The Megaupload Copyright Raid in New Zealand. Helicopters, Assault Rifles, Anti-Terrorism units, Attack Dogs & 72 cops terrorizing a zero-threat family.
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The U.S. Government vs You & Kim Dotcom
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Au cinéma le 31 Janvier
Le capitaine Mitch Nelson (Chris Hemsworth) est le chef de l’unité des Forces Spéciales qui a été choisie pour une périlleuse mission secrète.
Son détachement et lui sont envoyés en Afghanistan, en plein conflit armé, pour apporter leur aide aux Afghans dans leur lutte contre les talibans.
Humongous robotic creatures lock horns and high rise constructions are turned to rubble in the new trailer of Pacific Rim: Uprising. The second one by Legendary Entertainment, that surfaced today, promises to take the stakes a notch higher than last time, and visual effects, more gripping.
Helmed majorly by Double Negative, the new clip has VFX written all over it. Featuring breathtakingly ginormous creatures engaging in devastating fights, Uprising teases the return of the much maligned Kaiju threat, while there’s a new Jaeger pilot in Jake Pentecost (John Boyega) who has to spearhead a movement against the former’s invasion and protect the existence of mankind.
The sci-fi actioner in line is plausibly loaded with VFX and CG-created scenes, and has an uncanny resemblance to the Transformers franchise; both in its scale and the stature of machines.
A new war is about to be waged and the Pacific Rim sequel seems to have captured the misadventures through eye-catching visuals tying to complement the gravity of the issue between the two concerned entities.
Produced by Legendary Entertainment, Pacific Rim: Uprising is directed by Steven DeKnight and opens in theatres on 23 March 2018.
The post New ‘Pacific Rim: Uprising’ trailer packs a hefty visual punch appeared first on AnimationXpress.
Some of the world’s most famous cartoon characters will set sail on their very own cruise liner, Cartoon Network Wave. This fully-branded ship is the result of a partnership between Oceanic Group and Turner.
It is set to make its maiden voyage from its home port of Singapore in late 2018 the 11 guest-deck, as 2,000-guest Cartoon Network Wave will be one vast haven for toon-loving travellers.
While there are many existing projects by Turner’s location-based entertainment team including Cartoon Network-branded restaurants, theme parks, waterparks around the world – and even planes and trains – this is the first time anywhere that a cruise liner has undergone a full Cartoon Network transformation.
The theming and entire onboard experience of Cartoon Network Wave is inspired by Cartoon Network’s universe of well-loved characters from iconic shows such as Adventure Time, Ben 10, The Powerpuff Girls and We Bare Bears.
Cartoon Network Wave will be docked at the Singapore Cruise Centre and will sail to 13 popular destinations in the Asia Pacific region including Singapore, Malaysia, Thailand, China, Taiwan, South Korea, Australia and Japan. Dates and itineraries for its routes around Asia Pacific will be announced in the coming months.
Oceanic Group formalised its partnership with Turner in a signing ceremony this morning in Singapore, marking the official launch of Cartoon Network Wave.
Oceanic Group chief executive Daniel Chui said the partnership represents the company’s commitment to capitalise on Asia’s growing cruise travel market. “A homegrown cruise project, Cartoon Network Wave heralds the start of a new vacation experience for cruise-goers in Asia where cruise travel meets personalised journeys through experiential story-telling. With Singapore’s position as a cruise hub in Asia, we believe it is only fitting that we dive right in and ride the surging tide of this passenger cruise wave.”
“Cartoon Network Wave will revolutionise cruise travel in the Asia-Pacific region and create and curate new cruise experiences for holiday makers, cruise goers and generations of pop culture fans,” added Chui.
“Turner is always looking at new ways to bring our characters to life – and Cartoon Network Wave will be their home on the high seas. The ship has remarkable potential to offer our existing fans a truly unique immersive experience, as well as create new ones. We couldn’t be more excited by the partnership with Oceanic Group in jointly creating a world first,” said Turner Asia Pacific president Ricky Ow.
“The debut of Cartoon Network Wave as a new homegrown cruise product is testament to the vitality of Singapore as Southeast Asia’s leading cruise hub. It will also augment Singapore’s appeal as a top family destination by adding to the diversity of Singapore’s line-up of offerings. We look forward to more family visitors coming from the region with Cartoon Network Wave’s exciting deployment here,” said Singapore Tourism Board assistant chief executive Yap Chin Siang.
The post Cartoon Network-branded cruise ship to set sail in late 2018 appeared first on AnimationXpress.
MAAC hosted its 15th edition of 24FPS Awards in Mumbai on 22 December, 2017. MAAC senior personnel and industry veterans explain how MAAC makes students industry-ready and share their thoughts on the rising number of animation and VFX institutes in India. They also give a word of advice to students aspiring to carve a name in the AVGC industry.
The post MAAC 24FPS 2017: Thoughts & Suggestions from Veterans & Jury appeared first on AnimationXpress.
In this Guest Post, we’re excited to bring you an inside look at Planet Tobler and how it came to be.
Candide and Audi partner up to Ski the World
Filmed on Planet Earth
Learn more about this project:
http://audi.com/en/innovation/quattro/ski_the_world.html
Learn more about Audi & quattro
http://audi.com/quattro
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Music by General Elektriks Animated and Directed by Zachary Zezima Animation Assistance by Ana Mouyis This film follows a sharpshooting young girl who uses her words in the same way as her rifle, but eventually finds her compassion for others.
Fresh off Sundance 2018 premiere: A claymation adaptation of a series of actual voicemails received after making out with someone at a Miami rave. Directed and Animated by Julie Fliegenspan. King Coochie and Borscht Corp. present PLUR directed and animated by Julie Fliegenspan produced by Lucas Leyva, Jillian Mayer executive producer: Alexa Haas, Lauren Monzon associate producer: Bernardo Britto, Dennis Scholl sound design: Joel Hernandez colorist: Samuel Gursky editor: Lucas Leyva special thanks: Bill Bilowit, Mena Gonzalez, Marilyn Loddi, Andres Meza-Valdes, John S. and James L. Knight Foundation, Art Center South Florida supported by: Knight Foundation, Art Center South Florida, La Croix recipient of the La Croix #NoBroZone Grant commissioned by Borscht Corp Miami, FL, USA 2017
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
