Dreams are never stupid, but as Richie Trimble proved on the streets of San Francisco, sometimes they are Stoopid Tall. Watch him ride his 15-foot bike across the Golden Gate Bridge! #dreambig
More on San Francisco here: http://www.visitcalifornia.com/destination/spotlight-san-francisco
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INCREDIBLE! This is the oldest footage of London ever. Includes amazing old footage, plus modern shots of the same location today. Also features maps carefully researched to show where the camera was. Arranged by location, 46 shots of classic footage with a twist and an inspiring soundtrack.
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This collection of footage was taken between 1890 and 1920 and shows various places around London, all identifiable by location on a map.
In order they are:
WESTMINSTER:
1. Parliament square, looking across at Big Ben
2. Westminster Abbey
3. Westminster Abbey from Tothill Street
4. Houses of Parliament from the South Bank
5. Houses of Parliament from across the Thames River
6. Big Ben from Westminster Bridge
7. Flipbook animation of the south side of Westminster Bridge
8. Downing Street, home of the Prime Minister
9. No 10 Downing Street door
EMBANKMENT
10. Victoria Embankment
11. Cleopatra’s Needle
12. Egyptian Lions at Cleopatra’s Needle
13. Blackfriars Bridge
ST PAUL’S CATHEDRAL
14. St Paul’s Cathedral from the South Bank
15. St Paul’s Cathedral from across the Thames River
16. St Paul’s Cathedral from the tower of St Mary Le Bow Church
TOWER BRIDGE & TOWER OF LONDON
17. Tower of London viewed through Tower Bridge
18. Tower Bridge looking south from the parapet
19. Tower Bridge closing after allowing a boat to pass
20. Looking south along the length of Tower Bridge
21. Panorama of the Tower of London from Tower Bridge
22. South side of the Tower of London
23. Tommies marching in the moat
THE CITY
24. Monument to the Great Fire of 1666
25. Pan up the Monument
26. The Bank of England
27. The Bank of England from Cheapside
28. St Mary Le Bow tower from Cheapside
FLEET ST & THE STRAND
29. Ye Olde Cheshire Cheese pub
30. Temple Bar Memorial
31. The Royal Courts of Justice
THE WEST END
32. The Empire Theatre, Leicester Square
33. Piccadilly Circus
CHARING CROSS & TRAFALGAR SQAURE
34. Eleanor Cross at Charing Cross Station
35. Panorama of Trafalgar Square
36. Admiralty Arch
37. Nelson’s Column
ST JAMES & BUCKINGHAM PALACE
38. Crimean War Memorial
39. St James’s Palace
40. Band at St James’s Palace
41. Buckingham Palace
42. Victoria Memorial at Buckingham Palace
HYDE PARK
43. Hyde Park Corner
44. Hyde Park Corner traffic
45. Hyde Park
TRAFALGAR SQAURE
46. Oldest footage of London – Trafalgar Square (1890)
CREDITS
Footage
Bombing of London, 1917, PD
Seeing London – ca 1920s, PD
Westminster Bridge Robert W Paul, 1896, PD
Edwardian London, 1911, PD
Early Traffic Scenes, 1890-1900, PD
Old London Street Scenes, 1903, PD
Blackfriars Bridge, R.W. Paul, 1896, PD
1890s Traffic Scenes, 1897, PD
Garde descendante du palais St-James,
Louis Lumière & Auguste Lumière, 1896, PD
Londres, Piccadilly Circus,
Louis Lumière & Auguste Lumière, 1896, PD
Entrée du Cinématographe,
Louis Lumière & Auguste Lumière, 1896, PD
Londres, entrée de Hyde Park,
Louis Lumière & Auguste Lumière, 1896, PD
Londres, Pont De Westminster et Parlement,
Auguste Lumière 1896, PD
Hyde Park Bicycling Scene, Robert W Paul, 1896, PD
Trafalgar Square, Wordsworth Donisthorpe, 1890, PD
Music
Just Me and My Thoughts, Published by Audioblocks
Recording of Big Ben, Edison brown wax cylinder
Ferguson/Hope/Gouraud, PD
Morning Sun, Published by Audioblocks
Anthem To The Fallen, Published by Audioblocks
Smoker’s Section, Published by Audioblocks
Softly Inspiring, Published by Audioblocks
Lightness, Published by Audioblocks
The Rule, Kevin MacLeod (incompetech.com)
Licensed under CC by 3.0
Black And White Rag, 1908,
Composed by George Botsford
Performed by Winifred Atwell, 1952, PD
Photographs
Poppies At The Tower Of London, 2014,
Martin Pettitt, CC by 2.0
London bridge photo from hot air balloon,
2014, Daniel Chapman,
www.stirlingackroyd.com, www.balloon.tv, CC by 2.0
Aerial photo from hot air balloon of tower bridge,
2014, Daniel Chapman,
www.stirlingackroyd.com, www.balloon.tv, CC by 2.0
Trooping The Colour,
2007, Jon Bennett, CC by 2.0
London From The Shard, 2013,
Flickr user: [Duncan], CC by 2.0
Shutterstock
Thanks to
The People of London
Simon Meyer
St Mary Le Bow Church
Open Street Maps
Directed by
Al Paton
Produced by
Yestervid
© Yestervid 2015
Sat 25th Apr 2015 | News
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Transforming Céline campaign girl Daria Werbowy into a primordial goddess rising from and returning to the earth, the CGI-powered film explores ideas of nature, birth and death.
Conceived in collaboration with Warren Du Preez and Nick Thornton Jones for Creative Review’s Annual Creative Awards.
The capture side of the project was a one day shoot in Holborn studios London with FBFX Digital scanning, Frank Benhamou styling, Rebecca Louise Law creating floral installations, Raphael Salley on hair direction, and Ninni Nummela on makeup. An original music composition by Salvador Breed and Stijn Van Beek took a couple of weeks, as did the editing by Steve Ackroyd at Final Cut London.
The CGSociety is the most respected and accessible global organization for creative digital artists. The CGS supports artists at every level by offering a range of services to connect, inform, educate and promote digital artists worldwide.
UNICEF Sweden is running “The Sound of Death”, an advertising campaign featuring the Grim Reaper, to raise funds for water purification programs. The Grim Reaper, played by actor Sean Buckley, dances over the hills channeling Julie Andrews, singing about his absolute favorite things above all, the water borne diseases that kill 1 000 children everyday. “My favourite things” includes Cholera, E. Coli and Leptospirosis, diseases that cause more deaths than all armed conflicts combined. Viewers are encouraged to visit the site unicef.se/vatten. A 100 sek donation is used by UNICEF to purchase enough water purification tablets to purify over 1000 litres of water, killing deadly micro-organisms and preventing cholera, typhoid, dysentery and other water borne diseases.
The UNICEF Sound of Death campaign was developed at Forsman & Bodenfors, Stockholm, by art directors Johanna Hofman-Bang, Agnes Stenberg-Schentz, copywriters Marcus Hägglöf, Jacob Nelson, designers Nina Andersson, Johan Fredriksson, account director Emelie Schröder, agency producer Magnus Kennhed, digital producer Andreas Johansson, music supervisor Jenny Ring, planner Amelie Amelie Sandström and account manager Lena Birnik working with UNICEF senior marketing officer Jim Carlberg, marketing officer Anna Sandberg, project manager Eva Torkelson and PR manager Ingeborg Ekblom.
Filming was shot by director (editor and director of photography) Torbjörn Martin via ACNE with executive producer Petur Mogensen, producer Fredrik Skoglund. Post production was done at The Chimney Pot. Sound was produced at Ljudligan. Service production was by Bas Production. Final art work was by F&B Factory. Music was by Mattias Tegnér.
PR was handled at Edelman Deportivo by Amanda Lindgren.
VideoLab attempts to turn back time and restore the natural color & brightness in shots from DC’s Man of Steel. Turns out there was a beautiful Zack Snyder movie hiding underneath the bleak coloring.
Would Man of Steel have been more successful at the box office if it wasn’t colored like Schindler’s List? What do you think?
LEGAL NOTE: All © & ™ footage belonging to Legendary Pictures, CBS, Warner Bros. Pictures, Columbia-EMI-Warner, & DC Entertainment is included as a criticism/commentary on filmmaking techniques and has not been reproduced for direct consumption.
PRODUCTION NOTE: We’re big fans of both Superman and the film Man of Steel. That’s why this was a fun project. But Superman isn’t just a brand. He’s a worldwide icon that has lasted 77 years. When you make a Superman movie, and not every kid walking out of the theater wishes they were Superman… you’ve done something wrong. We’re simply asking questions.
WORKFLOW: (For the curious) The results we achieved are obviously a bit oversaturated and contain contrast artifacts. Since our source footage already contained severe color-grading decisions, it was far from optimal and, at best, this is an approximation. If the raw footage had been colored in a more natural and pleasing manner, it would actually look SIGNIFICANTLY better than what you see here.
Synthetic Aperture’s Color Finesse and some color exclusion adjustments did most of the heavy lifting in our color correction and re-grade, but each clip required a cocktail of secondary corrections.
We did, in fact, put too much green in the savanna, brought to our attention by eagle-eyed commenters.
The orange-tinted sky in the Metropolis aftermath shots and the purple girders behind Zod were actually there naturally. We believe Man of Steel had a more traditional-looking color grade until later in post-production when they decided to go darker. They should have followed their first instinct.
クールビズからサーフビズへ。TRUE WETSUITS、登場。
それはオフィスでもビーチでも着用可能な、水陸両用スーツ。
高度な防水性能で着替えることなくオフィスとビーチを行き来することができる。
オフィススマート、カジュアルフライデー、そしてパーティタキシードの ラインナップを用意。
ビジネスマンサーファーのあらゆるシーンに対応する。
スーツの詳細と購入は、特設サイトへ。
http://truewetsuits.jp
MAKING OF TRUE WETSUITS
https://youtu.be/0d1oDResoOo
Introducing the TRUE WETSUITS.
High spec waterproof, the True Wetsuits can be worn from home to the beach,
and from beach to the office with no need to change at all.
TRUE WETSUITS comes in three handsome styles; Office Smart, Casual Friday and Party Tuxedo to suit for every occasion.
Please visit our website for more information.
http://truewetsuits.jp
MAKING OF TRUE WETSUITS
https://youtu.be/0d1oDResoOo
The Visit – Official Trailer (HD)
In Theaters This September
http://www.stayinyourroom.com/
Writer/director/producer M. Night Shyamalan (The Sixth Sense, Signs, Unbreakable) and producer Jason Blum (Paranormal Activity, The Purge and Insidious series) welcome you to Universal Pictures’ The Visit. Shyamalan returns to his roots with the terrifying story of a brother and sister who are sent to their grandparents’ remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.
Shyamalan produces The Visit through his Blinding Edge Pictures, while Blum produces through his Blumhouse Productions alongside Mark Bienstock (Quarantine 2: Terminal). Steven Schneider (Insidious) and Ashwin Rajan (Devil) executive produce the thriller.
In September of 2014, Bay Area non-profit Earn the Day took twenty kids from San Francisco’s Mission District surfing for the first time. This short documentary captures the adventure as it happens. Earn the Day was created to build a trend of achievement within the Bay Area community’s deserving youth. Get involved. http://earntheday.org Produced by Slow Clap, a San Francisco-based creative video production company united by a desire to create short-form web content with staying power. We partner with brands, causes, and artists willing to take risks, in the belief that an audience will follow. More info at our website. http://theslowclap.com Earn the Day partnered with Boys & Girls Clubs of San Francisco, Surfrider, and Big Dog Surf Camp to make this day possible. http://kidsclub.org http://surfrider.org http://bigdogsurfcamp.com CREDITS Starring the Boys & Girls Club of Columbia Park club members. Director Daniel Lichtenberg Producers Cassandra Jabola Daniel Lichtenberg Associate Producer Rahel Marsie-Hazen Camera Operators Daniel Stangl Rick D’Elia Doug Kintner Jordan Weill Editor Jazmin Ontiveros Associate Editor Daniel Stangl Music Composer Diana Salier http://dianasalier.com
Two Luchadores face off in this battle for supremacy. Filmed/Directed/Edited by Bulent Ozdemir t: https://twitter.com/bulent0z w: http://bulenteno.wix.com/benozfilms
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
