In this episode, we chat with frequent GSG collaborator and Instagram sensation David Brodeur. David shares with us how he got started in the industry as well as filling us in on what he’s been up to lately. Octane comes up a bit as it is David’s renderer of choice.
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A 1968 episode of William F. Buckley’s Firing Line, featuring a drunken Jack Kerouac, the Fug’s Ed Sanders and a clueless academic, Lewis Yablonsky, discussing the “Hippie” movement. For more post-beat, pre-apocalyptic art, writing, music and what-not, see http://www.sensitiveskinmagazine.com.
CGI 3D Animated Short Film POILUS by ISART DIGITAL. Featured on http://www.cgmeetup.net/home/poilus-short-film/
The “Poilus” are waiting to leave for the battlefield.
Among them, Ferdinand, a young hare, is playing the harmonica.
A whistling signal is given, the attack begins.
It’s on the no man’s land that he first encounters his enemy, a horrible creature.
Animated Short, Graduation Film, School : ISART DIGITAL, the Video Game and 3D Animation / VFX School http://www.isart.com/en/
3D Animation : Guillaume AUBERVAL, Léa DOZOUL, Simon GOMEZ, Timothé HEK, Hugo LAGRANGE, Antoine LAROYE and David LASHCARI
Music & Sound Design : Aina ANDRIAN, Paul BARRET, Gabriel DALMASSO, Auriane FATON, Elio GERMANI and Lesly VERDEROSA
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#cgi #3d #animation #animated #vfx #short #shortfilm #cgmeetup
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That’s a different cat from the Yoda video by the way, watching my nieces cat for a while and I guess she had something stuck in her tail fur or something.
This is my homage to two extraordinary filmmakers.
I still can’t get out of my mind those soft atmospheres, the touches and all those unique feelings. I am so glad that Jenkins got the inspiration from Wong Kar-wai and crafted one of the best movie of our generation.
Movies:
-Moonlight (Barry Jenkins, 2016)
-Days of Being Wild (Wong Kar-wai, 1990)
-In the Mood for Love (Wong Kar-wai, 2000)
-Happy Together (Wong Kar-wai, 1997)
Music:
-“The Middle Of The World” by Nicholas Britell
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Un film de ……………………………………… Zack Spiger Produit par …………………………………………….. Solab Featuring ……………. Angèle Metzger & Lukas Ionesco Producteur …………………………………….. Nicolas Tiry Coordination de production …………… Arthur Parratte Administratrice de production …….. Lucie Santamans Voix off ……………………………………… Lara Deweerdt Chef monteuse ………………………… Tianès Montasser Etalonneuse ………………………….. Julija Steponaityte Assistant opérateur ………………………. Nicholas Kent Chef electricien ……………………….. Baptiste Brousse Opérateur son ……………………………… Simon Farkas Régisseur général ………………………… Francois Lothoré Mixage son ………………………………….. Loris Bernot Avec l’intervention de ………………………………………….. Marie Beltrami, Graham Haught, Le Gouedec, Louise Le Meur Rasmussen, Maura Camilla Coco, Luce Lefebvre, Nassim Guizani, Léo Fauvel, Diane Rouxel, Elliott Cox, Francois Djemel, Paul Créange & Mélanie Akoka Remerciements …………………………………………………. Benjamin Desplanques @ Benzene Music, Alexander Bscheidl, Fabienne Jego, Marina Jego & Jean-Claude Ruellan @ Vantage, Emilie Aubry, Emilie Orsini, Sam Clark @ Kodak, Philippe Akoka & Alexander Akoka @ Film Factory, Fanny Cointe @ Eyelite & Quentin Oster @ Le Scandale.
How can you be what you can’t see? Mikhail Martin, co-founder of Brothers of Climbing said, “I literally typed, ‘Are there black climbers?’ in Google … someone said, ‘black people don’t climb.’” A small group of climbers began to challenge that thought. The Brothers of Climbing is a crew that’s making the climbing community more welcoming. Watch to see how they created a community where one wasn’t. A Cause + Effect Film: http://causeffect.tv/ Visit Brothers of Climbing at: https://boccrew.com/ Keep up with the BOC on Instagram: @boccrew DIRECTOR DUNCAN M. SULLIVAN DIRECTOR OF PHOTOGRAPHY ALEX LEVIN PRODUCER LUKE BOELITZ ADDITIONAL CINEMATOGRAPHY DUNCAN SULLIVAN LUKE BOELITZ LUCAS ISAKOWITZ PRODUCTION CAUSE+EFFECT EXECUTIVE PRODUCER JASON ZEMLICKA EXECUTIVE CREATIVE DIRECTOR JAMIE HUBBARD HEAD OF PRODUCTION SEAN PATRICK KELLY EDITOR HERNAN BORNAS ART DIRECTOR NICK JERNIGAN COLORIST COREY RYAN SOUND MIX EXPLOSION ROBINSON PARTNERS AT REI CO-OP PAOLO MOTTOLA ANDERS NORDBLOM FEATURING MIKHAIL MARTIN DAVID CHO ANDREW BELLETTY FRANCES BALILO MARC BALILO SAUL COLON NAN TEH DAVID GLACE RINA GLACE DANNY ZHAO LEIGHANNE YUN DENNIS LEE PIETER COOPER JOSH GREENWOOD JENNIFER LEE NAN TEH DIAMOND JONES DENIS GU KALVIN ZHAO KADE DIAKITE TYSON MCGREW SPECIAL THANKS CYRENA LEE ERIC FEIGENBAUM JAY ELLIOT JON ROSS MOHONK PRESERVE BROOKLYN BOULDERS
Support this channel: patreon.com/filmradar Find me on YouTube: youtube.com/c/filmradar (This an older video originally uploaded to YouTube)
“Blue Monday” from Fats Domino’s ‘Live From Austin TX’ performance. Buy it today on Amazon http://amzn.to/1djHSK4 or iTunes http://smarturl.it/FatsDominoLFAT.
First of all, like his hero Louis Armstrong a generation earlier, Fats is synonymous with New Orleans. Not to mention the early days of rock-and-roll. Who doesn’t love the infectious lyrics and floating melodies of “Blueberry Hill,” “Ain’t That A Shame” or “Blue Monday?” Music was practically a birthright for Antoine Domino, Jr., one of nine kids from a poor family. He never made it past 4th grade, but he was already playing boogie-woogie piano.
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
