9 Quarter Circle


Sandwiched between the borders of West Yellowstone and Big Sky, the 9 Quarter Circle Ranch is a rustic collection of log cabins and stables cradled in a valley of the Rocky Mountains. It’s here one finds Kameron Kelsey, the third-generation steward of the 9QC. The Kelsey family pride themselves on their adherence to tradition, as the ranch exists in something of a time warp, its practices mostly unchanged over the past 70 years. Due to the high elevation of the ranch, weather during the winter months is exceptionally perilous. Every fall, the ranch’s horses are taken down to a lower elevation pasture to live out the cold months in more favorable conditions. Each June, come rain or shine, the Kelseys, along with a group of a dozen or so wranglers, family, and friends, come together to push the herd 20 plus miles back up to the ranch, in a near sacred ritual they dub “The Round Up”. Of all the 9QC practices, this one is perhaps the most antiquated, and is the one the Kelsey family are most proud to preserve. It’s an exhaustive three-day marathon, one that takes them across a variety of terrain. Would it be simpler to gather the animals and truck them up to the ranch? Absolutely, but this isn’t about being easy. It’s about holding onto tradition. ______________________________________________________________________________________________ Directed by: Kristopher Rey-Talley Produced by: Rad Roubeni, Kristopher Rey-Talley & Phil Pinto Executive Produced by: Jinhee Chu, Rad Roubeni Photography by: Ryan Dickie, Sam Wootton, Josh Goleman, Kristopher Rey-Talley Edited by: Alex Camilleri, Kristopher Rey-Talley, Ed Yonaitis Color by: Mike Howell Sound Design by: Greg Tobler, Colin Alexander Aerial Photography by: Brendan Murphy

It Is My Fault


This is an intense audio-visual animation that has the potential to trigger seizures for those with photosensitive epilepsy. Viewer discretion is advised. After the compression of the spiritual world by the force of regulation, there will follow a series of emotions such as introspection, violence, self-destruction, and untangling. This work utilizes the own approach of the digital medium itself to deconstruct, to form the subliminal synesthesia visually and to create a fictional experience for the mind. 精神世界在面对强制规则化的重压后,爆发的一系列有关反思、暴力、自毁,排解的情绪。作品利用数字媒介自身的解构方式,形成潜意识的视觉通感,创造虚构的情感体验。 Director: Liu Sha Original Music: Ma Yao Sound Design: Zhai Xiaofei 2016 “It Is My Fault” is this week’s Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/It-Is-My-Fault ::AWARD:: Athens ANIMFEST Experimental Animation First Prize Altan Khalis Independent Film Festival Best Animated Film ::OFFICIAL SELECTION:: 2017星星艺术奖 Up-and Coming Int. Film Festival Hannover The London International Animation Festival Beijing Independent Film Festival San Diego Asian Film Festival Montreal International Animation Film Festival Ottawa international animation festival 6th Kolkata Shorts International Film Festival Anibar Animation Festival Sakhalin international film festival  Malt Adult screening night Insomnia International animation festival FEST – NEW DIRECTORS | NEW FILMS FESTIVAL  10TH FEST ANČA International Animation Film Festival FILE – Electronic Language International Festival 18th Dawson City International Short Film Festival Annecy International Animation Film Festival ANIMAKOM Florida Film Festival 2017 Flatpack Festival 11 Mecal 19th Festival International of Short Film and Animation of Barcelona Stuttgart International Festival of Animated Film 2017 2016集美·双栖青年映画季 4th International Motion Festival, Cyprus 2017 Slamdance Film Festival 2017 Animation Marathon 2016 Gdansk International Animation Film Festival 2016 第五届中国独立动画电影论坛特别放映

Wolf Roadster Triple Watch Winder Video Review


Wolf Roadster Triple Watch Winder reviewed by Watch Report. See the complete review at: http://www.watchreport.com/2011/08/wolf-designs-roadster-triple-winder-review.html

El Watusi – Ray Barretto


Musica Clasica

Black Ebony Gillette Mach 3 Razor Handle.


Black Ebony Gillette Mach 3 Razor Handle.

Purchase THIS razor at FireFlyGoods via @etsy:

https://www.etsy.com/listing/226890341/handmade-razor-shaving-kit-mach-3-razor

The Best Camera Bags – Billingham


Here I show two Billingham Camera Bags: 1) A bag that’s about 10 or fifteen years old and 2) a very rare bag that was made for the original Banana Republic when it was run by the founders Mel and Patricia Ziegler. It dates from about 1985 and features sewn in padded dividers and snap closures instead of velcro. In fact Billingham made bags in the mid-80s for various retailers. These bags have quite a following and there’s an active flickr group: http://www.flickr.com/groups/1459808@N20/

M Billingham & Co was formed in 1973 by its present owners and is still a family business. We employ skilled people, some of whom have been with us for many years. Our first factory was opened in 1977 in Old Hill, just a short distance from our present premises in Brierley Hill.

You will have gathered that the area is rather hilly, it is also the centre of many varied skills. A visit to our local Black Country Museum is a must if you visit the area. Everything from bricks and horseshoes, to sections of Concorde have been manufactured in the locality. The area has been the Company home for over a quarter of a century

Conceived, designed and made in the United Kingdom, Billingham bags reflect an English preoccupation with excellence and attention to detail.

The company’s transition from a manufacturer of fishing bags to one of camera bags came about in 1978 when Martin Billingham, a keen photographer himself, discovered that the fishing bags he made were being used by New York photographers. So popular were the first models that, within a year, almost all production had switched to camera bags. more: http://www.billingham.co.uk/pages/about.php

Other camera bag option: Domke F-2 (many are made in the USA)

Aretha Franklin Sweetest Smile And Funkiest Style


copyright WMG

Aretha Franklin “Sweetest Smile And The Funkiest Style “

Beck – Colors (Slime Visualizer)


Beck’s new album ‘Colors’ available now: http://beck.to/colors
Get ‘Colors’ Deluxe Edition Vinyl and Shop Merch: http://beck.to/shop

Follow Beck:

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(C) 2017 Fonograf Records Under Exclusive License To Capitol Records, LLC

http://vevo.ly/P9oZ4e

INTRA – From a Black hole to the Big-bang


1080p & Headphones recommended. — We don’t know yet what is inside a black hole, we know it is a singularity, a point where every rules of physics collapse. One of the possibilities is called “The White Hole Theory”, a sort of exit from the black hole, a point where everything is born, including space and time. Some compare it to the Big Bang. INTRA tells the visual story of this theory, a journey from the black to the white hole, a cosmic tale of death and birth… As a tribute to Nolan’s Interstellar, this second short after NOVAE go deeper into our conception of cosmos, interpreting the unknown to propose a vision of the most extreme celestial object of our Universe… — Nous ne savons pas encore ce qu’il y a dans un trou noir, nous savons qu’il y a une singularité, un point où toutes les règles de la physique s’effondrent. Une des possibilités est appelée “la théorie du trou blanc”, un sorte de sortie du trou noir, un point où tout est né, y compris l’espace et le temps. Certains le comparent même au Big Bang. INTRA est une vision fantasmé de cette théorie, un voyage du trou noir au trou blanc, un conte cosmique de naissance et de mort… En hommage à Interstellar de Nolan, ce second court-métrage après NOVAE interprète l’inconnu pour proposer une vision de l’objet céleste le plus extrême de notre univers… — Directed by Thomas Vanz Co-directed with Nano Lab Piano by Julien Marchal Violon/Mix by Jonathan Fitas Programmer Pim Schreurs See more : Thomas Vanz’s website : thomasvanz.com Facebook : Thomas Vanz Instagram : @thomas_vanz Inquiries : thomasvanz404@gmail.com Nano Lab Vimeo : vimeo.com/nanolab Jonathan Fitas’s website : http://www.jonathanfitas.com/ Julien Marchal Facebook page : https://www.facebook.com/julienmarchalmusic/ Pim’s simulation : https://sirxemic.github.io/Interstellar/

INTRA – Prologue (Making-of part I)


1080p & Headphones recommended. — We don’t know yet what is inside a black hole, we know it is a singularity, a point where every rules of physics collapse. One of the possibilities is called “The White Hole Theory”, a sort of exit from the black hole, a point where everything is born, including space and time. Some compare it to the Big Bang. INTRA tells the visual story of this theory, a journey from the black to the white hole, a cosmic tale of death and birth… As a tribute to Nolan’s Interstellar, this second short after NOVAE go deeper into our conception of cosmos, interpreting the unknown to propose a vision of the most extreme celestial object of our Universe… — Nous ne savons pas encore ce qu’il y a dans un trou noir, nous savons qu’il y a une singularité, un point où toutes les règles de la physique s’effondrent. Une des possibilités est appelée “la théorie du trou blanc”, un sorte de sortie du trou noir, un point où tout est né, y compris l’espace et le temps. Certains le comparent au Big Bang. INTRA est une vision fantasmé de cette théorie, un voyage du trou noir au trou blanc, un conte cosmique de naissance et de mort… En hommage à Interstellar de Nolan, ce second court-métrage après NOVAE interprète l’inconnu pour proposer une vision de l’objet céleste le plus extrême de notre univers… — Directed by Thomas Vanz Co-directed with Nano Lab Piano by Julien Marchal Violon/Mix by Jonathan Fitas Programmer Pim Schreurs See more : Thomas Vanz’s website : thomasvanz.com Facebook : Thomas Vanz Instagram : @thomas_vanz Inquiries : thomasvanz404@gmail.com Nano Lab Vimeo : vimeo.com/nanolab Jonathan Fitas’s website : http://www.jonathanfitas.com/ Julien Marchal Facebook page : https://www.facebook.com/julienmarchalmusic/