Salt Lake City woodworker Ammon Smith discusses how he built a massive King Kong Halloween decoration display for his house on October 12, 2017.
Video shot and edited by Brennan Smith.
Salt Lake City woodworker Ammon Smith discusses how he built a massive King Kong Halloween decoration display for his house on October 12, 2017.
Video shot and edited by Brennan Smith.
See how Mcfadyens from Scotland makes a 90 degrees right turn with a 60 metres blade with railings on both sides on the bridge. Great to see the possibilities of the SWC Super Wing Carrier. Without, it is almost impossible to do such a transport.
Occurred on September 27, 2017 / Harborough, England
“Apple Bobbing Chicken style, with the chickens at Ashley Farm Shop.”
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True sport performance brand ASICS has co-developed a new, super-
quick technique for creating colorful soles for its footwear at the Tayin
Research & Development Co., Ltd. as part of a new approach towards
footwear production.
The creation process, which uses microwave technology, is both speedy
and sustainable – taking as little as around 15 seconds to create in-
factory with huge potential to pave the way for decreasing environmental
impact.
Currently in testing phase, ASICS estimates that the use of microwave
production technology will reduce energy consumption by almost 90%
compared to ASICS’ standard techniques.
As well as environmental benefits, the technology also has huge
potential to revolutionise the future in-store experience for
consumers. The evolution of this technology could eventually give trainer
enthusiasts and fashion-forward shoppers the option to customize the
colour of the midsole and upper on the spot in-store. ASICS plans to
introduce this technology to select footwear ranges in the future.
Paul Miles, Senior General Manager, Global Marketing Division, ASICS
Corporation says, “At ASICS, we invest greatly in innovation and look to
improve each and every product year on year with the help of the latest
technology. The introduction of this production technique could offer
future footwear fans an innovative fashion fix in the form of customizing
their shoes before their very eyes”
To find out more about ASICS, visit asics.com/collections/custom
#ASICS, #SolesInSeconds
In this pilot film, we follow Master carver and indigenous Alaskan artist Wayne Price as he creates fine art in the traditional style of the Tlingit people. Wayne’s artistic creations cover a broad range of design and artifacts, including totem poles, dugout canoes, masks, paddles, clan hats and jewelry. Wayne works with local youth to pass on the craft and culture of the Tlingit people. Wayne takes us on a journey as he builds an adze, a traditional Tlingit wood-carving tool used by his ancestors for thousands of years. The Local is a Royal Caribbean original series, celebrating people from around the world, their unique passions and their culture. For the premiere season, we highlight three locals from Alaska: Wayne Price, Mary Smith and Dan Oberlatz. See more of Wayne’s work here: http://www.silvercloudart.com/ Director – Jacob Rosenberg Director of Photography – Logan Triplett Editor – Jeremy Huff Composer – Steffen Thum Colorist – Kristopher Smale Sound Mixer – Jeremy Blake Aerial Director of Photography/Drone Operator: John Sweeney Agency Creative Directors: Danny Streadbeck & McKay Hathaway Producer – Alex Orlovsky Agency Producer – Kristin Childers Executive Producer – Ryan Slavin Music Producer – Queenie Li Assistant Editor – Yonah Nimmer First AC – Adam Kirschhoffer Alaska Production Coordinator – Meg Halsey Production Company – The Reserve Ad Agency – Mullen Lowe Client – Royal Caribbean Special Thanks – Lorne Balfe, 14th Street Music, Margarita Mix
Craving companionship, a woman leaves a voicemail late at night. Objects take on new meaning in a lush world of gendered icons. Winner of the 2017 Sundance Ignite Fellowship Best Experimental Film, National Film Festival for Talented Youth, 2017 Honorable Mention, Vidlings & Tapeheads Film Festival 2017 Official Selection: LA Film Festival New Orleans Film Festival National Film Festival for Talented Youth Citizen Jane Film Festival Indie Memphis Film Festival Vidlings and Tapeheads Film Festival http://project1324.com/2016/11/18/announcing-the-winners-of-the-2016-sundance-ignite-whats-next-challenge/ Directed by Emily Ann Hoffman Produced by Sean Weiner Cinematography by Russell Peborde Art, Animation and Performance by Emily Ann Hoffman Special Thanks to the Jacob Burns Film Center
Support this channel on Patreon: https://www.patreon.com/cinematyler I think what’s most exciting about revisiting the Blade Runner universe is the universe itself. What does Los Angeles look like 30 years after the events of the original film? What do people wear? How has the culture changed? And most importantly, how did the crew make this future seem real on film? This is the production design of Denis Villeneuve’s Blade Runner 2049 on Making Film… Twitter: http://twitter.com/cinematyler Facebook: http://facebook.com/cinematyler Tumblr: http://cinematyler.tumblr.com This video essay was written, edited, and narrated by Tyler Knudsen. Vintage Wallpaper Backgrounds by designmag_dm Sources: The Replicant: Inside the Dark Future of Blade Runner 2049 – http://bit.ly/2xiMNKC Denis Villeneuve explains how ‘Blade Runner 2049’ is no replicant of the original neo-noir sci-fi fan favorite – http://lat.ms/2epUS66 The ‘Blade Runner 2049’ Look: Sci-Fi Brought Back Down to Earth – http://nyti.ms/2x9BzcY David Bowie Was Intended to Be the Villain in ‘Blade Runner 2049’ – http://bit.ly/2ySdaFZ Blade Runner 2049: How a Dystopian Future Got Darker – http://on.wsj.com/2yt8gye Syd Mead Interview – http://bit.ly/2x91jBb THE NEW “BLADE RUNNER 2049” TRAILER FEATURES A BUDAPEST LANDMARK – http://bit.ly/2wsYtrt https://kordastudio.hu/ BLADE RUNNER 2049 – Live Q&A and Trailer Debut Highlight Reel Blade Runner 2049 – San Diego Comic Con 2017 Panel Discussion Blade Runner 2049 Director Says He Thought The Sequel Could Be A Terrible Idea BLADE RUNNER 2049 Making-Of Featurette (2017) Harrison Ford, Ryan Gosling ColliderVideos – Blade Runner 2- Director Denis Villeneuve Talks “Autonomous” Follow-Up, Harrison Ford, and More ColliderVideos – Roger Deakins Talks ‘Sicario’, ‘Blade Runner 2’, and More Denis Villeneuve on when he decided to direct BLADE RUNNER 2049 Jared Leto Filmed All of His Blade Runner 2049 Scenes Blind – http://bit.ly/2xTAhSw Director Denis Villeneuve talks about filming BLADE RUNNER 2049 Harrison Ford & Ryan Gosling – Chat Blade Runner 2049 – GMA VICE – Inside the Making of ‘Blade Runner 2049’ – Created with Blade Runner 2049 – http://bit.ly/2xtrSV2 Denis Villeneuve: Blade Runner 2049, practical effects, Arrival – Den of Geek – http://bit.ly/2xrXeZ2 Director Denis Villeneuve Proved to Us He Loves Blade Runner More Than Anybody – Time – http://ti.me/2yX8n6e Music by Chris Zabriskie
Directed by Gérard Pirès
Produced by Mandarin Cinéma, Outsider Productions
Genres : Fiction – Runtime : 1 h 42 min
French release : 09/11/2005
Production year : 2004
During the Farnborough aeronautical show, a Mirage 2000 disappears in the middle of a demonstration. The French military sends Captains Antoine Marchelli and Sébastien Vallois out on patrol over the North Sea, towards the zone where the Mirage disappeared off the radar screens. The pilots discover the plane concealed by an Airbus A340. The Mirage begins to lock into combat position. At the same time, Marchelli and Vallois receive the order to give up the chase without further delay. But it’s too late, the Mirage is about to shoot down Vallois; Marchelli shoots it down to protect his crew member. This incident is the starting point of an enormous set-up aimed at hijacking a French fighter plane for terrorist purposes. A set-up whose final act takes place on the 14th of July in the skies above Paris, over the Champs-Elysées, in the presence of the same two pilots, Marchelli and Vallois.
More info : http://en.unifrance.org/movie/24716/sky-fighters
A remarkable video shows how you solve a seemingly impossible problem – turning sharp right on a narrow Highland road carrying a 60-metre turbine blade. Read more https://swd.media/OmAax This clip is licensed by Deadline News. Downloading and re-hosting of this clip is prohibited. Media enquiries should be directed to (info@deadlinenews.co.uk) Submit your content http://SWD.Media
A fidget spinner in space! How long does it spin? I’m not sure, but it’s a great way to experiment with Newton’s laws of motion!
Allowing the fidget spinner to float reduces the bearing friction by permitting the rate of the central ring and outer spinner to equalize, and the whole thing spins as a unit.
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