The new DOOM trailer becomes a harbinger for Deathmatch, Private Matches and Arcade Modes

Released on 13 May this year, DOOM is a reboot of the original series and the first instalment after DOOM 3 was released back in 2004. Developed by id Software and published by Bethesda Softworks, the game is a fast-paced first person shooter (FPS) and is inspired by the original DOOM which is credited as the first ever FPS game.

Now, Bethesda has just announced a free update for DOOM and has also revealed the content of the patch. The update will usher in Deathmatches, Arcade Modes and Private matches. The announcement was followed up with a small video trailer, giving us a glimpse of the content that is to come.

There will also be a stream by the company to further discuss the content of the upcoming update. The stream will be hosted by id Software’s Marty Stratton and Hugo Martin on 13 September at 11 AM PT, on Xbox Twitch page.

Here are the few details shared by Bethesda on their page about the content:

“Deathmatch brings free-for-all mayhem to DOOM’s fast-paced multiplayer, and arrives as part of Free Update 3 this month. Private Matches are also coming in that update, allowing you and your friends to create private multiplayer matches where you determine the maps and modes.”

“You’ll also be able to adjust settings like the time limit, score limit, or turning demons and power weapon off or on. Plus, you’ll see a sneak peek of Arcade Mode, an upcoming competitive addition to the game’s critically acclaimed campaign mode, set to arrive in a future free update this fall.”

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The mystery behind the VFX of ‘Star Wars: The Force Awakens’ revealed

The well acclaimed franchise Star Wars has all the reasons for its huge fan base. Perfection is the key to its huge acclaim for the franchise dedicatedly follows the mantra of perfection in every aspect of its series. The recent VFX breakdown reel of Star Wars: The Force Awakens released by Industrial Light & Magic (ILM) proclaims the impeccable work done in the entire film.

Right from minute negligible alterations to huge mainstream extensions, the studio has focused on each and every aspect to bring the best shot on the table. In the reel, the shots start with just an actor in a studio or a single prop, and then are fleshed in by dropping in layer after layer leading to the completion of the final sequence.

Various sequences like scenes from the desert planet Jakku, the TIE fighter Star Destroyer escape, Rey’s living quarters inside of an old broken down AT-AT, a spot on replication of the nostalgic Millennium Falcon and the light saber battle on the Starkiller Base are some of the major portions.

ILM has managed to get every single detail as close to perfection as possible. Characters like Maz, Unkar Plutt, and beep boop BB-8, all were developed starting with a blank page and ending with perfect facial expressions and final detailing.

The post The mystery behind the VFX of ‘Star Wars: The Force Awakens’ revealed appeared first on AnimationXpress.

Baar Baar Dekho Review: VFX augments Nitya Mehra’s time travel love story

In this fast paced era, we often tend to lose out on minor moments in the quest to chase behind our career to become successful in life. Yes, our career is important; however, something known as maintaining “balance” is necessary in our life is also crucial. And that’s what director Nitya Mehra’s Baar Baar Dekho tries to communicate to the audience.

Childhood friends and lovers decide to get married and live together forever. But what happens when any of the two (in this case the guy) isn’t ready for this kind of commitment as his heart lies solely on his career? A simple storyline wherein how the guy realises where is he going wrong is showcased in an interesting time travel journey. The whole movie revolves around “how the answer to the future lies in the past” and that we need to live in the moment.

Being the protagonist of the movie, Sidharth Malhotra had a lot riding on his shoulders as his performance could make or break the movie, and (surprisingly) he has managed to live up to the expectations. On the other hand, Katrina Kaif (maybe because of her sparse dialogues) dealt with the situations most of the times in a mature manner. Along with these two, the supporting actors Sarika, Ram Kapoor, Taaha Shah Badusha and Sayani Gupta executed their role quite well; Rohan Joshi, well we had more expectations from him.

Being a time travel film wherein we observe Jay Varma (Sidharth Malhotra) travelling back and forth in time to figure out his life, to bring the futuristic period to life, there was a need of visual effects. And for that, VFX supervisor Viral Thakkar of the newly launched Fluiidmask Studios and Sam Bhattacharjee from Do It Creative were roped in. As opposed to Fluiidmask’s first project – Rustom, the studio has managed to deliver seamless VFX. Minute details were kept in mind like the cell phone’s interface with the human, the transparent interactive screens and the various backgrounds observed post 2020. Apart from some minor slip-up observed in one or two shots, the VFX job overall was neatly carried out.

A Bollywood movie is incomplete without songs, and enhancing the movie is the music composed by Amaal Mallik, Arko, Badshah, Jasleen Royal and Bilal Saeed. Not a single track feels unnecessary and therefore blends in quite well with the storyline. As far as the screenplay is concerned, it could have been a bit tighter but apart from that, overall the unfolding of the story is well conceptualised and keeps the audience hooked on to their seats till the end.

Written by (dialogues) Anvitta Dutt, story by Sri Rao and produced by Karan Johar, Ritesh Sidhwani, Farhan Akhtar, Baar Baar Dekho has released today, 9 September, 2016.

Verdict: Marking her debut as a director in Hindi cinema, Nitya Mehra’s Baar Baar Dekho is a movie which can be watched on the big screens at least once; nevertheless if you are looking for a “timepass, leave your brain at home” flick, this won’t be the ideal choice.

The post Baar Baar Dekho Review: VFX augments Nitya Mehra’s time travel love story appeared first on AnimationXpress.

Mythic Bridge Change The Script

This post is timed to coincide with Worldwide Suicide Prevention Day. Mythic Bridge, a non-profit using film-making to enable at-risk youth to actualise their potential, is running “Change The Script”, a PSA film and online awareness campaign. At the heart of the Mythic Bridge Change The Script campaign is a commercial showing what at first appears to be a young gay man preparing to jump from a city rooftop. We hear the voices of his family struggling to accept his sexual orientation, and we see his messages to family and friends sent as texts on his phone. As he falls we discover that in truth he’s on a film set of teens working with mentors to enlist the power of storytelling to affect change. The powerful piece brings to light that LGBTQ youth are four times more likely to attempt suicide than their straight peers.

Mythic Bridge Change The Script

Mythic Bridge, with co-founders Gage Cass Woodle and Donald Klein, is a non-profit that uses the transformative power of filmmaking to enable at-risk youth to actualize their potential. The campaign supports Mythic Bridge’s LGBTQ filmmaking workshops through a Crowdrise fundraiser. This programming creates a supportive community for LGBTQ youth and their straight peers to safely express themselves, uncovering personal experiences and transforming them into narrative storytelling.

“Mythic Bridge is a safe space for kids,” says Klein. “Everyone has their version of how scary coming out was; maybe they didn’t have that safe space to lean on. I hope they see the Change the Script campaign and learn that Mythic Bridge is an open door. They should understand that we’re here, and we make no judgment.”

The campaign brings to life Mythic Bridges’ dedication to storytelling as a means to transform personal struggle into art and help kids channel issues into focused creative and practical skills. Mythic Bridge is working to spark meaningful, activating conversations stemming from the messaging in this campaign which includes additional PSAs, also helmed by Xander™, that highlight different challenges that LGBTQ youth face.

An accompanying Mythic Bridge Change The Script portrait campaign shows LGBTQ youth and their supporters posing with a film slate reading “Change the Script” and their name as director. Photographer Christopher Lynch shot the portraits that feature celebrities like transgender supermodel Geena Rocero, actress Alysia Reiner, director Pamela Romanowsky and actor Christian Campbell. The portrait series will be ongoing and continue to grow, broadening the community of people who want to “Change the Script” and support LGBTQ youth and a narrative of inclusion.

Mythic Bridge Christian Campbell
Mythic Bridge Geena Rocero

Film director Xander™ not only helmed a number of spots for the campaign, but also jumped in as a mentor, working with the Mythic Bridge students and mentors on set to give them the confidence to discover their own creativity. He notes, “The fact that I have made a film career is an enormous blessing in my life. If it weren’t for a few, very specific opportunities I had as a young man, I most likely wouldn’t have even considered production as a career path or a way to express myself. Working with Mythic Bridge gives opportunities where maybe there hasn’t been one before and to give strong voices to those who may need that foot in the door, or a hand on a camera.”

Mythic Bridge Change The Script Credits

The Mythic Bridge Change The Script campaign was developed by Happy United executive creative director Jane Keller, Rabbit, Rabbit & Partners executive creative director Brian Lightbody, and copywriter Kate Lummus.

Filming was shot by director Xander via Backyard with producer Josh Jupiter and casting director Erica Palgon.

Editor was Jane Keller at Happy United. Post production was done at Significant Others by executive producer Sarah Roebuck, producer Alek Rost, and Flame artist Betty Cameron.

Music and sound were produced at duotone Audio Post by creative director Jack Livesey, executive producer Ross Hopman, managing director David Leinheardt, composer Brad Fischer, producer Giovanni Lobato, sound designer/mixer Andy Green, executive producer Greg Tiefenbrun.

Colorist was Alex Bickel at Color Collective.

Title design was by Susan Armstrong, Great Five Lakes.

Actors are Malcolm Xavier (hero) and Emerald Sullivan (director).

Circuit City

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Making circuits! After trying to create something large, I thought I should try to make something small!

I started by taking a circuitry texture and placing it on a plane in Element 3D. I used the texture in the Glossiness channel and the reflection channel to give the pathways a metalic look. Next I built the circuits using various primitives like box and cylinder at various sizes and placed them around the board near the components of the texture. I couldn’t help myself and I ended up adding some motion design elements like the power core and microchips. It’s amazing how some random object suddenly looks like a fancy heatsink (heat-sync?) in the right context.

And finally for the micro look, I turned on some camera depth of field!

I’ve included the circuit texture below so you can try it out!

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Getting Started With Arnold Renderer For Cinema 4D

Want to see Nick and Chris look at Arnold for the first time? I did too.

This video needs a bit of a back story. About a week ago Nick and Chris reached out to me and wanted a quick run-through of what Solid Angle’s Arnold renderer was all about. I was going to do a quick vid chat and run them through the basics, then we thought, LETS RECORD AND SHARE IT! 

So this video is literally us recording Nick and Chris getting their very first introduction to the Arnold renderer. Let me preface this with the obligatory , “I do not work for Solid Angle, nor am I an expert by any means” statement. I simply enjoy the product as I also enjoy Octane, Physical, etc etc.

As always, if I make any misstatements or you have an easier method for anything covered, please let me know in the comments below.  I LOVE getting helpful comments!

Also, before any conclusions get jumped to, know that we here at GSG believe in exploring and learning many different renderers. We believe it is our JOB to bring you the most relevant tools and training. We hope you enjoy this candid introduction to Arnold.

Get a free trial of Arnold here.

We’ve also included the scene file that was used in the video (minus the Buddah model).

Click Here to Download The Free Arnold Scene File



 

La Effe Rebrand 2016 – Idents

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shot on Leica T model – Julia Kulik https://www.instagram.com/yulkulik video by Ruslan Pelykh https://www.instagram.com/ruslanpelykh http://www.ruslanpelykh.com

Great Headless Blank


“Great Headless Blank” is the title track of Makeunder’s forthcoming EP, out on October 14th on Good Eye Records. Produced, directed, animated and edited by Carine Khalife. carinekhalife.net wearemakeunder.com goodeyerecords.bigcartel.com/

Run


Moving Portrait of Paula Radcliffe. Article about the making of here: http://directorsnotes.com/2016/09/05/jack-weatherley-paula-radcliffe/ Written and Directed by Jack Weatherley – www.jackweatherley.co.uk // twitter.com/Jack_Weatherley Produced by Paul Foster and Lucy Cutler Director of Photography Paul O’Callaghan Original Score Toydrum Edited by Paul O’Callaghan and Alex Marsh Focus Puller Andy Hill Sound Recordist Kirstie Howell Driver Nigel Porter Sound Design Anna Bertmark String Orchestration James Griffith Strings Recorded and Performed by Ben Trigg Music Mixed by Bruno Ellingham Toydrum is Pablo Clements and James Griffith Head of Production Alison Lombardi