Archive recreation for The Great Martian War documentary by impossible factual for History Canada. Directed by Christian Johnson, (Plazma). and Steve Maher (impossible factual). Music: “88” by Working for a Nuclear Free City. http://www.history.co.uk/shows/the-great-martian-war
A man battles through a treacherous desert to reach his home; a vibrant, dreamlike interpretation of the forests of Sierra Leone. Inspired by the work of New Zealand animator Len Lye, as well as the original 1983 music video for “Sierra Leone” by Coconut Rough, the man struggles with the desert elements and ultimately himself before reaching his final destination. Production Company: Circle Line Projects Producer/Director: Tim Brown Animation Director: Zachary Zezima Art Director: Ana Mouyis © 2014 www.circlelineprojects.com Song available here: https://soundcloud.com/goodshirt/sierra-leone www.facebook.com/goodshirt
Volkswagen Group Australia is running Volksfest Mate Rates, a retail advertising campaign highlighting car brand’s annual Spring sale in partnership with Curumbin Wildlife Sanctuary. Online at volkswagenaustralia.com.au/materates, the television, digital and social campaign uses the Koala mating season to put the spotlight on a range of driveaway deals. Volksfest in 2014 is all about mate rates and will be on until two of Currumbin Wildlife Sanctuary’s cuddly koalas, Trevor and Irene, make a family or November 30 arrives – whichever comes first.
The Volkswagen Mates Rate campaign was developed at DDB Sydney by chief creative officer Toby Talbot, executive creative director Dylan Harrison, creative partner Noah Regan, senior creative Matt Chandler, senior creative Ben Pearce, head of broadcast Brenden Johnson, agency producer Tamsyn Roach, managing director Nicole Taylor, group business director Duncan Stevens, business director Mick Colgan, and business manager Samantha Russo, at Tribal DDB Sydney by creative technology director Shaun O’Connor, digital producers Sarah Hetherington and Rob Pignone, user experience designer Justin Hoyer, digital designer Carl Fraunschiel, and at Mango Sydney by senior sponsorship director Ben Greenslade and senior business director for corporate communications Tina Alldis, working with Volkswagen Group Australia general marketing manager Ben Wilks, brand communications manager Loren Elsegood and marketing specialist Julie Scarff.
Filming was shot by The Glue Society director Matt Devine via Revolver with executive producer Pip Smart and producer Serena Paull.
Editing was done at The Butchery. Post production was done at Heckler. Sound and music were produced at Sonar Music.
Media was handled at Mediacom.
Protecting back-up tapes. Not the sexiest of topics. But Sebas and Clim (Hornet) managed to bring their trademark whimsy to bear on this entertaining spot for Iron Mountain. Collaborating with paper craft illustrator Lobulo, the spot follows the experimental approach S&C used in their MadinSpain titles. MADinSpain Title Sequence Credits Client: Iron Mountain Agency: Velocity… Read more »
CineFix presents Frozen retold via old-school 8-bit (and a little 16 bit 😉 game tech. No quarters or controllers required! Subscribe to CineFix – http://goo.gl/9AGRm
8-bit Cinema “gamifies” your favorite Hollywood Blockbusters into 80’s arcade and NES inspired action! This week, we keep with the computerized simulation theme of the original movie… but with way worse graphics!
Today we present Frozen in the form of an 8 bit video game!
8 Bit a.k.a. the third generation of gaming started in 1983 with the Japanese release of the Nintendo Family Computer and Sega. Can you guess what games inspired our 8-bit version of Frozen? Comment below and suggest the next movie 8-bit Cinema should “gamify”.
Watch more 8-bit Cinema here: http://goo.gl/kOxFJ
Comment below and tell us what film, movie, or TV show you would like to see gamified.
We (my husband, David, his father, John Schulze, and me, Juanita as in Holy Mother of Moo Moo!) were sitting at a train track today on our way from West Monroe, LA to Memphis when we notice a tractor trailer with a crane stuck on the train tracks. Then the train crossing lights came on and I grabbed the camera as the train smashed into the crane. We are getting a lot of comments about how we should have called 911 instead of filming. There was no need as we were sitting right in front of the police station. They heard the crash and came out. By the time we were able to go around the train and get to the other side, the police were over there and the driver of the truck was there as well. He is fine but we understand that the train engineers were in pretty bad shape. The thoughts and prayers of David’s Garden Seeds And Products are with them. At the time of the crash, we were in shock and I had no idea what had come out of my mouth until I played the video back….you just don’t know how you will react to tragedy that unfolds right before your eyes until it happens. I did not shoot this with a Smart Phone. I shot it with a Flip camera. We were told by the man on the sidewalk to leave as there were chemicals coming out and by the way, I did not roll the window down. I was in the backseat and had no control over the windows. Also, we had no tools to cut the men out of the train. The police were there, I just did not film them. We let a policeman know we had video and he did not care and waved us on our way. We were in line to go over the tracks with a truck in front of us and a truck behind us and then we realized the big rig was stuck on the tracks and the lights immediately came on. We could not leave until the guy behind us moved and the guy in front of us moved. The truck was on the other side of the tracks, along with the driver, prior to the train hitting him. When we finally got around the long train, we went over to the accident site and the driver was there, safe. The police were there handling everything and the train crew had to be cut. There was nothing we could have done and again, we were told to leave when the accident first happened.
Soon created a graphic language for a brochure of recycled papers. Here you can see the making off. Creative director : Jim Van Raemdonck Graphic Designers: Phoebe De Corte, Dries Caeckebeke Assistents: Claar De Waele, Sil De Boeck Making off: Ludovica Saccenti
Amazing experience travelling all around the world, meeting unforgettable people, discovering beautiful cultures and capturing outstanding landscapes for http://www.continents-insolites.com. Music: Mooders feat. Louise Eliott https://itunes.apple.com/fr/album/rise-up-feat.-louise-eliott/id924842937 Camera: Canon 5D Mk III Magic Lantern RAW mode Lenses: Canon 14mm 2.8, 24mm 2.8, 50mm 1.4, 100mm 2.8, 70-300mm
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
