Richard Atkins, the singer and songwriter of the early 70’s California psychedelic folk duo ‘Richard Twice’, was on his way to stardom and a huge success with his first debut album when he mysteriously walked away from it all. … Official Selection: Slamdance, Sheffield Doc/Fest, Palm Springs Int’l Shorts, Fantasia Film Festival … http://www.matthewsalton.com/ https://www.instagram.com/matthewrsalton/
An exploration of Atlanta’s resiliency, and how the youth of Atlanta can look to the past for leadership and perseverance to move forward. Premiere on Nowness: https://www.nowness.com/series/portrait-of-a-place/atlanta-from-the-ashes-andrew-litten Presented by Church’s Chicken Directed by Andrew Litten Cinematography by Kristian Zuniga Original Music by Omar Ferrer Executive Producer: David Kwon Kim Producer: Brandon Smith Content Producer: David Gutlay Field Producers: Camille Pendley, Dylan Harrington 1st AC: Daniel Guadalupe 2nd AC: Austin English 2nd Unit DP: Edward Martinez Steadicam Operators: Richard Volsky, Tim Yoder Sound Operators: Richard Adams, Lou Rosado Production Assistants: Meliz Yilmaz, Malachi Lee, Daniel Camacho Editors: Dillon Hayes, Andrew Litten Sound Design/Mix: Richard Adams Colorist: David Torcivia Agency: BFG Communications Production Company: Tre Native Thank you to Voyager, Laura Reese, Georgia Mardeson, Jessie Danvile, Phyllis McElroy, Bryan Bazarte, Emory University, South Atlanta High School, ATL Bike Life, The Sound Table, Sixpitch, CIS Atlanta, Full Frame, Commander, Fotokem, Cinelicious, Nirvana Kelly, Saira Raza, Ciji Tatum, Phylencia Taylor, Barry Reynolds, Hayden Bullard, Marvin Siclait, Andrew Murrell, John Manfredi, Tommy Betancourt, ABV Gallery, Nate Frost, Brandon English, Michael Kusumadjaja, Nate Shuls, John Paul, Dustin Chambers and The Wonderful People of Atlanta.
Beyblade Burst is quite a rage in the German market now! Surprised? The animated series premiered on Nickelodeon in Germany on 22 July, 2017. Usually the licensed products have to wait for some time but within a short period the makers have released their licensed products. Consumer interest is growing rapidly throughout the German marketplace, as licensed Beyblade Burst products have already been introduced at retail and are being swept up off the shelves.
Sunrights, the NewYork city based entertainment rights management company announced that it will be airing the show on Saturdays in the coveted 11:10 a.m. time slot.
Sunrights MD Kaz Soeda said, “Germany is a priority market for any program expanding its reach in Europe. The association with Nickelodeon and the incredible retail support we’ve seen to date ensure Beyblade Burst of a spectacular premiere and opens the door for more licensing and merchandising opportunities for the brand in German speaking markets.”
The new animated series created by d-rights inc. and produced by OLM, introduces viewers to Valt Aoi, who is crazy about Beyblade, the phenomenally popular spinning top that has been fueling competitions from schoolyards to global tournaments for nearly a decade.
Valt’s best friend since childhood, Shu Kurenai, is hailed as a Beyblade prodigy and has already been named as one of the National Beyblade Tournament’s Supreme Four. Inspired by Shu’s accomplishments, Valt sets his sights on reaching this year’s national tournament. But to get to the big leagues, he must first emerge victorious from the district tournament – no easy feat, given the tough opponents standing in his way.
Determined to win, Valt aims to make it to the championship, where he hopes to battle Shu and move on to the national tournament. As he battles, Valt broadens his circle of friends and reaches new heights. Without even realizing it, he has begun to dream of becoming the best Blader in the world.
The Beyblade Burst product line from Hasbro features a dynamic “burst” component, bringing more excitement to the successful battling play pattern. Fans can elevate their physical play to a digital playing field by scanning their Beyblade Burst tops into the Beyblade Burst app (available in the App Store and Google Play) allowing them to customize and battle with their collection digitally with friends through local Wi-Fi.
The post Licensed products of ‘Beyblade Burst’ are a hit in the German market! appeared first on AnimationXpress.
For the upcoming release of Destiny 2, Activision has teamed up with creative agency 72andSunny, production and direction from RSA Films and visual effects from Framestore to launch its first live action trailer titled ‘New Legends Will Rise’.
Scripted and strategised by ad agency 72andSunny, Framestore created the visually intricate trailer, mixing live-action with cinematic CG and visual effects, based on the characters and worlds created by Bungie.
In Destiny 2‘s heroic live-action two minute trailer, Cayde-6 rallies three Guardians (‘Do it for the puppies!’) into a battle to defend Earth against the evil invading Red Legion, all set to Sabotage by Beastie Boys.
Destiny 2
Destiny 2 is a first-person action game and the evolution of its award winning, internationally acclaimed predecessor, Destiny.
In Destiny 2, humanity has fallen to an overwhelming invasion force, led by Ghaul, the imposing commander of the brutal Red Legion. To defeat the Red Legion and confront Ghaul, Guardians must reunite humanity’s scattered heroes, stand together, and fight back to reclaim our home.
The live action trailer connects today’s world with the Destiny 2 universe, by having the audience imagine themselves in a situation like the Guardians’ own experience.
Environment Extensions
The project was a huge undertaking led by Framestore’s Los Angeles facility. In addition to some background replacements for the live-action scenes, the visual effects artists worked with Bungie to produce digital doubles, full CG characters, environments and compositional elements like explosions as well as lots of particle and destruction work.
In the opening scene where Cayde-6 rallies his three guardians Titan, Hunter and Warlock, Framestore created a street aesthetic to sure a futuristic dystopia with a combination of neon signs and ruined architecture using a 2.5D matte painting projection technique. The team extended the entire street scene to add depth and the caged Traveler in the background with red accents to showcase the enemies’ master plan at work. In the background it detailed additional battle space ships, explosions and atmospheric considerations like smoke, embers and ash using a combination of Nuke, Maya and Houdini renders.
Space scenes were completed by Framestore’s New York facility including the intro sequence and a fully CG space environment where the new villain of Destiny 2 Dominus Ghaul is detailed whilst his ships descends into action.
Weapons and Effects
As fans will know each gun in Bungie’s Destiny produces unique flares and qualities such as the new Wardcliff Coil rocket launcher, which produced drunken missile flare. Framestore also converted the original 3D assets from Bungie into high resolution CG characters and weapons for the cinematic film. Environment effects like ash and embers add depth and atmosphere.
CG weapons, effects and volumetric muzzle flash libraries for each gun were created to correlate with the game character’s weapons of choice, including a fully CG Psion character and gun. Framestore designed CG versions of Hunter’s staff, Warlock’s sword, Titan’s shield and a fiery sword at the end. During the live action production these weapons were represented by LED lights with specific colours. This ensured accurate interactive lighting and reflections during the shoot to facilitate the integration of the CG weapons in post-production. Other weapon effects included CG lasers and speakers in addition to the continual aesthetic of smoke and embers.
“My favourite sequence is the backlit melée,” says Framestore creative director Alex Thomas. “I love the coherence of the sequence, with action taking place across multiple floors, linked by characters across these divides. But in particular I love the silhouettes against the LED screen.”
CG Villains and Digital Doubles of Guardians
Framestore created digital doubles of the Guardians Titan, Hunter and Warlock based on motion capture. In concert with Bungie, the villains and quadruped beasts were drafted from Destiny 2’s 3D assets. Framestore married two live action plates for another complex sequence that included a digital breakthrough moment for Titan.
Framestore’s creative solutions included the crafting of new pipeline and plugin tools specifically for Nuke software to deliver the cinematic quality lens effects needed for this film. There was a high emphasis on creating and reproducing the optical and photographic qualities of anamorphic lenses during the shoot. As digital cameras become more and more perfect, film-makers are looking for VFX and old, vintage lenses to add character, imperfections and charisma to their images.
The colour grade was completed in-house at the Los Angeles office as well, colourist Jonah Braun created a unique and distinctive look under Beau Leon’s supervision and the director’s eye.
Director Jordan Vogt-Roberts and Live Action
To produce the theatrical live-action trailer, Bungie, Activision and 72andSunny enlisted Kong: Skull Island director Jordan Vogt-Roberts and Framestore’s VFX team. Vogt-Roberts who has worked in comedy, dramas and action-packed blockbusters, purposefully approached the production as a feature film which was shot in his hometown of Detroit.
RSA Films and Framestore captured LIDAR scans on set during the live-action production giving Framestore the ability to scale accurately and know exactly where to cast elements within the frame.
Roberts framed live-action plates to consider the significant amount of visual effects and CG overlays that would be included within the film. Framestore completed 75 complex shots and hand animating chase scenes.
On working with Framestore, Vogt-Roberts says, “The dedication from every member of their team spoke volumes about their commitment and professionalism. All of this is made even more impressive by how quickly they turned around all of these shots and helped me realise the vibrant world of Destiny 2.”
CREDITS
Brand Destiny
Client Activision Publishing
Chief Executive Officer Eric Hirshberg
Chief Marketing Officer Tim Ellis
SVP, Consumer Marketing Todd Harvey
VP, Consumer Marketing Matt Small
Director, Consumer Marketing Alonso Velasco
Sr. Manager, Consumer Marketing Pam Piscitello
Associate Manager, Consumer Marketing Edgar Gamez
Agency 72andSunny
Chief Executive Officer Matt Jarvis
Creative Chairman Glenn Cole
Creative Chairman John Boiler
Group Creative Director Matthew Curry
Creative
Director/Designer Rob Teague
Creative Director/Writer Tim Wolfe
Sr. Writer Samuel Moore
, Armando Samuels
Sr. Designer Juri Zaech
Sr. Designer Chase Madrid
Chief Production Officer Tom Dunlap
Sr. Film Producer Jeff Yee
Film Producer Lydia Sullivan
Film Producer Nick Phillips
Director of Strategy Bryan Smith
Strategy Director Daniel Teng
Strategist Jake Watt
Brand Director Simon Hall
Sr. Brand Manager Travis Cross
Brand Coordinator Christina Nordin
Partnerships and Legal Director Kallie Halbach
Partnerships and Legal Manager Jesse Sinkiewicz
Partnerships and Legal Coordinator Kelsey Buehler
Destiny World and Characters Created by Bungie
Production Company RSA Films
Director Jordan Vogt-Roberts
Executive Producer Jules Daly
Executive Producer Marjie Abrahams
Head of Production Elicia Laport
Producer Julien Lemaitre
Director of Photography Ken Sent
Production Designer Rene Naverette
Editorial Cut + Run
Editor Steve Gandolfi
Assistant Editors Luc Giddens / Kelly Henson
Head of Production Annabelle Dunbar-Whittaker
Executive Producer Amburr Farls
Managing Director Michelle Eskin
Visual Effects Framestore
Creative Director Alex Thomas
Senior VFX Producer Rachel Mariscal Creasey
VFX Supervisor James Healy
Line Producer Morenike Dosu
CG Supervisor Cosku Ozdemir
Animation Supervisor Marco Marenghi
Lighting Supervisor Rich Shallcross
Compositing Supervisor Michael Ralla
Coordinator Patience Rector
, Jose Alvarado, Madeline Austin-Kulat
Integration Lead Sean Dollins
Concept Designer Daniel Demirdjian
Modeling Lead Aamir Karim
Modeler Boris Bauer, Diego Melgar
Texturing Lead Jessica Groom
Texture Artist Wendy Klein, Patrick Warner
CG Generalist Genesis Lee, Joel Durham, Paul Lada, Soren Barton
Rigging Lead Rob Garcia
Rigger George Saavedra, Keridan Elliott, Wade Ryer
FX Lead Alessandro Pepe
FX Artist Denis Gauthier, Kevin Gillen, Mahmoud Elragheb, Nate Usiak, Patrick Manning, Viviana Mora
Tracking Todd Herman
Animator Evan Harbuck, Jessie Wang, Ryan Exner, Wim Bien, Xavier Coton
Lighting Artist Dustin Colson, John Cook, Yuo Tengara
Compositor Alex Unruh, Alex Villabon, Bruno de la Calva, Helgi Laxdal, JD Yepes, Josh Guillaume, Kingsley Rothwell, Kyle Belko, Paul Krist, Peter Timberlake, Ryland Bowen-Johnson, Tim Gutierrez, Wesley Cronk
Paint/Roto Artist Nicole Arnell
Cloth FX Artist Navin Pinto
Digital Matte Painter Joe DiCesare
VFX Editor Humberto Reynaga, Jake Keller
VFX Assistant Editor Alexandra Wysota
Colourist Beau Leon, Jonah Braun
Colour Producer Andrew McLintock
NY Producer Nick Fraser
NY Line Producer Molly McLaren
NY VFX Supervisor John Montefusco
NY 2D Supervisor Steve Drew
NY Modeler Xiaowei Tan (Lead), Xiaolai Zheng, Andrew Trout, Yinan Xiong, Stefania Cancemi, Lucia Cooke, Christian Peck, Derrick Forkel
NY Matte Painter Robert Go
NY Animation Lead Jim Hundertmark, Shayne Ryan
NY Animator Steven Johnson, Nico Cappuccio, Jon Burke
NY Rigger Tao Ye (Lead), Minji Sohn, Jing Huang
NY Lighting Greg White (Lead), Russell Miller (Lead), Nicholas De La Fuente, Charlotte Bae
NY FX Nate Diehl, Mohamed Echkouna
Compositing Corrina Wilson (Lead), Greg Gaskin, Elaina Brilliante, Jose Arauz, Wonsuk Choi
Finishing Jogger Studios
Executive Producer Rich Rama
Producer Liz Lydecker, Lynne Mannino
Lead Flame Artist Shauna Prescott
Flame Artists Scott Johnson, Wes Waldron
Flame Assistants Jorge Tanaka, Jimmy Tom, Tim Tom Production Coordinator Caylee Banz
Costumes Legacy Effects, LLC
Effects Supervisor J. Alan Scott
Fabrication Michelle Deville, Dawn Dininger, Amy Whetsel, Ilona Muschenetz and Hunter Chaney
3D Modeling and Design Greg Smith, Pio Paulo Santana
Mechanical Dept Richard Galinson, Chris Baretta, David Merritt
Art Dept David Monzingo, Robert Ramsdell, Ian Stevenson, Randy Bailey
Painters John Cherevka, Jamie Grove, Derek Rosengrant
Studio Coordinator Damon Weathers
Recording Studio / Mix Lime Studios
Mixer Jeff Malen
Assistant Mixer: Ben Tomastik
Executive Producer Susie Boyajan
Sound Design Formosa Group
Supervising Sound Editor Per Hallberg
Sound Designer Jon Title
1st Assistant Sound Editor Philip D. Morrill
Music
Track ‘Sabotage”’ Performed by Beastie Boys
Written by M. Diamond, A. Horovitz, A. Yauch
Courtesy of Universal Music Group
The post Framestore creates action packed ‘Destiny 2’ trailer appeared first on AnimationXpress.
As the launch date of Rana Daggubati’s social media thriller comes closer, fans can rejoice the release of the new poster of ‘Social’. Raising a lot of expectations, Viu has released the poster featuring the debonair Rana Daggubati illustrating the question whether social media is a boon or a bane. The captivating reveal poster inspires the narrative of how a single click in the digital world can can change a life.Produced by Whacked Out Media and Guru Films, set in Hyderabad, the 13 episode series is a story about four diverse individuals who come together to solve the mystery of a missing girl. The show is based on the theme of social media and hopes to make people aware of the reality of cyber crimes and how internet also becomes the saviour. Opening many layers of mystery and thrill, the much awaited series is slated to launch on 8th September.
Directed by Shashi Sudigala, the 13 episode original series will see Rana Daggubati of Baahubali fame along with digital phenomenon Naveen Kasturia, who will be playing the protagonist. Bollywood actor Priya Banerjee will be seen in the role of an aspiring actress in the show. Actors Aradhana Uppal, Abdul Razzaq, Moin Khan and Preeti Asrani will also essay crucial roles in the series.
Naveen Kasturia, who essays the role of the brother of the girl who goes missing, said,“‘Social’ is a riveting show that explores the prevalence of social media and cyber crimes. This show is carefully created for the digital medium ensuring a captivating storyline for the audience who are open to viewing differentiated content. Working with Rana and Priya has been very exciting as well. While shooting we keep improvising a lot and try to keep the process a bit more dynamic.”
Speaking on the show, Priya Banerjee says, “Digital platforms have a strong impact with their content on millennials and I am excited to make my debut with ‘Social’. I am playing an aspiring actress who knows what she wants in life and has what one needs to make it into the limelight. I really liked the script as it brings together experimental content portraying the many aspects of social media with a fascinating viewing experience.”
The post Viu releases poster of its upcoming thriller digital series ‘Social’ starring Rana Daggubati appeared first on AnimationXpress.
September looks like a good month to try your hands on some new games. Here are some titles we are looking forward to.
Destiny 2: One of the most anticipated sequels, Destiny 2 will be launched over PC as well unlike its predecessor. The game will be launched over PC through Blizzard’s dedicated platform making it the first non-Blizzard title on the platform. Developed by Bungie and being published by Activision, the game recently had an open beta and is set to launch on 6 September but only on the consoles. PC version of the game will roll out late, next month.
Platforms: PlayStation 4 and Xbox One.
Marvel vs. Capcom: Infinite: Another crossover title featuring characters from both Marvel and Capcom universe is set to hit your controllers on 19 of this month. The sixth entry in the franchise, the fighting game would be implementing a tag team mode in the game. It will be a three-on-three format as opposed to the earlier two-on-two format, wherein you tag another character to bring him/her in to unleash a deadly flurry of combos.
Platforms: PC, PlayStation 4 and Xbox One.
NBA 2K18: Cleveland Cavaliers superstar point guard Kyrie Irving is the new cover athlete for the standard edition of the upcoming NBA 2K18. The selection of Irving marks his first appearance on the cover of NBA 2K and comes at a pinnacle point in his career after consecutive dominant years with the Cavaliers and a repeat appearance at the NBA Finals this season, which has appropriately earned him the nickname, “Ankletaker.” The game releases on 19 September.
Platforms: Xbox One, PlayStation 4 and PC.
Total War: Warhammer 2: Created by Creative Assembly and published by Sega, Total War: Warhammer 2 has currently four races announced: Lizardmen, High Elves, Dark Elves and Skaven. The players will get the races that they have unlocked in the first game for the upcoming edition’s multiplayer. The configuration specs for the game has just been released, you can check them out!
The game released on 28 September.
Platforms: PC
Fifa 18: This game pretty much needs no introduction, apart from the fact that a new version is on its way! Developed and published by Electronic Arts, the game sports features 52 fully licensed stadiums from 12 countries, including new stadiums, plus 30 generic fields equal to a total of 82. The game releases on 29 September.
Platforms: PlayStation 4, Xbox One, PC and Nintendo Switch.
The post 5 game releases to look out for September appeared first on AnimationXpress.
The first word that comes out of your mouth when you look at these round little adorable characters is “Awww!” And their names are equally cute too. Meet Krashy, Chichi, Rosy, Wally and Pandy, the five colourful characters of Fun Union’s digital series BabyRiki.
Since the launch of this pre-school show on Russia’s YouTube, it has taken the digital platform by storm, gathering 500 million views in a span of only 10 months.
BabyRiki is an animated show with content that covers all aspects of a child’s life- from physical well-being to cognitive and soft skills. The concept of the show revolves around the toys that have come to life in children’s bedroom.
‘BabyRiki’ characters Wally and Rosy
BabyRiki focuses on building social and emotional skills through the four C’s: Communication, Creativity, Cooperation and Critical thinking. “The educational aspect of the series revolves around telling children a story which introduces them to concepts that are new to them, using age-appropriate content,” says Fun Union CEO Christine Brendle, who was previously an entrepreneur developing Kids Dailies- a digital learning platform for children. “These concepts may include material objects, their properties and behaviour, elementary knowledge of space, time or the surrounding world, ethical notions, et cetera.”
Fun Union CEO Christine Brendle
The narrative in the episodes unfolds rhythmically, slowly and in familiar surroundings which children can comprehend. “The subject matter is quite simple and based on situations that children can relate to: eating, outdoor play, games, sleeping and daily routines,” explains Brendle.
One reason for the massive success of the show is its development alongside child psychologists and early development specialists- people who exactly know what appeals to kids, what is relevant to them and what they should be aware of ideally. Brendle mentions, “We wanted to ensure that the content in our show was appropriate for the ages while remaining entertaining. So, we worked with the experts to define the curriculum in each episode.”
Apart from their lessons that focus on learning colours, shapes, sizes and so on, pre-schoolers acquire skills like sorting, rhyming, basic counting, recognition of words and letters through BabyRiki.
BabyRiki episodes are a combination of live-action and 3D animation. “Montessori and many educators after her, have shown that children learn best when they see real life objects and can at the same time name them, see them and hear sounds associated to them,” highlights Brendle, who is of the opinion that concepts are easily retained in the child’s mind when vocabulary is combined with singing and movement.
‘BabyRiki’ characters Chichi and Krashy
KikoRiki and Pincode – Fun Union’s other major brands – focussed on primary school kids. “It was only natural that we extended to pre-school which as a segment has been very vibrant for the past few years,” adds Brendle. “We also wanted to leverage the musical talents of Petersburg Animation Studio and kinesthetic learning works particularly well for pre-school.”
BabyRiki follows the huge success of KikoRiki in Russia. With over 99 per cent brand awareness in the country, the creators felt the need to build on that image while targeting a younger crowd, adding a strong educational focus with cute musical stories.
Positive response from pre-schoolers in Russia prompted Fun Union to launch across major digital platforms in China (Tencent Video, iQiyi, Youku, Mango TV and Beva). Between just 8 and 26 July, the show has amassed over 65 million views.
Second season of has been completed and the third will introduce more tweaks to the five characters’ universe. As Fun Union holds the rights to BabyRiki (as well as KikoRiki and PinCode), its goal is to continue promoting and distributing the series across Asia and the world.
And why just kids? Teens and adults alike will welcome these lovely and delightful characters with open arms!
The post Why kids are enamoured by these adorable characters from BabyRiki appeared first on AnimationXpress.
Just when you thought you’ve had enough sifting through the unalloyed dross that Bollywood has been dishing out throughout the year, in comes Baadshaho. Director Milan Luthria tries to pepper it with a patina of wisecracks, or even an apophthegm such as “Jab maut samne ho, toh zindagi ki keemat pata chalti hai” and so on. Yet, a puny story coupled with some insipid on-screen performance easily outweighs them all.
Luthria returns to his old stomping ground (after a four year hiatus) of period drama based on crime and thievery with his latest outing. Barely a quarter of an hour into the movie, and you can effortlessly fathom where this is heading. Ileana D’Cruz raises the curtains as she is introduced as Rani Gitanjali of Rajasthan, and how the 1973 case of ‘Emergency’ lands her behind the bars.
Frantic about the confiscation of her gold possessions, she turns to Bhawani Singh essayed by Ajay Devgn, to safeguard it. And even before you could say ‘Jack Robinson’, the two are swapping saliva on the terraces of the former’s royal palace! Well, that escalated quickly.
Baadshaho has all the style and flair to whip up a taut drama reminiscent of the 70s, but where it terribly falls short is a concrete storyline to tread on. The age-old narrative of a heist carried out by a group of spoilt-brats on a truck laced with heaps of gold feels predictable to the point of exhaustion.
Having limped for nearly two hours and thirty minutes, it then comes to an annoyingly contrived climax.
Director Milan Luthria (centre) with Ajay Devgn and Ileana D’Cruz on the sets of ‘Baadshaho’
The dusty, Rajasthani-colour of the movie is simply a treat to the eyes, though. The enchanting sand-dunes of Jodhpur and visual effects are excellently crafted, courtesy NY VFXWAALA who score full brownie points there. The scenes of one part of the palace blowing up early on, along with the landmines during an altercation in the climax are VFX-heavy. However, the effects are nigh perfect when they produce droplets of gold.
Also, the penultimate scene of the movie where Ileana’s character drowns under a deluge of sand is just eye-catching!
But Baadshaho, despite boasting a star cast, is further bruised by some poor performances from the leading ladies. Whilst Ileana is criminally underutilized, she’s a let-down even in her scant appearances on the screen. Esha Gupta on the other hand, is roped in only to add gloss to the celluloid.
Besides Ajay’s terrific depiction as a rough-yet-honest hoodlum, another point of mention is the cheeky banters between Emraan Hashmi (as Dalia) and Sanjai Mishra (as Tikla). They don’t fail to tickle your funny bones and provide some reprieve. Vidyut Jammwal is worth noticing too.
Milan Luthria has given us gems in the form of Once Upon a Time in Mumbaai and The Dirty Picture in the past, but this one is streets away from matching their calibre. And the makers have themselves to blame for its undoing.
In a year that has produced nothing but disappointment for the film industry, Baadshaho joins the conveyor belt of big-budget duds.
The post ‘Baadshaho’ review: Where style supercedes substance appeared first on AnimationXpress.
The amazingly talented and prolific Ariel Costa of BlinkmyBrain just released a new site and loads of terrific work.
Follow the link here to get an inside look at the consciousness of one of the best in the biz!
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
