a City. Strolling through architecture, living the lifestyle and listening to the sounds of J. Bernardt. A camera and a healthy finger to click the shutter. Thousands of pictures attached to each other are creating a visual insight of Berlins nights and days. Uncut and raw. That’s it. That’s Berlin. Song: J. Bernardt – On Fire
Taylah is a rebellious, destitute teen from rural Australian suburbia. After a brief sexual encounter, Taylah must scrape together money for the morning-after pill, before it’s too late. As she hustles for the cash, Taylah is also stuck babysitting a wild and uncooperative five-year-old, Vegas. Taylah’s wits are tested as she navigates a suburban wasteland, determined to not let poverty strip her of her bodily autonomy. “Slapper” is this week’s Staff Pick Premiere! Read more about it here: https://vimeo.com/blog/post/staff-pick-premiere-slapper
Production Company COLOSSALE Shot on Kodak Vision 3 500T Aaton Penelope 2 perf Arri 435 4 perf With: Francis La Haye, Mylène Mackay, Hubert Proulx, Anthony Riendeau, Anne-Charlotte Côté, Liam Weisman, Ilan Sawan, Daniel Lapierre and Mathieu Lepage and Louise Latraverse. V.O by Victoria Diamond & Dusan Dukic Directed & Edited by Kristof Brandl Written by Kristof Brandl & Shane Patrick Cinematographer: Christophe Collette, CSC Additional Cinematography: Kristof Brandl Executive Producer: Alexandre Auray Line Producer: Clara L’Heureux-Garcia Focus Puller: Maxime Boutin 2nd Camera Assistant: Erin Weisgerber Camera Loader: Robin Rigault 8mm & Super 16mm: Benoît Jones-Vallée & Laurent Schrænen Set Photographer: Gaëlle Leroyer Gaffer: Jacques Girard Best boy: Conrad Roy & Louis Cloutier Key Grip: Stéphane Klopp Best Boy: Marcel Bonneville, Camille Bergeron Bégin Sound Man: Laurent Ouellette, Dominic Remiro Grading: Simon Boisx Art Director: Frédérique Ste-Marie & Maxime Normand Art Assistant: Sophie B.Jacques, Geneviève Boiteau, Véronique Perreault, Yann Filly-Paré Costume: Amanda Van Der Siebes Makeup and Hair: Catherine Labelle Flame Artist: Flore Mounier @Mikros Images Special Effects: Remy Couture Special Effects Supervisor: Blood Brothers Stunt Coordinator: Jean-François Lachapelle Riggers: Stéphane Julien et Sébastien Peres 1st Assistant Director: Clara L’Heureux-Garcia 2nd Assistant Director: Mathieu Turcotte Production Coordinator: Gabrielle Dussault Unit Manager: Joseph Liane Key Production Assistant: Jeremy Hughes Production Assistant: Patrice Arseneault, Iskouhie Yacoub, Georges Mazraani Film Lab: MELS Sound Design: Jean-David Perron & Theo “Lewis” Porcet @CULT NATION
Kyle Bean directed this TVC campaign for Land O Lakes to highlight the natural ingredients that go into their spreadable butter. The concept that Kyle developed with the Martin Agency was a simple one – to literally show a dinner setting transform into a beautiful Country landscape, complete with farm pastures, using the always present butter tub as the trigger device. He worked with a team of expert crafts people to create the charming miniature table sized farm-scape which comes to life through the magic of stop motion animation. Drawing parallels with the spreadable nature of the butter itself, the farm pieces glide smoothly over the tabletop and come together like a jigsaw puzzle. Director: Kyle Bean Production Co: Hornet Executive Producer: Hana Shimizu Head of Production: Sang-Jin Bae Development Producer: Kristin Labriola Producer: Dez Stavracos Line Producer (live-action): Patrick Duguid Editor: Anita Chao PRE PRODUCTION Storyboard Artist: Elena Manetta Set Designer: Kyle Bean Style Frames: Bryan Lashelle Sign Typography Design: Nicholas Fredrickson LIVE ACTION Director: Kyle Bean Line Producer: Patrick Duguid Assistant Director: Ezra Sumner Director of Photography: Toby Howell VFX Supervisor: John Mattiuzzi Food Stylist: Lucy Ruth Hathaway Food Stylist Assistant: Lizzie Wedderburn 1st AC: Jon Mitchell 1st AC stop motion: Max Halstead Gaffer: Robin Brigham Electric & Grip: Paul Burns, Rob Stewart Stop Motion Animator: Andy Biddle Stop Motion Animator Assistant: Luke George Animation Rigger: Robin Jackson Production Designer: Jack Kirby Lead Model Maker: Tim Warren Model Maker: Emma Rose Dade, Victoria Lees Art Dept. Assistant: Henry Rollins Model Maker Trainee: Jason Larcombe Script Supervisor: Jane Fryers VTR: Chaz Northam DIT: Vlad Martins Production Manager: Katie Keith Production Assistant: Charlie Jones Production Runner: Charlie Doris Studio Manager: Elizabeth Day Catering: Konrad Lindholm Talent Agency: Hired Hands Talent: Mirabel Stuart POST-PRODUCTION Lead Compositor: John Mattiuzzi Compositor: Rachel Rardin, John Stanch, Xiaoxiao Tang Colorist: Evan Kultangwatana AUDIO Audio Post Facility: Rainmaker Producer: Kristin O’Connor Sound Designer and Mixer: Mike O’Connor VO Artist: Custom Music: Lullatone AGENCY SVP, Executive Creative Director: Andy Azula SVP, Creative Director: Anne-Marie Hite Associate Creative Director: Tara Gorman Senior Copywriter: Lassiter Stone Executive Producer: Pamela Mahan VP, Group Account Director: Carey Ely Account Supervisor: Sarah Smith Junior Content Producer: M.A. Williams Project Manager: Stephanie Strickland Ashworth Financial Affairs Manager: Elizabeth Moore Business Affairs Supervisor: Alice Isner CLIENT Chief Marketing Officer: Tim Scott Director, Integrated Marketing: Julia Anderla Marketing Director: Catherine Fox Director, Test Kitchens: Becky Wahlund
A timeless vehicle that was to become an icon through the years. A landmark of automotive engineering, it’s DNA preserved in 44 tons of Amber, now reborn in the all new Mercedes-Benz G-Class. To prove that the legend lives on in the new 2018 models, Ole Peters and the team transitioned between macro perspectives of amber resin, vast landscapes and epic urban structures. CREDITS Client: Daimler AG Agency: antoni, Berlin Production: Sehsucht, Hamburg Director: Ole Peters Music & Sound Design: Yessian Music
Over the last 130 years, National Geographic has changed the look of its magazine but never wavered from its commitment to explore ‘the world and all that is in it’. In this short video, watch the evolution of this iconic cover while reliving some of the most famous milestones along the way.
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About National Geographic:
National Geographic is the world’s premium destination for science, exploration, and adventure. Through their world-class scientists, photographers, journalists, and filmmakers, Nat Geo gets you closer to the stories that matter and past the edge of what’s possible.
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See 130 Years of National Geographic Covers in Under 2 Minutes | National Geographic
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