http://fost.org 2016 Future of Storytelling Speaker: Charles Spence Professor of Experimental Psychology, Oxford University Charles Spence’s research on multisensory experiences have changed the way we stimulate our senses simultaneously. What he calls “sensploration” explores the interplay of various sensorial inputs. Apply to attend here: https://futureofstorytelling.org/summit/ Find us on Twitter: twitter.com/fostorg on Facebook: facebook.com/futureofstorytelling and Instagram: instagram.com/futureofstorytelling/
Music video for ‘Something To Believe In’ from their upcoming album, Home of the Strange. Directed by: Drew Tyndell Producer: Rhiannon Tyndell Label: Fueled By Ramen © 2016 ATLANTIC RECORDING CORP.
VFX supes talk ‘Resurgence’
Posted in: AnimationOver at One Perfect Shot, I’ve published a piece with a number of vfx supes behind the work in Independence Day: Resurgence, plus a number of breakdown pics.
Maya Academy of Advanced Cinematics (MAAC), a major player in animation, VFX, multimedia and gaming, has inaugurated its eighth centre in Banashankari, Bengaluru. With the addition of this new centre, MAAC now has 92 centres in the country.
The inauguration of the new centre was attended by MP (Lok Sabha) – Bengaluru Central, PC Mohan; MLA, Padmanabhanagar constituency, R Ashok; MP Udupi-Chickmagalur constituency, Shobha Karandlaje; MLA, Vijayanagar constituency, M Krishnappa; Chikkakallasandra ward councilor, Supriya Shekhar; and MLA, Basavanagudi, LA Ravi Subramanya.
MAAC, senior vice president, Shajan Samuel said, “With the Indian animation industry witnessing a growth of 34 per cent CAGR (since 2009) and an expected hiring rate of 30 per cent, experts predict that the industry will face a deficit of skilled animators in the future. This means that there is great scope and urgent need to accelerate skill development in the animation industry. For this, we need to eliminate digital gaps, which is only possible by empowering students with the know-how of latest trends and technology used in the industry. The new centre would provide further impetus to our aim of empowering students through superior training, extensive curriculum and lead them to become specialists in the world of 3D Animation and VFX.”
MAAC Banashankari, business partner, Anand Kulkarni expressed delight on the association with MAAC and said the center would provide an opportunity to students to pursue their passion in the media and entertainment industry.
According to a report by KPMG, the animation, VFX and post-production industry in India has grown from Rs 4,200 crore in 2013 to Rs 5,080 crore today. The CG sector is likely to grow substantially at a CAGR of about 30 per cent and animation by about 15-18 per cent.
Industry analysts believe that India’s animation industry is expected to double in size in next five years as Hollywood studios are prepping to tap a large pool of low-cost, English-speaking animators.
The post MAAC inaugurates new centre for 3D animation and VFX training in Banashankari appeared first on AnimationXpress.
Gwangju ACE Fair 2016, the Biggest Cultural Content Market, will be held from 22 September (Thursday) to 25 September (Sunday) at the Kimdaejung Convention Center, Gwangju, Korea. It is the biggest cultural content exhibition in Korea which includes game, edutainment, animation, character, broadcast, audiovisual and all types of licensing content.
Gwangju ACE Fair is a global cultural content exhibition supported by Ministry of Culture, Sports and Tourism of Korea, hosted by Gwangju Metropolitan City and co-organised by Kimdaejung Convention Center, Korea Trade-Investment Promotion Agency (KOTRA), Korea Cable Television Association, Gwangju Information & Culture Industry Promotion Agency and Gwangju Design Center.
It has been certified by Union Des Foires Internationales as International Endorsed Exhibition and selected by the Ministry of Trade, Industry and Energy as a promising exhibition for five consecutive years since 2012.
Gwangju ACE Fair is now offering discount on application fee to exhibitors who complete application before 31 July. The exhibitors will get up to 50 per cent off on the application from the original price as below.
Last year, ACE Fair successfully concluded with over 400 exhibitors and 670 booths including 200 international exhibitors from all over the world and more than $292 million of consultation amount was recorded through 1,886 business meetings at Gwangju ACE Fair 2015, which has showed steady growth in participation and consultation amount from year to year.* 1 economy class round-trip flight ticket, 5 days and 4 nights Hotel, 1 welcoming dinner ticket, city tour, and interpreter (upon request) per company will be provided.
This year, Gwangju ACE Fair 2016 will present the latest cultural trends such as mobile content, virtual reality and so on.
ACE Fair covers not only broadcasting, video, games, characters, animation, edutainment and licensing but also all types of cultural content as the ACE Fair is more comprehensive, exhibiting all kinds of cultural content compare to other exhibitions.
There will be fun and exciting games such as e-sports competition, board games, speed stacks, character photo zone, costume play and more fun things to see and experience for participants to get an experience the newest technology at the game pavilion. And also ACE Fair will provide the export consultations, special guest performance and events, seminars and B2B and B2C to increase the effectiveness of network among the participants, buyers and exhibitors.
Korean major broadcasting such as KBS N, MBC+ Media, SBS Medianet, CJ E&M, more than 220 domestic companies including famous animation and character production, VR companies and over 400 international companies including Shoreline Entertainment, National Television of Honduras and CCTV will participate in ACE Fair 2016.
This year being the 11th edition, ACE Fair expects to become the biggest cultural content exhibition not just in Korea, but in all of Asia.
The post Gwangju ACE Fair 2016 dates revealed: Here’s all you need to know appeared first on AnimationXpress.
5 original IPs and an olympic themed animation, CEO Kazuhiro Nishikawa sets the roadmap for Dandelion Animation Studio
Posted in: AnimationFounded in 2007 with a mission statement “A gift for all children around the world”, Dandelion Animation Studio has grown out to be a successful digital animation company that’s also into TV commercials, games, planning, TV contents and character designs which are targeted towards children and family. So far, the studio had been concentrating on outsourcing and providing its animation production and character merchandising services for many huge animation and gaming giants. However, Dandelion Animation Studio, CEO and executive producer, Kazuhiro Nishikawa had bigger plans in mind as he realised the key to the lock of building a strong company and a higher revenue model, laid in original IP creation.
During the Content Tokyo 2016, AnimationXpress met the CG director of the film One Piece The Movie: Dead End Adventure, Kazuhiro Nishikawa to know more about the studio’s IPs and its roadmap.
“Dandelion Animation Studio has come a long way ahead since 2007 and has produced many high quality animated TV series and movies. By 2012 and 2013, we thought of finally coming up with our own IPs as we plan to create global content. Till date we have five IPs with us and are currently looking for licensing partners then move on to content creation,” explains Nishikawa.
These five IPs include Babytector, Babutector, Lion Kids, Little Wonders and Commander Clark. Commander Clark is an animated series produced by French production company whose license to merchandise and broadcast the series in Japan has been recently acquired by Dandelion Animation Studio. As for Little Wonders, it can be read in its published book form whereas Lion Kids can be seen in its merchandising forms.
As the name sounds, Babytector and Babutector are basically two different yet same products, both being a combination of the words ‘baby’ and ‘protector’. Babytector is more of a hard core product that has a diaper suit which helps the babies to fight against the evil. Babutector on the other hand is more of a miniature version of Babytector wherein adults turn into Babutectors to make their kids laugh.
That’s not all! Apart from these five IPs, Nishikawa plans to collaborate with animators in different countries to co-produce an animation based on the 2020 Tokyo Olympics women’s cycling race. With an intention to broadcast it by 2018, he’s currently developing the script of the series titled ‘Girls K’. The animated short will showcase female cyclists from across the world representing their respective countries and if possible their journey in the cycle sport.
“About two to three people are currently working on the five IPs whereas five personals including the director and writer are handling the Girls K project. It usually takes us two to three years for production of a feature film and about six months to a year for TV series depending on the episodes. Most of our employees will be working on the outsourced projects as that’s our bread and butter and few will be concentrating on the IPs and Girls K.”
Nishikawa goes on to mention that most of the 3D or CGI work is carried out in the Japan studio whereas their China based studio handles the 2D and other work. Recently, he attended the Hong Kong International Film and TV Market (FILMART) where he was taken by a scoop by the Chinese, Korean and Russian work.
“It’s disheartening to see that Japanese lack the knowledge of how to sell their IPs and that the production houses don’t travel to the other parts of the world apart from Japan. They are stuck with the mentality that good quality work will go globally, however, they fail to understand the changing market scenario,” comments Nishikawa. “As opposed to the Japanese studios, other countries create content keeping the global audience in mind which is quite impressive and don’t stick to just their country.”
Wrapping the interview, Nishikawa expounds, “And that’s what we want to change. Dandelion Animation Studio wants to create global content which will not be restricted to one country. Rather it will be suitable for audiences across countries, and the whole family – right from pre-school toddlers to adults – can enjoy it together.”
The post 5 original IPs and an olympic themed animation, CEO Kazuhiro Nishikawa sets the roadmap for Dandelion Animation Studio appeared first on AnimationXpress.
Chipotle Love Story
Posted in: AnimationChipotle has launched “A Love Story”, an animated short film following on from the success of “Back to the Start” and “Scarecrow“. As with the first two films, Chipotle Love Story explores the call to back away from mass production and artificiality, and the hope to cultivate a better world. The moment young Ivan saw Evie, it was love at first sight. Needing money to ask her to a movie, Ivan starts innocently competing with Evie’s food stand. The result devolves into a thirty-year-long fast food rivalry. Using every trick in the book, they unwittingly abandon their integrity to win customers. But when they can no longer recognize their monstrous creations, they ultimately discover what truly matters, their love for real food and each other. The Chipotle Love Story film, with its associated website, invites viewers to connect with the new summer loyalty program, “Chiptopia”, with the tag line, “Love is Rewarding”.
Chipotle Love Story Credits
The Chipotle Love Story campaign was developed at CAA (Creative Artists Agency) by creatives Todd Hunter and Tony Fur, producers Amanda Jiminez and Jay Brooker.
Animation was produced at Passion Pictures by director Saschka Unseld, art director Katy Wu, executive producers Debbie Crosscup, Ryan Goodwin-Smith, producer Sibylle Preuss, VFX supervisor Neil Riley, computer graphics producer Christian Mills, animation team Wesley Coman, Chris Welsby, Aldo Gagliardi, Cath Brooks, Catherine Elvidge, Karin Matteson, Scott Bono, texture/shading team Ian Matthews, Katreena Erin Bowell, David Domingo Jimenez, Leigh Van Der Byl, Louise Chassain, Sara Diaz, Stuart Hall, Arkin Esfref, Alex Holman, David Watson, Leigh van der Byl, Camille Perrin, Patrick Kraft, Roxanne Martinez, rigging team Morgan Evans, Matteo Nibbi, Giulia Dell’Armi, VFX team Jamie Franks, Colin Perrett, Kwai Keung IP, Junaid Syed, Antonios Deftarios, Guillaume Zaouche, Gabriele Veronese, Matt Moyes, Robin Nordenstein, Alice Jarre, light/rendering team Christian Mills, Richard Moss, Stuart Hall, Adrian Russell, Patrick Kraftt, Alex Holman, Roxanne Martinez, David Watson, Nikolay Kulishev, Simon Maddocks, Francois Pons, compositing team Johnny Still, Andre Bittencourt, Raphael Theolade, Valeria Romano, Javier Cid, Alex Grey, animation supervisor Jay Boose, CG coordinators Joost Zoetebier and Suzanne Forward, character/production design team Katy Wu, Amandine Pecharman, graphic designer Davide Saraceno.
Post production was done at Technicolor PostWorks by colourist Max Horton.
“I Want It That Way”, written by Max Martin and Andreas Carlsson for Backstreet Boys, is performed by Brittany Howard of Alabama Shakes and Jim James of My Morning Jacket, produced by Blake Mills.
GoPro: Introducing Seeker
Posted in: Animation
Seize the day with Seeker, the hydration compatible weather-resistant daypack. Its versatile 16L design provides plenty of space for your personal gear, plus compartments for up to five GoPro cameras. Built-in chest and shoulder mounts make it easy to attach your GoPro to the pack itself. Seeker is the ultimate lightweight pack solution for active GoPro users and outdoor enthusiasts.
As always, happy capturing!
You might see examples of extreme use in this video. Please take appropriate precautions to ensure your own safety and the safety of those around you, and to protect your GoPro camera.
No purchase necessary. U.S. residents 18+. NOT sponsored by YouTube. Enter between 7/5/16 and 7/11/16. Read the Official Rules at http://www.dccomics.com/blog/2016/07/05/dc-all-access-win-a-legion-of-collectors-suicide-squad-prize-box-from-funko
Please note that SquadUp! voting in the DC All Access app is limited to one vote per person per category. See Official Rules at www.dccomics.com/squadup for full details.
“All it takes is one bad day.” But don’t worry, today’s going to be a great day for DC fans. At least if we have anything to do with it. In today’s all new episode of DC All Access, we’re giving you an exclusive clip from the highly anticipated Batman: The Killing Joke animated movie. Plus, we look at our newest Rebirth comic, Justice League: Rebirth, preview the debut issue of The Flintstones, look at the latest chapters of Batman and The Sheriff of Babylon and get a sneak peek at the newest Legion of Collectors Box…before giving you a chance to win it!
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