Walk in Shanghai


With its futuristic skyline and sprawling network of streets, subway lines, and highways, Shanghai represents not just China’s unbridled dynamism, but also the rapidly maturing global economy. The bustling city of Shanghai, however, holds a further, complex and equally exhilarating narrative nestled at the feet of its towering skyscrapers. ‘Walk in Shanghai’ tells the story of the lively, multifaceted and above all else, very human experience unfolding at the street level of this massive city. To guide you through the streetscape is JT Singh. As he leads the viewer on his curious adventure through central Shanghai, he glances around corners, weaves through crowds, and with a barely perceptible pause here or an impulsive turn there, stumbles into the unhinged entropy that flows through the hidden alleys, accidental views, and captivating scenes embedded in the city’s vibrant street life. The peculiar reversal of the city’s movement against his own distinguishes his story from that of the other 24 million people taking 24 million walks in Shanghai. It’s through a heightened focus on one man’s seemingly unstructured journey that we discover the ultimate protagonist of this story: the transcendent power of using your legs for discovering a city. ‘Walk in Shanghai’ is only an introductory tour of Shanghai’s urban streets. The remaining story of Shanghai’s suspense and beauty can only be experienced in person, and through using your legs as the main mode of transport. There is another sub-message creatively contextualized in the video. As you read this, cities all over the developing world are emulating American suburban sprawl design by building their cities to accommodate cars, not people. This is not the path to sustainable and healthy urban communities. Shanghai isn’t perfect, but the city’s downtown maintains its extensive walkable neighborhoods through a historic preservation of its urban fabric. Above all, JT Singh’s playful artistry is a celebration of the beauty of walking in cities. A visceral pleasure made possible by walkable and human scale urban environments. Walk on! Watch also JT Singh’s previous co-directed short film of Shanghai: “This is Shanghai” https://vimeo.com/63635193 Music: 392203-Rimsky-Korsakov-Scheherazade,-Symphonic-Suite-after-1001-Nights,-Op.-35-_-Festival-at-Bagdhad-The-Sea-The-Shipwreck-(Allegro-molto) Sound Design: Slava Pogorelsky / slavapogorelsky.com / facebook.com/slavapogorelsky Shanghai Tourism: www.meet-in-Shanghai.net JT Singh Labs: www.jtsingh.com / Facebook.com/jtssingh / Twitter.com/jttsingh About JT Singh JT Singh is a globally renowned media artist and expert on emerging cities at JT Singh Labs (www.jtsingh.com), a unique design and technology studio specialized in city branding. His team executes experimental digital technologies + Economic strategy + Art initiatives to help cities engage with their global context. JT Singh and team employs many strategies in its work for cities and regions, including enhancing local cultural economies, tourism and trade, developing international presence, and attracting foreign investment. JT has advised official city leaders in North America, Asia, and Europe, including Toronto, Shanghai, Tokyo, and Fuzhou. His creative work and intellectual contributions have appeared in numerous international publications, including BBC, Time, National Geographic, CNN, Washington Post, Al Jazeera, Quartz, Mashable, China Daily, The Guardian, etc. JT Singh Labs is based in Hong Kong/Shanghai and originally from Toronto, Canada.

Move


“I move, therefore I am.” ―Haruki Murakami The world around us never stands still and it is this motion that gives Earth life. Without this movement, our planet could not exist. Simply put, movement breathes life into our world. Few of us have ever stopped to think about the importance of this constant motion — stop to bask in its simplicity and beauty. Far too few of us take a moment to see our universe in motion. Join me throughout the night and watch the perpetual movement of the skies above and the earth below. Movement is everywhere and at night, it comes alive — from the rotation of the stars, planets and galaxies above to the motion of cars, lights and people in our cities, our world at night dances before our eyes. Time-lapse photography is a unique tool that can be used to capture this movement. In this short film, I explore how our world is in constant motion and how we move together with it. To help capture this, I used various time-lapse equipment that moves the camera on multiple axises during the shots, adding an additional level of motion to the film. Working on “Move” has been an incredible experience. It has taken me to some of the most unreal landscapes in the Western United States – it is an adventure I will never forget. The miles hiked, gear broken, sleepless nights and months and months spent shooting and editing this film have given me a new appreciation for time-lapse and I am so grateful to be able to share my work with you. I was very excited to once again team up with the great Lou Forestieri for the music for “Move”. His musical and artistic genius is second to none and his composition adds a unique flavor to each and every shot. When I asked Lou to write a unique score for this film, he immediately knew exactly what I wanted and wow, what he wrote is simply amazing! His score helps to bring this time-lapse to life. Locations in this film include: Ancient Bristlecone National Forest, CA Antelope Canyon, Page, AZ Anza Borrego State Park, CA Arches National Park, UT Big Bear, CA Big Sur, CA CARMA and OVRO Radio Observatories, CA Cascade Mountains, WA Cochella Valley, CA Crater Lake National Park, OR Death Valley National Park, CA El Matador State Beach, CA Joshua Tree National Park, CA Los Angeles, CA Mount Hood, OR Mount Wilson, CA San Francisco, CA Seattle, WA Spouting Horn, Kauai, HI Tehachapi Wind Farm, Palmdale, CA The Dalles, OR Valley of Fire State Park, NV Yosemite National Park, CA Equipment Used: Canon EOS 6D Canon EOS 1DX Canon EOS 5D Mark II Canon EOS 7D Rokinon 14mm f2.8 Canon 16-35mm f2.8 Canon 24-105mm f2.8 Rokinon 24mm TS f3.5 Canon 35mm f2 Canon 50mm f1.8 Canon 70-200mm f2.8 Canon 300mm f4 Emotimo TB3 Black 3-Axis Motion Controller Dynamic Perception Stage-R Pan/Tilt Modular Digital System w/NMX Motion Controller Dynamic Perception Stage-Zero Slider (3’, 6’ and 12’ lengths) qDSLR Dashboard Software Used: Adobe After Effects 6 Adobe Lightroom 5 Adobe Photoshop 6 Final Cut Pro X GB Deflicker LR Timelapse 3 Photo Ninja _______________________________ Photography Portfolio: www.aaronkeigherphotography.com Photo Tours & Workshops: www.caphototours.com Facebook: www.facebook.com/akeigher Instagram: www.instagram.com/aaronkeigherphotography

ANNELI DRECKER – ALONE (Official Video)


With: Louise von Euler Bjurholm and Henrik Agger Director: Thor Brenne Producer: Thor Brenne and Martin Edelsteen Line Producer: Erik Mikkelsen DoP: Martin Edelsteen Editor: Ulf Tønder Flittig Styling: Fanny Senocq Gaffer: Jon-André Hakvåg 1st AD: Viktor Enoksen 1st assistant camera: Annicken Aasheim DIT: Øyvind Opshaug Colorist & Online: Ulf Tønder Flittig Pyrotechnician and Production assistant: Ole Dalen Production Company: EdelZek AS Funded by SpareBank 1 Nord-Norge and FilmCamp AS Label: Rune Grammofon Approved by Albie™

Unframed


Unframed is all about breaking the barriers, it’s about following your imagination, it’s about keeping the rule books aside and creating new ways. Its not about capturing everything picture perfect but about capturing the moment. Unframed is a film which has been entirely created by stills. We shot every thing in burst mode and stitched them to create a film. We shot over 4000 RAW images from which we selected our final sequences. 4000+ RAW IMAGES/ 3 DAYS/ 3 PEOPLE/ 1 CAMERA/ 1 Lens/ 0 TRIPOD/ 1 FILM GEAR: Canon 5D MARK- III, Canon 24-105L SOFTWARE: Lightroom, Photoshop, FCP & After Effects LOCATION: Agonda Beach, Goa, INDIA Camera: Amrita & Dheerankur Music: www.bensound.com Edit & Sound: Dheerankur Direction: Dheerankur A Film by: Play The Media

Robert Bearsby – This One's For You


Audio Credits: Written & Performed by Robert Bearsby Engineered, Produced & Mixed by Anthony Galatis Mastered at Abbey Road Studios by Frank Arkwright. Video Credits: CREW Writer/Producer/Director – David Tomlin Cinematographer – David Cawley Costume – Alexander Chow MUA – Dee Mcclelland MUA/FX – Hugo Gamboa Editor – Robert Avery VFX – Peter Tomaszewicz Grade – Robert Avery Harness/rigging – Christopher Rose Photographer – Isaac Peral Runner – Dominic Hatton STARRING Robert Bearsby – Himself The Entity – Odette Niemand Masked Person 1 – Alexander Chow Masked Person 2 – William Coupland Masked Person 3 – Sam Simpson Masked Person 4 – Grant Philpott SPECIAL THANKS TO Ben McNeill Jake Buchanan Keerthi Suresh Rory Langdon-down Paul Callaghan Stewart Addison Natalie Fox Birmingham Film Studios – http://www.birminghamfilmstudios.co.uk/ Panny Hire – http://www.pannyhire.co.uk/ For more music videos and short films you can check out my work at http://www.igniteproductions.co.uk

REQUIEM


The final chapter of the KIN Fables Trilogy. Watch part 1 here: https://vimeo.com/73747093 Watch part 2 here: https://vimeo.com/119777338 Five Knights Productions presents, (fiveknightsproductions.com) A film by Seb and Ben McKinnon. (full credits at the end of the video) Enter the world at kinfables.com/ Facebook page: facebook.com/kinfables?ref=hl

Bloomberg IRO


This time the guys at Aggressive asked us to work on a new advert for Bloomberg, a mineral abstraction of the financial world seen through a microscope. Just like the Bloombert IB project, the animation of the tables, graphics and data were a fundamental part of the dynamic, technlogical and futuristic aesthetic of the advert. Our role consisted in animating the 3D elements, 2D graphics and data tables and putting otgether both within the microscopic world. All this under the artistic direction of Dan Shapiro and Alex Topaller. Nuestra roll fue animar los entornos 3D, darle vida a los graficos 2D y componer ambos en este mundo microscopico. Todo esto bajo la direccion artistica de Dan Saphiro y Alex Topaller. Projects: Bloomberg “IRO” Client: Bloomberg Production Co / VFX: Aggressive Executive Producer: Dan Shapiro Directors: Alex Topaller, Dan Shapiro Storyboard Artists: Rodier Kidman Art Director: Curtis Baigent, Rodier Kidman Technical Director: Alex Topaller 2d Animators: Tigrelab Daniel Shapiro, Alex Topaller 3d Animatiors: Tigrelab Music & Sound Design: Wesley Slover

Seeya ft. Collen D'Agostino by deadmau5


being an occasional collaborator with Joel/deadmau5… it was nice to add his track Seeya ft. Collen D’Agostino to some of the new HYPE framework classes we’ve been finishing up. This uses about 1800+ particles in a system using our brand new class HOribter3D by tracerstar with realtime audio reactive animation using MINIM beatdetection, some pointlights, etc.

BlackHole SEEYA…


being an occasional collaborator with Joel/deadmau5… it was nice to add his track Seeya ft. Collen D’Agostino to some of the new HYPE framework classes we’ve been finishing up. This uses about 1800+ particles in a system using our brand new class HOribter3D by tracerstar with realtime audio reactive animation using MINIM beatdetection, some pointlights, etc.

Eclipse HUD Elements


This bundle is available here: http://videohive.net/item/eclipse-hud-elements/10869806?ref=Dyomin View Portfolio: videohive.net/user/Dyomin?ref=Dyomin Bundle Description: This bundle contains 242 animated clips in high definition, QuickTime (PNG, Alpha-Channel, 29.97fps). Add a SCI-FI look and modern dynamics into your project. You can customize colors and add some glow effects in popular software: After Effects, Premiere Pro, Edius, Final Cut, Vegas Pro, Resolume, etc. Enjoy! Bundle Contains: “Lines” 50 Different Clips (Resolution: 2000×50 pixels) “Loading” 10 Different Clips (Resolution: 2000×50 pixels) “Dots” 40 Different Clips (Resolution: 1500×1500 pixels) “Cubes” 10 Different Clips (Resolution: 1500×1500 pixels) “Folders” 10 Different Clips (Resolution: 1500×1500 pixels) “Frames” 10 Different Clips (Resolution: 2000×300 pixels) “Circles” 30 Different Clips (Resolution: 1500×1500 pixels) “Chip” 40 Different Clips (Resolution: 2500×1000 and 500×500 pixels) “Barcodes” 10 Different Clips (Resolution: 2000×250 pixels) “Glitch” 10 Different Clips (Resolution: 2000×200 pixels) “Gestures” 22 Different Clips (Resolution: 1080×1920 pixels) Technical Specifications: Video Encoding: Quicktime (PNG) with Alpha-Channel Frame rate: 29.97 fps Music is available here: http://audiojungle.net/item/glitchy-trailer/9111267?ref=Dyomin