Territory’s UI reel for Guardians of the Galaxy includes some wonderful organic elements in the Milano segments that help it stand out from the usual Hollywood screen design fare. Credits Territory Credits Creative Director: David Sheldon-Hicks Motion Designers: Peter Eszenyi, Nick Hill, Ryan Rafferty-Phelan, Marti Romances, Martin Aggerholm, Yugen Blake, Jay Dingle, Gabor Ekes, Ryan… Read more »
This isn’t for everyone, but it’s definitely for me. As a child of the 80s, I grew up watching awesomely terrible animated series like “Voltron” and “Battle of the Planets.” Awkward dialogue, stiff animation and occasionally incredible 2D effects sequences imbued these shows with a strange charm. Jake Portman’s latest short channels these endearing/cringeworthy shows… Read more »
More exceptional work from Buck made by an exceptionally talented team. Directed by: BUCKExecutive Creative Director: Ryan HoneyExecutive Producer: Maurie EnochsonAssociate Creative Director: Joe MullenProducer: Emily RickardProduction Coordinator: Kaitlyn MahoneyArt Director: Kenesha SneedDesign: Kenesha Sneed, Joe Mullen, Gunnar Petterson, Yuki YamadaCel Animation Director: Joe MullenAfter Effects Animation Director: Moses JourneyAnimation: Kendra Ryan, Nick Petley, Moses Journey,… Read more »
A short video by Avery Lawrence Camera and Direction: Ross McDermott Additional Camera: Kai Crowe-Getty and Nemanja Cetic Score: Coogan Brennan and Cleek Schrey Special Thanks to: Edith Catlin, Avery Catlin, Nemanja Cetic, Heiner Contemporary, Emily Nelson, Mark van Yahres, Kadeem Bell, Mike van Yahres, Peggy van Yahres, Maisie Osteen, Marie Schacht, Van Yahres Tree Service, Van der Linde Crane Services, Charlottesville Wrecker Company, Ivy Material Utilization Center, Fran and Winx Lawrence Artist’s statement by Avery Lawrence: “For the last five years, my family and I watched as dementia overcame my grandfather. The act of witnessing and attempting to slow down his decay brought us together. He died in January. In Moving a Tree, I explore the process of creating an homage that honors his life, his passing, and the relationship he forged with my grandmother over sixty years of marriage. There was a dying walnut tree on my grandparents’ property in Central Virginia. Through the process of moving it, I created a physical struggle that enabled me to contemplate my grandparents’ e fforts to create a whole, loving family and maintain their own compassionate relationship. The characters I portray in Moving A Tree represent my grandmother and grandfather, and this installation recreates their home.” Moving a Tree premiered within an installation by the same name at (e)merge Art Fair in Washington, DC with Heiner Contemporary Gallery in 2011. The video and installation won the SCOPE Foundation prize and were featured at SCOPE Miami Art Fair in 2011. Moving a Tree was selected in the shorts program at the 2012 Virginia Film Festival. www.averylawrence.com
Some people see pilots as fearless, confident, arrogant, but they are no different than you or me, just willing to put it all on the line to keep our warbirds legacy alive at their own personal sacrifice. This mini doc. is to show what it’s like to be a warbird pilot. These guys are keeping our history alive by flying and maintaining these legacy aircraft for future generations. Some of these guys were born into the life style, while others that have worked their way into the small community. Most pilots come off as fearless, confident, and sometimes arrogant but there is a reason for this. Fear can get you killed up in the air but confidence can get you home safely! We explore the aspects of flying these birds, the bad/difficult parts, the passion behind it/why they do it, the tragedies, the joys and the fears of this life style. John-Curtiss Paul talks about the life of maintaining and flying the old birds but also the life he potential leaves behind with each flight. There are only a handful of people in the world that are even capable of doing what John-Curtiss Paul does. Directed by – Rob W. Scribner Director of Photography – Rob W. Scribner Producer – Melissa Thompson, John-Curtiss Paul Camera Operators – Rob W. Scribner, Melissa Thompson Editor – Rob W. Scribner Post Audio Producer – Eric Bower Talent – John-Curtiss Paul, Mark Peterson, Chauncey Reese, Gavin Thompson, Sander Curtiss Paul Music From – The Music Bed Music By – Troy Anderson – Open Arms Dexter Britain – Did you feel Mark Doubleday – Sunrise Most of this project was filmed on the FS100 but we also use a 7D, 60D, and Go-pro Footage. The FS100 was the A cam; we did not have a ton of lenses to work with…mainly the 18-200mm Sony E-mount and a 20mm Sony E-mount 2.8 which worked great for fast shooting. The trick for us was making good use of the Tiffen ND filters. We shot all the interviews at 24p and most of the Broll in 60p (S & Q). There were a few times I change to 1080 60p internal to the cam because I wanted to capture audio that I could use later in post but also want to slow it down to 24p. The 7D, which was our B cam also had a stock lens, the 18-135mm Canon EF. This was also the cam we used for the time-lapse shots. We had to be scrappy when making this project which was actually really fun. The project was finished up and edited in Premiere Pro CC.
Lake of Dreams – Burning Man 2013 Film and Music by Roy Two Thousand http://roy2k.com/ Additional footage by August Winkelman and Connor McNeill Produced by Roy Two Thousand and Crystal Dawn Davis Drums and Percussion by Anthony Mogli Maureal Made possible from the support of many many people, especially my kickstarter backers! I’m very grateful for the huge amount of love and support I’ve recieved during the creation of this film Lots of time, money, and love went into this project, I hope you enjoy it:)
This latest advert in the series presents Graeme who’s just saved money at MoneySuperMarket and feels stupendously EPIC!
Jumping into his ride, Graeme decides to take a celebratory lap around the City. The only thing is, Graeme doesn’t drive a sporty hatchback or a family saloon – he travels on the back of a ginormous African elephant.
Graeme’s as happy as Larry, the cat that caught the canary, the dog with two tails…we could go on but you get the idea. Quite frankly, Graeme couldn’t be any more pleased with himself. And neither could the elephant.
Do your dance Mr Elephant, do your dance!
Together, Graeme and the elephant ‘drive’ along, basking in the gazes of amazement from everyone they pass. A super cool baby wearing a slick blue suit watch the two groove past, and confirms; “Mmhmmm. Graeme, you’re so MoneySuperMarket”
From car & home insurance to energy, visit moneysupermarket.com to see how much you can save on your household bills.
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