American Gods – Slowing Down The Action


A short montage highlighting the various slow motion shots used as a reoccurring style throughout American Gods (Starz TV series). Edited by Zackery Ramos-Taylor Music: “Perfect Day” by Lou Reed Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

[Segmented Run] Trials of Death


I had no intentions on making another video on the level until the eventual clear, but by popular request, here is a viewing of the most up to date version of the level (nearly 14 months after I started). And don’t worry. When I clear this (which could literally happen any day at this point), the video will be much more than just a video of the level being beaten. It will be filled with a lot more. We’ll have to wait and see.
I stream all of my attempts here https://www.twitch.tv/chainchompbraden Feel free to check up on my progress at any point. Maybe you’ll even be there to witness this finally get beaten on the day it happens. As of this video, I’m over 600 hours worth of upload attempts.
Edit: The level has still been buffed several times since this video. It’s even harder now.
Don’t mind the abrupt changes of songs. Just figured I could mix it up a bit. 😛
Songs:
https://www.youtube.com/watch?v=ZcoqR9Bwx1Y

https://www.youtube.com/watch?v=kCLKGh1GehA

Final Trailer: Trials of Death


Next time you see a video on my channel about Trials of Death, it should be the clear video. Figured I could get one last trailer out for those who don’t follow the level’s day to day progress. It’s just nice to try and keep things up to date, plus, these are enjoyable to make, so why not? You can watch me stream upload attempts live at https://www.twitch.tv/chainchompbraden feel free to stop by any time. 🙂 Chances are you’ll be watching me die over and over, but who knows, maybe you’ll end up being one of the ones that gets to see the clear finally happen live. And believe me, it will happen. 😉

Songs:

Comic Con’s Spider-Man Nite in Delhi rocks; attracts 500 fans

Comic Con India hosted country’s first ever and the most epic Spider-Man Fan Night to celebrate the Spidey fandom and the release on Spider-Man: Homecoming. Over 500 people attended this event which was held on 7 July 2017 at Social Hauz Khas in Delhi.

The entire program witnessed numerous cosplayers and the whole place was filled with fans dressed in the web-slinger’s costumes, masks and T-shirts, flaunting their love for their favourite superhero. Excitement of the attendees to get clicked with Marvel trained cosplayer in the official Marvel Spider-Man suit was evident. Fun Spiderman Photo Ops area was filled with people to enact the Spider-Man life.

Attendees at the Spider-Man Fan Night event in Delhi

Comic Con India founder Jatin Varma shared, “The Spider-Man Fan Night was a great success. It was so much fun to host Spidey fans and geek out with them! We hope to hold more such fan outreach events in the future!”

The bar was decorated in the most iconic Spider-Man style with special drinks named after Spider-Man characters. The club therefore saw a large number of nonempty hands of the attendees throughout the event. At the event, music was played from all the previous Spider-Man movies and games and the activities were inspired from the franchise.

The event served to be a delightful experience for the fans and we look forward to more such events to bring together a community of superhero-lovers.

Official Marvel Spider-Man cosplayer at the event

Fans posing for a picture with the official Marvel Spider-Man cosplayer

Marvel Spider-Man cosplayer with Rahul cosplaying as Electro of ‘The Amazing Spider-Man 2’

The post Comic Con’s Spider-Man Nite in Delhi rocks; attracts 500 fans appeared first on AnimationXpress.

Can you handle so much cuteness? Toonz and Herotainment talk about creation of ‘Smighties’

If you have played with these small yet mighty characters from Herotainment, wouldn’t it be a pleasure to watch them come together create an engaging story? In November 2016, India’s Toonz Media and New York-based Herotainment entered a partnership to extend the brand Smighties into a digital series and rolled out the first three episodes on YouTube and YouTube Kids on 6 July, 2017. 

Herotainment’s co-CEOs (from left) Caryn and Wade Teman

Smighties is Herotainment’s first co-production with an Indian studio. “We decided to partner with Toonz because we were very impressed with the high quality of the animation and their knowledge of the digital space,” says Herotainment co-CEO Caryn Teman.

Toonz has been working on the series from development to post-production in close creative collaboration with Herotainment, which is also investing in it. Toonz Media CEO P. Jayakumar agreed to work on the project as he found the concept interesting.

The show is built around themes of empowering kids – emulating positive behaviour, encouraging emotional development with an emphasis on teamwork.

Smighties is entertaining and child-friendly. Their love for friendship, fun, and celebration of individuality captures the hearts and imaginations of kids around the world,” says Jayakumar, discussing the reason why he found the idea appealing.

The Smighties were introduced to the world in Herotainment’s games and co-CEOs Caryn and Wade Teman immediately saw that kids and families loved the characters. Thus with Toonz and their creative teams, they expanded their world and narrative.

“Before developing games, we created backstories for the Smighties. Each Smighty is unique with its own personality, power, likes and dislikes; so the characters and their worlds lend themselves to great story-telling,” says Caryn, explaining how they wanted kids and families to engage with the brand on many platforms.

Visual of the Central Region in ‘Smighties’

The main  and support characters were developed by Toonz for the series. Also, concept backgrounds, locations and colour styling had to be done afresh.

The series is directed by Prakashan U.K. and produced by Ansal Rahiman, while the storyboard comes from a team of seven artists- Mark Zaslove, Jymn Magon, Pamela Hickey, Dennys McCoy, Jordan Gershowitz, Jon Daalgard and Joe Vitale.

“From the start, the team was passionate and excited about creating the adventures of the small and mighty heroes,” exclaims Caryn. “Given the expansive worlds of the Smighties and the breadth of characters (which are over 130), there has been no shortage of amazing storylines and ideas from the writers.”

“We created the Smighties stories to appeal to  boys and girls around the world. It was important that each episode was filled with humour and lots of adventure,” adds Caryn. “In the series, Smighties discover that being small is mighty, being unique is a strength and friendship is powerful.”

Visual of the Magic Region in ‘Smighties’

Made on a budget of approximately $2 million (Rs 13 crore), the show follows a style aligned to international  audiences.

Why was YouTube and YouTube Kids chosen as a platform over TV networks? Jayakumar explains: “The digital medium is the future and more popular these days. OTT platforms have greater reach and the client is also keen on taking Smighties over digital platforms. Nothing is stopping us from taking it on TV.”

Caryn also reveals that discussions are on with global partners for licensing and merchandising. “Kids everywhere love the small and mighty heroes. There are over 130 Smighties, and toys and merchandise are a natural extension of the brand. Publishing is another licensing opportunity as each seven minute episode is filled with great story-telling and comedic adventures.”

While Jayakumar’s favourite characters are Zip, Zap, and the highly intelligent Nardy – the Smighty who dazzles with knowledge and culinary creations to create a big bang – Caryn feels that the little characters are like her two beautiful daughters.

Within a span of just 48 hours, the first video of Smighties has garnered 80,000+ views on YouTube. With Smighties, Toonz and Herotainment promise characters that everyone can connect with and embrace their quirkiness and individuality.

The post Can you handle so much cuteness? Toonz and Herotainment talk about creation of ‘Smighties’ appeared first on AnimationXpress.

Knack Studios

“Knack Studios is a state-of-the-art post-production studio in Chennai spread across 15,000 sq feet, housing the brightest talents and offering a wide range of Post Production services which include Audio , Colour Grading and VFx services.   Our Moto is  “Coming Together is a Beginning. Working together is progress, Staying together is Success.

We are inviting application for the following job openings.

Roto/Prep Artists (15)

  • A general understanding of the VFX production and comp workflows.
  • Good understanding of techniques and methods relating to rotoscopy and plate preparation.
  • Experience of stereoscopic rotoscopy is advantageous but not essential
  • Software knowledge Silhouette, Mocha, Nuke, Photoshop

Compositors (15)

  • A good eye for composition, colour, lighting
  • Working experience on stereoscopic projects is advantageous but not essential
  • Excellent knowledge of Nuke or Digital Fusion

Matchmove Artist (3)

  • Thorough understanding of camera and rigid-body tracking, and the use of survey data when generating camera and objects tracks
  • Understanding of apertures, lenses and distortion.
  • Familiarity with 2D tracking using Nuke is an advantage
  • Experience in  3DE, Boujou, PF Track,  Maya

 3D Artist ( Modelling, Texturing, Lighting, Rigging, Animation) (10)

  • A thorough knowledge of Maya
  • An understanding of physical motion, weight, balance, texture and form
  • An understanding of rigs and typical rigging set-ups, animation pipelines
  • Experience in Cloth and Fur animation is an advantage
  • A degree in Fine Arts is an advantage (Modeling and Texturing)

System Administrator (1)

  • 2-3 years experience as a system administrator. Should have some understanding of the Linux/windows/mac environment
  • Experience working in an Animation / VFX production studio an asset
  • General I.T. support and maintenance duties
  • Workstation setup and deployment
  • knowledge and troubleshooting experience with hardware components, including internal/external RAID devices and Intel compatible PC hardware
  • Above all, the ideal applicant should be a team player with a positive attitude

Come join us and be a part of the Success.”

Contact Details

Name: Mr.Prakash A

Mob No:9840259698

e-mail ID: hr@kanckstudios.in

 

The post Knack Studios appeared first on AnimationXpress.

STZAP #5

Lunchtime is coming…


The lunchtime rush. A hungry horde. Only one man can hold them back.

The KFC Ricebox. The same great Original Recipe chicken, just with rice instead of fries.

Common – "Black America Again" – directed by Bradford Young


Directed by Bradford Young _ Produced by Erin Wile _ Cinematography by Bradford Young, Shawn Peters, Maceo Bishop & JRR-Kwesi Fanti _ Editing and Sound Design by Marc Thomas _ Executive Producer Ava Duvernay Winner of the Best Documentary Short Film Award at the Los Angeles Film Festival, 2017

Culture Shifters: Jake Burghart (Director of Photography @ Vice)


“Jake Burghart started with VICE 13 years ago. He was 23. ‘When I first started I was like, yeah these guys are cool,’ he tells Stab. ‘I didn’t have a job and was just happy to have one. Since then, it’s all been one big wild ride.’ Jake’s travelled to 69 different countries and is the gentleman behind the camera for VICE’s most notable pieces. He also happens to be handy on a surfboard, which made him the ideal candidate for our Culture Shifters series with House Beer. Jake gave us a rare glimpse into life behind the scenes of North Korea, The Democratic Republic of Congo, The White House with Obama, who after the interview, asked them, ‘If they want to go get some craft beers, because that’s what bearded hipsters do, right?’ ” – Stab Magazine Director: Sam McIntosh Director of Photography: Mike Pagan Cinematography: Mike Pagan, Kevin Jansen Editor: Mike Pagan Music: Spencer Hein, Evan Hein, Aural Method Archival Footage: Jake Burghart, Vice