Rhinos and Goats have a Unique Friendship


How you can help: https://www.youcaring.com/rhino

Goats jumping around on rhinos at the Care for Wild Rhino Sanctuary.

Care for Wild Africa is a non-profit organisation (NPO) and the largest rhino orphanage in the world! It is determined to rescue, care, and rehabilitate wildlife that has been injured and/or orphaned. Working with Rhinos is an official agent of the Care for Wild Africa Rhino Sanctuary.

For more information about volunteering at the Care for Wild Rhino Sanctuary, please visit: http://workingwithrhinos.org/

For more information about Care for Wild Africa, please visit: http://careforwild.co.za/

Facebook: https://www.facebook.com/workingwithrhinos

25 MILLION Orbeez in a pool- Do you sink or float?


Kevin (aka The Backyard Scientist) and I filled a pool with 25 million waterballs (aka Orbeez) so I could settle an argument about how far you sink if you jump in.

Go watch Kevin’s video- https://youtu.be/BDS4DHxPQRE

FREE Squarespace trial- http://bit.ly/SquarespaceMarkRober

Thanks to Nathan for the High Speed camera. If you need a High Speed camera to rent for super cheap check him out. Insanely low prices for great gear- http://www.aimed-research.com/

MUSIC-
0:00- Nobody Knows- Andrew Applepie- http://www.andrewapplepie.com/
4:00- Berlin- Andrew Applepie- http://www.andrewapplepie.com/

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I make videos like this once a month all year long while supplies last:

CHECK OUT MY CHANNEL: http://tinyurl.com/MarkRober-YouTube

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TWITTER: https://twitter.com/#!/MarkRober

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Pokémon GO – Get Up and Go BANNED Trailer


Get ready for an all-new Pokémon experience! Pokémon GO opens a universe of Pokémon to find, catch, trade, and battle on your iPhone or Android device! With Pokémon GO, you’ll discover Pokémon in a whole new world—your own! Just be sure you’re aware of your surroundings, otherwise you may be in for a nasty surprise!

Subscribe to Parody Patrol for more videos and be sure to follow us:

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Directed by Adam Huber and Adam Ross
Shot by Adam Huber
Edited by Adam Ross

Starring:
Scott Gresham
Emily Hickner
Lance Appleby
Christian Lawrence
Adam Ross
Adam Huber

Meet Level™


Level™ is the next chapter in our wearable technology journey, featuring fitness-tracking technology seamlessly embedded into the temple of an optical frame. Our innovation lab, The Shop, is excited to kick off a major academic study of the prototype with our partners at the University of Southern California’s Center for Body Computing. Get the scoop: http://shout.lt/bH74M

Steel Workers' Stories from One World Trade Center


I’ve always been fascinated with architecture and skyscrapers (specifically the World Trade Center), as well as the dangerous and daring jobs of construction workers who spend hours on small platforms hundreds of feet in the sky. I never had the chance to visit the World Trade Center before 9/11. Now, a new center is being built by many workers whose own relatives built the original towers decades ago.
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(CBS News) NEW YORK – New York City is very close to putting back what terrorism took away.

Workers on One World Trade Center, the symbolic tower rising near Ground Zero, are erecting steel for the 100th floor on their way to 104.

It will be the tallest skyscraper in North America when its sculpted antenna reaches 1,776 feet.

The CBS Evening News asked several correspondents to go to the top with the iron workers walking the beams more than 1,000 feet in the air. Several declined. But Nancy Cordes and her crew, jumped at the chance.

Getting to the top of One World Trade Center is a job in itself. First you ride up to the 89th floor on two construction elevators. From there, a series of ladders are the only way up to the 93rd floor which has no walls and the sky for a ceiling because it was only built last week.

Tommy Hickey and Michael O’Reilly spend their days scaling foot-wide wide steel beams. They are part of an elite, four-man crew of ironworkers called “connectors.”

“We connect the actual steel structure of the building, the steel skeleton and all the other ironworkers come in behind us,” says O’Reilly.

Two enormous cranes lower the beams into place, then Hickey and O’Reilly bolt them together.

“What we are doing now, is setting that 100th floor,” says Hickey.

How dangerous is it up there?

“Anything can happen, especially with us,” says Hickey. “Fingers, toes, falls, very dangerous and the heights. We’ve just got to watch each other’s back. That’s why I say he is my brother — I’m with him more than my wife, you know? You just got to watch every move you do, and he does so we don’t hurt each other.”

The day CBS visited, they were raising the “cocoon” — a steel and net structure that surrounds the building for safety, so debris doesn’t drop 1,200 feet to the street below.

Working seven days a week, they are now just six feet away from overtaking the Empire State building as the tallest skyscraper in New York, a status the twin towers held before they fell.

“It’s a trophy to come here and do this, you know?” says Hickey. “Biggest job in the city.”

Hickey is a fourth generation ironworker. His grandfather worked on the Empire State building. His father helped to build the South Tower. O’Reilly’s father was terribly injured while building 7 World Trade Center in 1985.

“He was doing what I do now, which is connecting — what me and Tommy do — and he had fallen and was paralyzed,” says O’Reilly. “So that ended my dreams of becoming an ironworker right then. And then 9/11 changed that all over again.”

7 World Trade also fell on 9/11.

“Well, when the building came down it all happened for no reason, so (I felt) let me go in and rebuild it to honor him,” says O’Reilly.

The higher they go, the more punishing the conditions become. It’s 10-15 degrees colder here than at street level. High winds and fog often halt construction.

When the weather does cooperate, these ironworkers can move remarkably quickly — erecting one floor every seven to ten days.

Down below 3,500 workers are welding beams — laying metal rods – and pouring concrete. Building what the architects say will be the strongest skyscraper in the world.

“A lot of pride, yeah, in all these workers,” says Hickey. “I mean, everybody is proud of what they’re doing.”

Johanna Under The Ice – NOWNESS


Finnish freediver Johanna Nordblad holds the world record for a 50-meter dive under ice. She discovered her love for the sport through cold-water treatment while recovering from a downhill biking accident that almost took her leg. British director and photographer Ian Derry captures her taking a plunge under the Arctic ice. Read more on NOWNESS – http://bit.ly/2bKRuzm

VINCE STAPLES – musical short film – by NABIL

How CIMC Vehicles transport wind turbine blades in difficult terrain.


How CIMC Vehicles transport wind turbine blades in difficult terrain. It’s like watching ants carrying leafs!

Beginning Of Life


a 128 meter projection for the opening ceremony of the Olympic Games in Rio 2016 Title: Beginning Of Life I Client: Olympic Games I Agency: Oito Zero Oito I Creative Director: Fabio Soares, Fernando Meirelles I Visual Artist: Susi Sie I Music and Sound Design: Antonio Pinto www.susisie.de www.facebook.com/page.sie/

You never lamb alone with Australian diversity

Meat and Livestock Australia (MLA) has launched its marketing push for spring lamb, tying together the tagline “You never lamb alone” with the quest for respectful cultural diversity in Australia. The commercial at the heart of the campaign addresses criticism that the lamb brand was associated with discrimination in the Australia Day 2016 commercial, Operation Boomerang. This time every effort is being made to represent the diversity found in Australian society. Television presenter Luke Jacobz, the iconic white guy, is morphed into a range of figures three Aboriginal names: Olympian Cathy Freeman, rugby league player Greg Inglis, and model Samantha Harris. They’re joined by Greek-transgender comedian Jordan Raskopoulos, Bengali-Australian actor Arka Das, and a long list of Australian extras, in a nod to the Screen Australia study on cultural diversity, disability and LGBTQI representation in Australian television drama broadcast over the last five years.

You Never Lamb Alone diversity ad

Lamb the meat that doesn't discriminate

The spring 2016 You never lamb alone campaign is running across TV, social, and out of home (OOH). In-language social media posts have been created to tailor its communications to languages other than English for the first time. The 90-second content will be shared across Facebook and YouTube, and the lamb message will also be spread across WeChat and Weibo to further engage Australia’s Chinese community. MLA has also used UM’s proprietary tool Dimple (Diversity in Media: Planning Language & Ethnicity) to inform a multi-language News Limited Community Press partnership and high-impact OOH digital display activity. Focusing on areas with diverse backgrounds, the campaign aims to spread unique messages linking lamb to diversity around sexuality, culture and language with Arabic, Vietnamese, Mandarin and Cantonese translations. The OOH MOVES will also speak to the sight impaired community with specific braille placements in key metro sites. On top of this the MLA will also launch ‘Lamb Get Togethers’, which centre around pop-up dining. Chef and lamb lover George Calombaris and a series of influencers will host their events and spread the message across their channels, as they encourage people to get involved. All of these activities will be partnered with a below-the-line and point-of-sale push.

You Never Lamb Alone diversity ad

You Never Lamb Alone Credits

The You Never Lamb Alone campaign was developed at The Monkeys by executive creative director Scott Nowell, creative director Grant Rutherford, copywriter Tim Pashen, senior producer Abby Hunt, senior art director Barbara Humphries, producer Caroline David, planning director Michael Hogg, managing director Matt Michael, content director Katie Wong-Hee, content manager Victoria Zourkas, head of production Thea Carone, senior account director Jessica Silver, account director Katie Raleigh, account manager Lauren Waverley, senior account executive Taylor York, account executive Duncan Fredericks, working with MLA group marketing manager Andrew Howie and brand manager Matthew Dwyer.

Filming was shot by director Paul Middleditch via Plaza Films with executive producers Peter Masterton and Caroline David, director of photography Daniel Ardilley.

Editor was Peter Whitmore at The Editors. Colourist was Christine Trodd.

Sound and music were produced at Song Zu, Sydney, by sound designer Simon Kane, composer Haydn Walker and producer Jess Bonney.