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Zombie, Vampires et Monstres sont de sortie !!

★ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

Dans le parc d’attractions d’épouvante Zombillénium, les monstres ont le blues. Non seulement, zombies, vampires, loups garous et autres démons sont de vrais monstres dont l’âme appartient au Diable à jamais, mais en plus ils sont fatigués de leur job, fatigués de devoir divertir des humains consuméristes, voyeuristes et égoïstes, bref, fatigués de la vie de bureau en général, surtout quand celle-ci est partie pour durer une éternité… Jusqu’à l’arrivée d’Hector, un humain, contrôleur des normes de sécurité, déterminé à fermer l’établissement. Francis, le Vampire qui dirige le Parc, n’a pas le choix : il doit le mordre pour préserver leur secret. Muté en drôle de monstre, séparé de sa fille Lucie, et coincé dans le parc, Hector broie du noir… Et si il devenait finalement la nouvelle attraction phare de Zombillénium ?

ZOMBILLÉNIUM Bande Annonce VF ✩ Animation (2017)
Un film réalisé par Arthur de Pins, Alexis Ducord
Acteurs : Arthur de Pins, Emmanuel Curtil, Lucía Sánchez
Date de sortie au cinéma en France : 18 octobre 2017
Genre : Animation

ZOMBILLÉNIUM Bande Annonce VF ✩ Animation (2017)
© 2017 – Gebeka Films

Comédies familiales, films d’action, d’animation ou de super-héro, de science fiction ou d’humour, films français ou blockbusters américains… Il y en a pour tous les goûts !

Abonnez-vous dès maintenant pour ne pas rater la bande annonce en français VF ou le trailer VOST / VOSTFR du moment ainsi l’extrait vidéo ou scène des films prochainement au cinéma.

Filmsactu : un point complet sur l’actualité du grand écran et les nouveautés DVD & Blu-Ray !

Discovery Communications President and CEO David Zaslav

MIPCOM – France – Discovery Communications’ Eurosport and Snap, Inc. reached a strategic advertising and content agreement that will deliver a new partnership for the Olympic Winter Games in PyeongChang 2018, bringing Snapchatters across Europe exciting Olympic Games action through several types of professionally curated content on Snap’s Discover platform.Announced  at Mipcom, the deal is a text book case of two strategic concern voiced by Discovery Communications’ president-CEO David Zaslav who was honored as this week’s 2017 Mipcom trade fair as the Mipcom personality of the year.

This partnership marks the first time that Snap has committed to a European, multi-language deal for covering the Olympics, offering unique opportunities for more brands to engage a younger generation of fans through a fresh, mobile-first look at the Games. This will include behind-the-scenes action from exciting Olympic events such as snowboarding, downhill and freestyle skiing and ice hockey  as well as relevant content from the athletes and influencers that fans want to connect with.

This first-of-its kind European multifaceted partnership will feature both daily Our Stories which are curated stories featuring Snaps submitted by Snapchatters and publisher stories which are magazine-like Stories produced by media publishers curated by Eurosport dedicated to the Olympic Winter Games. The original content accessible through Our Stories will be Olympic Games Snaps created by a dedicated team of editors at Snapchat, combined with Eurosport’s premium Olympic Games footage which will capture every minute of the Games action on its fast-growing streaming service, Eurosport Player.

Capturing the experience and excitement of the world’s biggest sport event, the new Eurosport publisher stories will bring Snapchatters into the action, enabling them to create, curate and share through the platform with an immersive content experience, featuring full-screen graphics, text overlays, animation, and sound. Discovery’s Ad Sales teams across Europe will be able to offer brands the opportunity to reach wider, younger and more digitally minded communities through Snap Ad packages.

“We are thrilled to bring the excitement and passion of the Olympic Games directly to Snap’s dynamic and engaged younger audience, allowing Discovery to deliver on its promise to bring the Games to more people across more screens in Europe than ever before” said Michael Lang, President, International Development & Digital for Discovery International. “This partnership delivers original content, through Discovery’s unparalleled and innovative storytelling of the Olympic Games, to one of the most powerful and influential social media platforms in the world.”

“Snapchat gives sports fans an unparalleled way to experience the Olympic Games and engage with their favorite athletes and teams. Discovery has already been a great collaborator for us, reimagining their iconic Shark Week franchise into a show for Snapchat,” said Ben Schwerin, Vice President of Partnerships for Snap Inc. “We’re thrilled to be expanding our partnership to give Snapchatters across Europe the best Olympic Games experience possible.”

Jonathan Davies, Managing Director, International Advertising Partnerships for Discovery & Eurosport, said: “We couldn’t be more excited to be the “The Home of the Olympics” on Snapchat in Europe, and to give our Olympics sponsors and advertising partners exclusive access to the audiences and conversations that only Snapchat can deliver during one of 2018’s most high-profile sporting events.”

On average, 57 million people use Snapchat daily in Europe, and 25% of smartphone users in the UK now use Snapchat every day. Snapchat’s community is highly engaged, with daily active users around the world visiting Snapchat more than 20 times each day, creating over 3 billion Snaps daily with its cameras. On average, Snapchatters globally spend an average of over 30 minutes on the app daily, and Snapchatters under 25 spend an average of 40 minutes a day on the platform.

The two companies announced a partnership earlier this year in the U.S which involves Discovery producing mobile-first Shows for Snapchat’s Discover platform. The premiere of their first collaboration, “Shark Week on Snapchat,” launched in July. Over the course of the Show’s week-long run, over 17 million viewers watched the Show.

Discovery Communications is the exclusive TV and multimedia rights holder for 50 countries and territories in Europe for the Olympic Games from 2018-2024. In addition, over the last year Discovery has accelerated its International digital activity significantly from its BAMTech Europe JV, double digit subscriber growth in its Eurosport Player streaming service, to the new OTT JV with ProSieben and the launch of Discovery and Eurosport channels with Amazon in the UK and Germany.

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From left Director of  ‘The Creative Garden’ Sarah Bynes, Cartoon Network VP content acquisitions Adina Pitt at the MIPJunior Fireside chat

It was a warm morning at MIPJunior 2017, with a cosy firechat with Adina Pitt, VP content acquisitions and co-productions, Cartoon Network and Boomerang. She addressed how Cartoon Network is responding to the evolution in the kids market.  Sarah Baynes, director of The Creative Garden moderated the session.  A virtual fireside was created through the computer screen in the middle. Adina who was all dressed in yellow showed her funny side when she quipped that she would help crack deals if someone gives her a coffee there. And bazinga! There were around 4-5 people offering coffee.

Coming back to the session, “Supply and demand is tricky as a buyer,” Pitt acknowledged. “There’s so many more platforms. People aggregate content with such frequency that we can’t make it as fast as we need it.”

Of course, that isn’t buying’s only problem today. “Economics can be tricky; putting together a show, the financing is hard. As a community, we have to work together to create new models, look at creative ways of getting content together faster.”

A lot of this has to do with how unrealistic supply expectations have become when compared to how long it takes to create content in the first place. “The moment we say yes to something, we could be looking at an 18-month to two-year window before that series becomes available,”Pitt pointed out. “Think about how long it takes to take delivery of 20 episodes”—a figure she called the “minimum to do a proper strip.”

“It takes a long time,” Pitt went on. “The moment we say yes to something and that’s a go, we’re already looking for the next thing to pick up. We live in several lanes.” Or as she’d later put it, “We are constant curators. We’re looking all the time.”

Which is why collaboration is more important than ever. “People need to partner—with us, with each other, to build, so when you come to us we can accelerate faster,” Pitt emphasised.

She also provided advice for people looking to sell their content this week: “Is it big enough, and can it travel?” Pitt asked. “Those are the questions we’re going to ask you, because we’re being asked those questions.”

Also, “Think where you want your property to go,” she counselled. If you decide to execute on YouTube first, as Adventure Time did, ask: “How does that affect ancillary revenue? Are you going to get a toy deal off of that? How do you measure consumers? You might get a million hits, but do they come back?”

Pitt summarised, “Think about it as a really long tail—not a one-and-done.”Lastly in advice, “Get over yourselves,” she said. “Don’t work alone. Partner, partner, partner.”

In Q and A, Pitt took the opportunity to respond to something to Fred Seibert’s MIPJunior 2017 keynote. She said that little has changed in kids TV in 20 years, and you wouldn’t even know that Minecraft — an online building game and apparently the most searched-for term among young children — existed from the shows.

“We can talk about this for days, but I actually believe in the circle,” Pitt replied. “There’s an element of sameness amidst all this newness. We’re still mining content for kids and that process is still the same. How you deploy it, and what it is, is what’s changing. I don’t think kids are gonna stop watching animation; they might just want it served another way.”

Perhaps with that in mind, asked by Baynes what’s coming up on the Cartoon Network pipeline, Pitt refrained from sharing anything concrete … but nonetheless tossed a hint our way. “I use the word ‘immersive’, and that’s an important word. Kids want to experience their content the way they want to experience it. They live that property.”

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Nickledeon is premiering several pre school series this year at the world’s largest content market, that is MIPCOM 2017. It is an intelligent local to global strategy in Nick’s front, indeed. Nickeledeon’s  all time hit show Sponge Bob Square Pants is still selling like hotcakes! The show is being currently shown in 84 territorries.

According to the company’s vice president international programming sales Lauren Marriott, ” We are premiering several shows this market including pre school series Sunny Day, which is set in hairdressing salon; Welcome to The Wayne where three kids work together to uncover secrets in their mysterious apartment complex; and I am Frankie, a live action comedy about an android- the first series  to be produced at the new state-of-the-art Viacom International Studios in Miami.”

Marriott said, “We are also here with Hunter Street. It has sold in 4 territories; Hong Kong(ViutTV Six) Spain( Clan TV),Nicaragua(Telenica) and Italy (Super). We have a local-to-global strategy. The world wide success of I am Frankie, produced for the LatAm region and Hunter Street, from our Dutch Operation shows that it is working well.”

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