Shamik Dasgupta on the launch of Rakshak 3 and 4 and what to expect in ‘The Village’

Shamik Dasgupta

Its releases galore at Yali Dream Creations, as the third as well as the fourth part of the popular series Rakshak have hit the stands simultaneously. Writer Shamik Dasgupta continues the desi vigilante’s saga and his quest against injustice.

However this time around, the Rakshak isn’t all alone. There are new crusaders in town to aid and abet the former in his noble cause. For instance, Deven Pandey aka Hammer, is a poor blacksmith who doesn’t let his straitened circumstances keep him from standing against injustice, especially when he’s pushed too far by the hafta-wasooli gang.

A compilation of four different stories, the third instalment of Rakshak also chronicles around the stories of two pre-existent characters, Saina (Aditya Shergill/Rakshak’s niece) and Manav Khurana, son of billionaire Yashvardhan Khurana of OK Industries and self-proclaimed vigilante, Rakshak 2.0.

The fourth story ‘Pondus’, is about Swati Jangra, an ex- weightlifter and bodybuilder who falls victim to the nefarious plans of a gang of women extortionists. Swati suffers terrible loss at the hands of these extortionists and is coaxed to cross the line and exact bloody revenge on them with the help of a mysterious benefactor.

“The story of Pondus portrays a certain aspect of our social evils which is barely ever explored” says Dasgupta.

The adventures of the “most realistic superhero done in India” culminates in the fourth edition of Rakshak, where he’ll also have certain tough choices to make and also ask a pertinent question  – How far are we willing to go in the name of justice?

“Rakshak the character is a spawn of real world problems and the issues we face in modern India. There is very little make-belief elements in the series, it deals with real issues and real problems we face as a society and as an individual” he further added.

Both the new releases have met with rave responses from the fans, as Dasgupta can’t help but beam when he says, “The response has been very good! People have come to love Aditya Shergill (Rakshak) as a character because he feels real and addresses real issues.” However, this is only the tip of the iceberg. There’s more to its success. He says, “He can even be your neighbour, he can be you yourself. This feeling of identity is making Rakshak gradually popular among the audience. We have not resorted to any cheap gimmicks, neither our hero is any way related to any mythological elements/origins which are rampant among Indian comics and animation. He is the real deal.”

So whilst you deliberate about Rakshak and his latest in the series of escapades, there’s something sinister brewing in the rural areas of the country, as The Village would depict. Emphasising on the antediluvian, medieval malpractices of casteism, subjugation of dalits and the tribes that still exist in the most inconspicuous corners of the country, The Village is one of those rare comics that address social issues that gnaw the country.

Without divulging much about it, Dasgupta sums up the premise of it. He says, “This story is a cautionary tale against these malpractices. It is also a study of human nature, how situations turn a man into something lesser than himself, forcing his primal nature to reveal itself, and the true darkness of our souls are revealed.”

What new can the fans look forward to in the comic? “This is a totally new kind of horror story that we have explored in The Village, and we have termed this genre as social horror. If you are looking forward to something new, refreshing and relevant and not rehashes of ghosts, vampires, werewolves and demons, this is the book for you.”

Though replete with action and serpentine twists, Dasgupta warns its readers about expecting something mainstream. He says, “People will expect the story to be a spooky abandoned village and ghosts haunting our protagonists, they have no idea what we have in store for them.”

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Will Smith and Tom Holland lead voice-cast in animated film ‘Spies in Disguise’

Fox Animation, Blue Sky Studios and Chernin Entertainment’s animated feature Spies in Disguise will have Hollywood actors Will Smith and Tom Holland as lead voice artists. The studios have also released photos featuring the first looks of the stars.

The animated comedy is based on Pigeon: Impossible, a 2009 original animated short film by Lucas Martell that followed a secret agent who nearly triggers a global conflict when a pigeon gets stuck in a government-issued nuclear briefcase.

Spies in Disguise is set in the high-octane globe-trotting world of international espionage.

Smith (Independence Day, Men in Black) will voice the cool and super-skilled spy Lance Sterling, and Holland (Captain America: Civil War, Spider-Man: Homecoming) is Walter, a scientific genius who invents the gadgets Lance uses on his missions. When events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.

Nick Bruno (Epic, The Peanuts Movie) will co-direct the film along with Troy Quane (Ice Age: Collision Course), which is set to hit the theatres on 18 January, 2019.

Will Smith will voice Lance Sterling

Tom Holland will voice Walter

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9 Story secures multiple sales for animated series ‘3 Amigonauts’

9 Story Media Group is pleased to announce that it has secured multiple international sales for the animated comedy 3 Amigonauts (52 x 11’), aimed at children 6 to 11 years old. New licenses include Sony Pictures Television Networks (UK, Italy and Sub Saharan Africa), Canal+ (French-speaking Europe and Africa), RTP (Portugal), Disney (CEE), DKids (MENA) and Zoom (Israel). The series premiered in August 2017 on YTV in Canada.

Created by award-winning director Kyle Marshall (The Loud House) and directed by Mike Geiger (Winston Steinburger and Sir Dudley Ding Dong), 3 Amigonauts is produced by 9 Story Media Group for YTV. 9 Story Distribution International is handling international distribution and consumer products.

Set in earth’s far-flung future, 3 Amigonauts follows three lovable but reckless pals, Herby, Kirbie and Burt, who are mistakenly accepted at the universe’s most prestigious space academy. In their quest to fit in, these goofball friends super-size the smallest tasks into madcap intergalactic adventures.

The post 9 Story secures multiple sales for animated series ‘3 Amigonauts’ appeared first on AnimationXpress.

Deskercise

KOREAN MIRRORWORLD


Some Drone-Lapse work, with a bit of VFX thrown in. Playing around with some of the drone footage I shot in South Korea. Thanks DJI for the awesome drones. Shot with an Inspire 1.

Schön! presents | invasion


Anna Radchenko and Edgar Dubrovskiy team up to bring to life this sombre yet vibrant film. Encompassing rhythm and beauty, the scene is set around Jessica Louise transformed by the smooth makeup of Yulia Yurchenko. Haunting and unforgettable, the poetic composition is round off with comely muted styles by Hiroshi Goto and Dior under the supervision of Camille Marchand. Direction & Production / Anna Radchenko Director Of Photography / Edgar Dubrovskiy Fashion / Camille Marchand Talent / Jessica Louise Episode actresses / Jingren Wang, Alice Atmospherians / Nik Nightingale, Jingren Wang, Irene Mironov, Polina Belehova, Anna Romanenko, Vitaliy Tele, Anna Viola Burlatron, Kristina Baskova, Ami Benton, Janet Mayer, Fabiola Bonnot Make-Up / Yulia Yurchenko Gaffer / Hugh Donnelly Set Design / Helen Sirp Editor / Edgar Dubrovskiy Gifs Editor / Ben Matthews Color Grader / Philipp Morozov Music Composer / Andrey Novikov Camera Assistant / Hannah Jell Production Assistant / Tasha Marshal Set Design Assistant / Rachel Mathewson

The Swamp (La Ciénaga): a videoessay


La Ciénaga: A family that came too close A family house captured in its drowsiness and leisure Where the sister and the housemaid Share clothes, the same bed and room There, everyone is used to express affection Through the proximity of the bodies. This is how Lucrecia Martel blurs frontiers and conventions About family and brotherly relations. Martel proposes a micro cosmos of suggestions, Where the paternal figure rests in the arriving brother. Home: Bed and bedrooms as spaces of interaction. Mother’s room: where one drinks, dances, and gets together. However in this women arcadia the brother orbits around like a satellite, indifferent in moments, center of attention in others. A masculine being that puts order in the nature of intimacy. Through him, an analogy is established, about what means to go in and out of the motherly home: Between the strange, hot, dark embrace of the mother And the surroundings that limits it: cold and away from the bodies. The baroque home against is counterpart, white and stylized.

ENDLESS REGRESSION. On Jerry Lewis.


Jerry Lewis’ philosophy of video: Lewis’ comedy of playback is also a meditation on the technology he relied on in the production of his films. Looping a scene from Lewis’ film “The Patsy” (1966) shows how the loops of the electronic video signal are included in the very illusion they helped to fabricate. The mise-en-abyme of his film is short circuiting the funny with the claustrophobic.

Sensaciones en Lucrecia Martel (ensayo fílmico)


Imágenes, Lucrecia Martel Poesía, Alfonsina Storni

''Nowhere Man'' – Anne & Jimmy Murphy (1966)


Anne & Jimmy Murphy lip-sync their cover of the Beatles song “Nowhere Man” in this clip from Australian TV series “Bandstand”. This duo was among many Kiwi acts to appear on the show.