Remember Bali was shot during, two week road trip in Bali Indonesia. Camera : Canon 7D – Gopro 3 Black Lenses : Canon 18-135mm 3.5f-6f – 50mm 1.4f Music : Ben Lukas Boysen – And by sweet i mean https://itunes.apple.com/fr/album/and-by-sweet-i-mean/id399480662?i=399480783 Surfer : Hendry B.
“Jar Jar is the key to all of this” -J.J. Abrams
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Fashion Revolution, a global network focused on fair trade clothing, marked Fashion Revolution Day this year with an interactive booth in Berlin. On April 24 it was two years since the collapse of the Rana Plaza garment factory on the outskirts of Dhaka, Bangladesh, killing 1129 workers. A turquoise vending machine was placed in the middle of Alexanderplatz in Berlin promoting a bargain, “T-Shirts only 2 Euros”. Insertion of 2 Euros led to a video being played showing the realities behind the scenes in which women and children sew in textile factories without a break. They are paid only 13 cents per hour in addition to working under life-threatening conditions. After 20 seconds an option appears on the display: ‘Buy or Donate’. Consumers are faced with a decision. Do you really want to buy the t-shirt? Or would you rather donate the 2 Euros?
The reaction was strong. “I did not know under which conditions fashion is produced. I am really shocked.” “It’s not fair for the factory workers to be paid only 13 cents per hour. It’s impossible to live on that.” “Well, now I will be more cautious of where my clothes are produced.” The reactions at the vending machine are unambiguous: 90 percent of the 150 people who initially wanted to buy cheap t-shirts at the machine decided against a purchase.
The global campaign includes a range of posters and digital banners. Shoppers are encouraged to be curious, find out and do something, including publicly asking brands about the origins of their clothes. The campaign hashtags: #FashRev and #Whomademyclothes.
The Fashion Revolution campaign was developed at BBDO Germany, Berlin, by chief creative officer Wolfgang Schneider, executive creative director Michael Schachtner, art directors Michail Paderin and Jessica Witt, print producer Cathrin Barbe, managing director Jan Harbeck, executive producer Silke Rochow, designer Nicholas Moles, account manager Mike Kannowski
Digital and app production was done at unit9 by senior interactive developer Kamil Chruscinski.
Filming was produced at unit9 Berlin by director Robert Bader, directors of photography Alessandro Rovere and Kevin Krefta, photographer Christian H. Hasselbusch, executive producer Stefan Bader, technical manager Maciej Zasada. Editor was Kevin Krefta at CraftWork.
Photography was by Rachel Manns.
Music is “Flying Journey” by Second Surprise.
Coca Cola has released “Man and Dog”, an animated commercial featuring a man and dog walking through a rainy park. The ad uses hand drawn animation to present two perspectives on the world, that of a bleary eyed man in need of a wake up, and a dog who experiences the world with all its senses. “With a little help from his best friend and a bottle of Coke, one man discovers that a change in perspective can make all the difference in the world”.
The Coca Cola Man and Dog campaign was developed at Wieden+Kennedy, Portland.
Animation was directed by Todd Mueller and Kylie Matulick via Psyop.
Characters were designed by Lois van Baarle. Animation was produced at Duncan Studio by director Ken Duncan, character animation team Russ Edmunds, Chris Sauve, Shane Zalvin, KD, Rick Farmiloe, EFX artist Phil Vigil, inbetween team Juliet Duncan, Dan Tanaka, June Fujimoto, Debbie Forster, paint team Kathy Baur, Melane Pava, Charlene Kelly, Staci Nichols, Alma Glick and Barbara Hamane, and producer Delia Fance. Additional effects, color trails, smoke, dust and composition were produced at Psyop.
Music is “Joy Joy Joy”, written by George Willis Cooke, and recorded by Bob Gibson in 1956.
Todd Mueller and Kylie Matulick talk about the work on the Coca Cola Man and Dog spot.
“Sure, occasionally one dials 911 or wins America’s Got Talent, but for the most part, dogs are idiots. That’s why we love them,” explained Todd. “They have the curious, imaginative minds of a six year old–specifically mine–who thinks every stick is excalibur, every bit of string is a lightning whip,” added Kylie. “Dogs don’t see a heap of two-week old laundry; they see a castle ready to be defended, then napped in. Where we see a cumbersome vacuum cleaner, they see an alien robot loudly singing its home planet’s anthem. At least that’s what my six year old told me.”
The team had to walk a very narrow line in order to do this project correctly, making it feel not only familiar and classic, but also imaginative and fresh.
“We wanted this film to be genuinely drawn by hand, like classic 2s animation we grew up with, but with more depth and dimension”. “It’s nostalgic but new, it shows love and focus, it’s crafted but nicely flawed, we wanted it to have a truly original look that only exists in this moment.”
Throughout the film, the perspective shifts back and forth between man and dog, each view standing out stylistically from the other. The team achieved this by approaching both from different angles not only visually but technically.
“To truly appreciate the unique feeling of looking at the world through a dog’s eyes, we had to make sure that his moments really set themselves apart from the rest of the spot,” Kylie explained. “To achieve this, we did as much as we could to shift the feeling of the moment, from unique camera moves, the look and sound of the action. Things become brighter, more fanciful, and it’s clear that you’re seeing things in a new way.”
Environments were comprised of digital matte paintings that were first painted in Photoshop on layers and eventually broken up onto cards and projected across 3d geometry, using both Maya and Nuke software. This hybrid 2D/3D look was particularly important for establishing the dog’s unique POV, which drives the fun spirit of the spot. Objects seen in this perspective needed to be created in 3d, including pieces of the environment as well as additional characters that the dog encounters, such as the motorcycle-riding squirrels.
Casting the right man and dog for the spot was monumentally important, and was a process that saw the creation of dozens upon dozens of different canines and their potential owners before landing on the final look.
In the end, it was character designer Lois van Baarle who won the day with her scruffy protagonist, an interpretation that would feel comfortable coming off the pen of one of Disney’s “nine old men.” Additional artists then helped flesh out both the Man & Dog’s expressions and attitudes to prepare them for their starring roles.
Character designs were then brought to Duncan Studio in Pasadena, who collaborated with Psyop on the 2D portion of the film, from rough sketches and blocking down to inked and painted final cels. In addition to the characters being hand-drawn, colors, shadows, and highlights were also added in the final hand-drawn animation phase. While animators at Duncan Studio focused on character animation, Psyop added additional effects, color trails, smoke, dust, and more, all in 2D.
The final step was the compositing stage, where Psyop’s artists completed the production puzzle by integrating 3D renders with 2D animation, and laid them both out together among the film’s painted environments. When all was said and done, the resulting spot became a uniquely modern piece of art, combining techniques and styles from across generations for a one-of-a-kind result.
We understand the beauty of the perfect white shirt. For three years since our company’s launch, that has been our focus. We know women everywhere love an elegant white silk blouse, but we also know (first-hand in many cases!) the fear of actually wearing it. Between making breakfast for the kids and rushing to get to work, it is hard to commit to wearing a white shirt during the day in the life of a modern woman— but not anymore. We are launching a shirt that truly meets all of your needs: it’s beautiful, affordable, fit to flatter a woman’s body, washable, and actually wearable in your everyday life: The Unstainable™ White Shirt. http://unsta.in/youtube-sketch
From Academy Award® winner Brian Helgeland comes the true story of the rise and fall of London’s most notorious gangsters, Reggie and Ron Kray, both portrayed by Tom Hardy in an amazing double performance. LEGEND is a classic crime thriller taking us into the secret history of the 1960s and the extraordinary events that secured the infamy of the Kray Twins. In cinemas September 11.
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Highlights from Blue Origin’s New Shepard space vehicle as it makes its first developmental test flight.
Director & Editor: Luke Bellis Producer: Carmen Siu Production Assistant: Charlie Morrell Production Company: MindsEye 1st AD: Jonathan Sidwell Director of Photography: Dan Stafford-Clark Focus Puller: Sam Riley Phantom Operator: Laura Healey Download Tech: Gavin Overstall Grip: Colin Ginger Gaffer: Tim Jordan Stylist: Francesca Prudente Hair & Make Up: Amber Childs Stunt Co-Ordinator: Glenn Marks Special Effects: Alan Senior & James Willis Commissioner: Ailsa Robertson Colour Grade: Joseph Bicknell
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