MANDAGON || Alpha gameplay
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Mandagon is currently up for voting on steam greenlight!
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Selected by Neeti Sabnani for #ThrowbackThursday. The Doctor and Amy take Vincent Van Gogh – who struggled to sell a single painting in his own lifetime – to a Paris art Gallery in the year 2010. Emotional scenes from Doctor Who Series 5 Episode 10, Vincent and the Doctor.
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Marco Beltrami (The Homesman), Danny Elfman (Big Eyes), John Powell (How To Train Your Dragon 2), Trent Reznor (Gone Girl) and Hans Zimmer (Interstellar) join THR’s Kevin Cassidy to discuss the process behind scoring the top films of the year.
“Because everyone in the film grew up, I thought maybe the music should,” John Powell said of his experience during his creation of the score of “How to Train Your Dragon 2.” “Films are like icebergs, you have them at a certain point where they all look like they’re all in a row but then they all start to move and they start to flow,” Danny Elfman, composer of “Big Eyes” shares about his experience creating the score for the motion picture. “There wasn’t a lot of room for misdirection and it just added a level of tension that I can hear in the music, which may be a good thing,” Trent Reznor, the “Gone Girl” composer, dishes about the music that surrounded the Oscar-nominated drama. “This project was sort of so delicious, it was so nice,” said “Interstellar” composer Hans Zimmer about his time on set of the sci-fi flick. “I could just go and express my ideas and whatever I wanted to try out, we could try out.” “For me the whole thing is trying to distill the essence of the picture to the most simple element,” Marco Beltrami, composer of “The Homesman” shares. “Finding that element is key to me maybe as just an idiosyncrasy of how I work, it keeps me focused on where I am and how I work and where I’m going.”
What was your favorite score from this year’s Oscar-nominated films? Share with us down in the comments!
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In the series premiere of ‘David’ starring Nathan Fielder, David is told he has five weeks to live. Next: https://vimeo.com/superdeluxevideo/david-ep-2 Written & Directed by: Dean Fleischer-Camp Starring: Nathan Fielder, Jenny Slate, Chris Jonen, Nelson Cheng, Brandi Austin, Sally Berman, Noel Arthur, Tony Cronin, Savannah Zapata, Raquel Bell, Victor Carrera, Bill Walton Production Company: MEMORY Executive Producers: Riel Roch-Decter, Sebastian Pardo, Dean Fleischer-Camp Produced by: Rachel Nedervel Director of Photography: Lowell A. Meyer Production Design by: Almitra Corey Costume Designer: Natasha Noor Original Music by: Will Wiesenfeld Sound Design: Tim Korn & Keller McDivitt
This is a supplementary video for THE MARVEL SYMPHONIC UNIVERSE, which you can watch here: https://vimeo.com/181873015 And here’s a new Twitter account we made about temp music: https://twitter.com/SoundsLikeTemp This video was made by Brian Satterwhite: https://twitter.com/bmsatter Taylor Ramos: https://twitter.com/glassesattached Tony Zhou: https://twitter.com/tonyszhou For educational purposes only. TRANSFORMERS: DARK OF THE MOON (2011) Zack Hemsey – “Mind Heist” from Inception Trailer #3 (2010) Steve Jablonsky – “It’s Our Fight” Inception owned by Warner Bros. Pictures Transformers owned by Paramount Pictures GUARDIANS OF THE GALAXY (2014) Alan Silvestri – “The Avengers” from The Avengers (2012) Tyler Bates – “The Kyln Escape” (contains Guardians main theme) Avengers and Guardians both owned by Walt Disney Studios BATTLESTAR GALACTICA – “LAY DOWN YOUR BURDENS, PT. 2” (2006) John Powell – Nach Deutschland” from The Bourne Supremacy (2004) Bear McCreary – “One Year Later” The Bourne Supremacy owned by Universal Pictures Battlestar Galactica owned by Universal Television STARDUST (2007) Wojciech Kilar – “Vampire Hunters” from Bram Stoker’s Dracula (1992) Ilan Eshkeri – “Lamia’s Inn” Dracula owned by Columbia Pictures Stardust owned by Paramount Pictures WRECK-IT RALPH (2012) Ilan Eshkeri – “Yvaine” from Stardust (2007) Henry Jackman – “You’re My Hero” Stardust owned by Paramount Pictures Wreck-It Ralph owned by Walt Disney Studios THE ANT BULLY (2006) James Newton Howard – “Going After Rourke” from Atlantis: The Lost Empire (2001) John Debney – “Launching the Attack” Atlantis owned by Buena Vista Pictures (Disney) Ant Bully owned by Warner Bros. Pictures AMERICAN HORROR STORY: FREAK SHOW – “MONSTERS AMONG US” (2014) Mica Levi – “Lipstick to Void” from Under the Skin (2013) Mac Quayle – “Elsa’s Theme” Under the Skin owned by StudioCanal/A24 American Horror Story owned by 20th Century Fox Television/FX THE MYTH (2005) Klaus Badelt – “Barbossa is Hungry” from Pirates of the Caribbean: Curse of the Black Pearl (2003) Nathan Wang & Gary Chase – “The Discovery” Pirates of the Caribbean owned by Buena Vista Pictures (Disney) The Myth owned by JCE Movies Limited TRANSFORMERS (2007) Thomas Newman – “Already Dead” from American Beauty (1999) Steve Jablonsky – “Sam at the Lake” American Beauty owned by Dreamworks Pictures Transformers owned by Paramount Pictures UNSTOPPABLE (2010) Hans Zimmer & James Newton Howard – “Why So Serious?” from The Dark Knight (2008) Henry Gregson-Williams – “The Stanton Curve” The Dark Knight owned by Warner Bros. Pictures Unstoppable owned by 20th Century Fox ALICE IN WONDERLAND (2010) Harry Gregson-Williams – “Water Over Troubled Bridge” from The Chronicles of Narnia: Prince Caspian (2008) Danny Elfman – “Blood of the Jabberwocky” Prince Caspian & Alice in Wonderland both owned by Walt Disney Studios Interview with Marco Beltrami The Hollywood Reporter 2012 Composers Roundtable: https://www.youtube.com/watch?v=BP793Rw1cIQ
There’s a second, supplementary video you can watch here: https://vimeo.com/181873016 And a new Twitter account about temp music we made here: https://twitter.com/SoundsLikeTemp Off the top of your head, could you sing the theme from Star Wars? How about James Bond? Or Harry Potter? But here’s the kicker: can you sing any theme from a Marvel film? Despite 13 films and 10 billion dollars at the box office, the Marvel Cinematic Universe lacks a distinctive musical identity or approach. So let’s try to answer the question: what is missing from Marvel music? This video was made by Brian Satterwhite: https://twitter.com/bmsatter Taylor Ramos: https://twitter.com/glassesattached Tony Zhou: https://twitter.com/tonyszhou For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting Interviews filmed in Vancouver, B.C., Canada The Hollywood Reporter 2012 Composers Roundtable: https://www.youtube.com/watch?v=BP793Rw1cIQ The Hollywood Reporter 2014 Composers Roundtable: https://www.youtube.com/watch?v=gSAF9_ZHjfc Music Cues: Daniel Pemberton – Orchestra Tuning Up (from The Movies (2005) video game) Ramin Djawadi – “Test Day Eleven” (Unreleased from Iron Man) Patrick Doyle – “8m52 Warriors Find Thor ALT” (Unreleased from Thor) Henry Jackman – “The Smithsonian” (from Winter Soldier) Danny Elfman – “Heroes” (from Age of Ultron) Danny Elfman – “Farmhouse” (from Age of Ultron) Patrick Doyle – “Ride to Observatory” (from Thor) Henry Jackman – “A New Recruit” (from Civil War) Temp Music Examples: 300 (2007) Elliot Goldenthal – “Victorious Titus” from Titus (1999) Tyler Bates – “Returns a King” Titus owned by Fox Searchlight Pictures 300 owned by Warner Bros. Pictures THOR (2011) Steve Jablonsky – “Einstein’s Wrong” from Transformers: Revenge of the Fallen (2009) Patrick Doyle – “Hammer Found” Transformers owned by Paramount Pictures Thor first owned by Paramount Pictures, then transferred to Walt Disney Studios MAD MAX: FURY ROAD (2015) Henry Jackman – “Captain America” from Captain America: The Winter Soldier (2014) Junkie XL – “Brothers in Arms” Winter Soldier owned by Walt Disney Studios Mad Max: Fury Road owned by Warner Bros. Pictures DRIVE ANGRY (2011) Hans Zimmer – “Mombasa” from Inception (2010) Michael Wandmacher – “Mass vs. Acceleration” Inception owned by Warner Bros. Pictures Drive Angry owned by Lionsgate/Summit Entertainment
Running 100 miles is tough, running 100 miles when you’re 72 years old is unimaginable. Unless you’re Wally Hesseltine. Follow Wally as he pushes his aging body to the absolute limit in his quest to become the oldest ever finisher of the world’s most prestigious ultramarathon – the Western States 100. 100 miles. 30 hours. One unforgettable finish. A film by: Alex Massey + Lucas Vazquez Producer: Ali Best Directer: Alex Massey Editor: Lucus Vazquez Camera Operator: Micheal Phelps Audio Engineer: Ant Tiernan Colorist: Sie Kitts Photographer: Matt Trappe Supported by: Clif Bar
Director: Davis Silis Producer: Jake Flowers DOP: James Rhodes Editor: Anaïs Cossa Production Company: Bullion Productions Executive Producer: Drew O’Neill & Hannah Gracie Label: 37 Adventures Commissioner: Alex Bean Focus Puller: Luke Cairns 2nd AC: Hannah Rhodes Gaffer: AJ Walters Spark: Ramzey Sabbagh Grip: James Powell Grip: Rogan Brown Art Director: Yasmina Kurunis Art Dept Asst: Alex Kurunis Wardrobe: Ruth Higginbotham Chorographer: Alexandra Green Post: Davis Silis, Carla Osterheld, Amy Betts Colourist: Edwin Metternich Grading Company: Framestore Director’s Rep: OB Management
Here’s a look at Jon Favreau’s VR experience Gnomes & Goblins made with Wevr, for Cartoon Brew.
The 14th edition of the International festival for animated film – Fantoche celebrated humanity in its most moving form. Switzerland’s biggest animation film festival registered about 24,000 entries and in the past six days was frequented by Swiss and International animation film fans. The varied program list with special programs like “Humanité Animée”, “Hors Concours” and the “Bagno Popolare”, which took place in the baths district, addressed a broad audience including industry professionals and generated a large interest. Now, the International jury has selected the following films as competition winners: “Before Love” by Russian Igor Kovalyov as Best Film in the International Competition. In the Swiss Competition, “Das Leben ist hart” by Simon Schnellmann was honoured as Best Swiss. Lucie Sunkova won the Best Kids award in the category For a young audience. Next year’s festival edition will take place from 5 to 10 September in Baden.
In six cinemas with a total of 1,307 seats, 14 feature film premieres were shown as well as 321 short films from 23 countries. A variety of workshops, exhibitions transformed Baden into a vibrant festival city. Particularly the feature film premieres Ma vie de Courgette and Kubo and the Two Strings sold out quickly and dazzled audiences.
The festival’s “Industry Day”, whose program has this year been expanded to incorporate further topics, has enabled Fantoche to put the artistic representatives of the sector in contact with its commercial players. Fantoche gave the increasingly important commercial side of animated film space at the festival, with renowned brands such as Swisscom, FREITAG or Stories AG making an appearance. The presentation of DreamWorks, head of animation, Simon Otto, sold out quickly. Georges Schwizgebel, one of last year’s award winners and producer of the 2016 festival trailer, filmmaker Konstantin Bronzit and director Jeanette Bonds graced Baden with their presence as jury members.
This year’s “Animation goes multimedia” supporting programme was designed by two curators: Ana Ascencio, jury member at Fantoche 2015 and curator of Mapping Festival in Geneva.
Fantoche is presenting a “Hors Concours” programme for the first time: works from the submitted short films that tell especially engaging stories, make controversial political statements, demonstrate technical innovations or use a precise punchline have been selected. The programme is intended to supplement the other competition programmes. The “Humanité Animée” programme brought together the most significant questions about humanity and showcased perspectives from the 21st century in five short film programmes, two feature films and an accompanying exhibition.
For festival director, Annette Schindler, the festival was a success. She emphasises how important it is that Fantoche is appreciated by the city’s residents, the canton of Argovia and the rest of Switzerland. Schindler concluded: “Our efforts paid off and the broad choice of French-language programmes with films, talks and workshops were well attended. It was a real pleasure to hear French-speaking film fans everywhere I went. We noticed the quality of the Chinese films during the selection process this year, and indeed, the jury confirmed this assumption. Having more guests than ever before was also a positive aspect of this year’s festival edition. You could feel people’s desire to exchange ideas and make contacts. This potential is really promising and gives us new ideas for Fantoche 2017.”
Here’s the list of awardees from this year’s festival:
International Competition
Jury – Jeanette Bonds (US), Geoffrey Lillemon (NL/US), Vullnet Sanaja (Kosovo), Katja Schmid (D), Georges Schwizgebel (CH)
Best Film: “Before Love”, Igor Kovalyov RU 2015
High Risk: “Monkey, Jie Shen CN 2015
New Talent: “Forever”, Zhong Su CN 2016
Best Sound: “Any Road”, Boris Labbé, Daniele Ghisi FR 2016
Best Visual: “Among the Black Waves”, Anna Budanova RU 2016
International Audience Award: “Mr Madila”, Rory Waudby-Tolley, GB 2015
Special Mention: “LÖSS”, Yi Zhao NL/CN 2016
Honorary Award of Baden: “Blind Vaysha”, Theodor Ushev CA 2016
Swiss Competition
Jury – Konstantin Bronzit (RU), Julie Charnay (FR), Mark Shapiro (US)
Youth Jury – Lausanne: Marion Fredembach, Nicolas Moreau. Tessin: Claudia Campoli, Edoardo Nerboni, Olmo Spinedi, Charlotte Stamm. Wettingen: Beth Barnes, Daniel Byrne, Yuchen Chang
Best Swiss: “Das Leben ist hart”, Simon Schnellmann DE/CH 2015
High Swiss Risk: “Analysis Paralysis”, Anete Melece, CH 2016
New Swiss Talent: “Novembre”, Marjolaine Perreten, FR 2015
Fantastic Swiss: “One, Two, Tree”, Yulia Aronova, CH/FR 2015
Swiss Youth Award: “Hypertrain”, Etienne Kompis, Fela Bellotto, CH 2016
Special Mention: “Au revoir Balthazar”, Rafael Sommerhalder, CH 2016
Swiss Audience Award: “Analysis Paralysis”, Anete Melece, CH 2016
Kids Film Competition
Kids Jury
The films were judged by a jury of seven children aged between six and 12 which awarded the “Best Kids” prize. The Kids were supervised by “Zauberlaterne”.
Best Kids: “L’arbre”, Lucie Sunkova, FR/CZ 2015
Children’s Audience Award: “Taking the Plunge”, Elizabeth Ku-Herrero, Nicolas Manfredi, Marie Raoult, Thaddaeus Andreades, US 2015
After the festival, Fantoche’s “Best-of” programmes will be touring Switzerland. More than twenty cinemas across Switzerland and in various international cities will be screening “Best of Fantoche on Tour” with the prize winning films from the International and Swiss Competition and “Best Kids 2016”.
The post The International Animation Film Festival ‘Fantoche’ concludes by crowning the best appeared first on AnimationXpress.