Alan Poon, Eric Malika, Robin Nishio: Tim Horton’s “Coffee Art”


coffeecoffeecoffeecoffeecoffeecoffee FRESH POTS!!! Toronto-based Common Good and directors Alan Poon, Eric Malika, and Robin Nishio use coffee to tell the story of coffee at Tim Horton’s.

Interest piqued by sand animation? Check out the work of Corrie Francis Park, Caroline Leaf and Cesar Díaz Meléndez.

Hat tip to the DragonFrame Blog.


Credits
Chief Creative & Integration Officer: Brent Choi
Executive Creative Director: Paul Wales
Art Director: Andy Brokenshire
Copywriter: Jed Churcher
Head of Production: Pam Portsmouth
Account Team: Scott Miskie, Renee Ray, Cameron Stark
Directors: Alan Poon, Eric Malika, Robin Nishio
Animators: Dale Hayward and Evan Derushie
Animation Assistants: Kathy Shultz, Phil Eddolls
Production Assistants: Martin MacPherson, Francesca Cattaneo
Production Company: Common Good / Radke Films
Post-Production: Common Good / Alter Ego/ SAUCE
Production Editing House: Common Good / SAUCE
Production Music House: Grayson Matthews

Posted on Motionographer

Karni and Saul: The Staves “Winter Trees”


London-based Karni and Saul blend beautiful compositing with peculiar creatures inspired by laser-cut wood in this music video for The Staves’ Winter Trees.

For more woodcut-goodness, check out Nando Costa’s The New America and the work of Huntergatherer.


Credits
The Staves Winter Trees (Atlantic Records)
Directors: Karni and Saul
Production Company: Aardman Animations
Producer: Lynn Hollowell
Production Coordinator: Sarah Babbage
Editor: Dan Hembery
Character Design: Saul Freed
Illustrator: Owen Williams
Lead Character TD: Nathan Guttridge
TD: Maria Ocantos
Modelling TD: Rich Spence
Rigger: Dorota Sikorska
2D Animator: Tim Ruffle
3D Animator: Mathew Rees
Lead lighter/renderer: Ali Dixon
Lighter: Andy Lavery
Lead compositor/grade: Bram Ttwheam
Compositor: Jim Lewis, Jon Biggins
Commissioner: Sarah Tognazzi

Posted on Motionographer

Daniel Savage & Wondersauce: Yule Log 2.0

yulelog2
Yule Log 2.0 re-imagines the traditional Yule Log through a collection of 53 short films by illustrators, animators, directors, and creative coders. First televised in 1966 by WPIX-TV as a gift to viewers, the Log has since burned itself into our hearts.

Yule Log 2.0 is a project curated by Daniel Savage and built by Wondersauce. In total, 65 artists participated in the project.

Yule Log 2.0 Artists
Alicia Reece
Andrew Stubbs Johnston
Animade
Benjamin Gray
Bianca Meier
Brian & Brad Hasse
Brett Renfer
Cesar Pelizer
Charlie Whitney
Chris Lohouse
Chris Kelly
Conrad McLeod
Colin Hesterly
Damien Correll
Daniel Leyva
David Kamp (Sound design)
DIA
Emory Allen
Erica Gorochow
Eric Epstein
Erik Karasyk
Frank Chimero
 
Greg Gunn
Hush Studios
James Curran
James Zanoni
Jeroen Krielaars
Jesse Benjamin
Jerry Liu
JK Keller
Joe Russ
Jordan Bruner
Josh Parker
Joshua Catalano
Joshua Goodrich
Jorge R. Canedo Estrada
Julian Glander
Keetra Dean Dixon
Kyle Sauer
Laura Alejo
Lee Gingold
Leta Sobierajski
Lucas Redfern Brooking
Lucas Zanotto
 
Mathew Lucas
Matthias Hoegg
Matt Delbridge
Michael Fuchs
Nick Hum
Patrick Finn
Patrick Macomber
Paul Windle
Philip Sierzega
Robert Loebel
Ross Philips
Salih
Script & Seal
Seth Hulewat
Shane Griffin
Skip Hursh
Tricia Desjardins
Will Anderson
Yassir Rasan
Yussef Cole
Yvonne Romano

 
Daniel was kind enough to share more about the creation of the project, including the original brief. Read about it after the jump!


How long did it take to get the project up and running?

The idea came about mid October, I ran it by a few friends with positive feedback, then started taking it serious shortly after, so just over a month.

How did you find/select/approach the artists for the project?

Rule number one for me was keeping it diverse. A lot of community projects tend to stick within their own niche industry, which has great results, but I wanted it to be more broad. I encouraged collaboration which is why there were more artists than submissions. And I specifically invited a lot of people who don’t animate professionally, which was the most exciting part for me. Inspiring people to take a stab at animation who don’t do it normally makes me really happy.

How’d you hook up with Wondersauce and what went into developing the backend?

I grew up with John Sampogna, one of the founders, the first time I got drunk was with him. It was dumb luck that we ended up with talents that compliment each other. Eric Mayville headed up the site with a developer. The biggest hurtle was figuring out how to take advantage of Vimeo’s API and play all 53 videos in a continuous smooth loop, but using black magic and this thing called “code” they figure it out!

Do you have any advice for people who are trying to carve out time for personal projects outside of their professional work?

I feel like I say to friends “Thanks for the invite, but…” a lot due to personal projects. You have to want it. If you want it, you will find the time. Also being freelance helps!

Some of the most interesting contemporary works have been self-initiated curation projects (PSST…Pass It On, Late Night Work Club, Sound Creatures, Animation Sequence Project, Loopdeloop, etc.). Do you have any advice for people who would like to start their own curation projects?

I think if the idea is good enough, and there is some sort of proof you will deliver, people will respond. When I wrote up my brief it felt similar to giving my students an assignment. As professionals we miss those fun school assignments where we can experiment without a client. Personal projects are great, but having a micro brief to react to sparks ideas you might not normally come up with.

What do you think makes a successful brief?
I guess what makes a successful brief is being clear and solving a problem (in this case, the lack of fun Yule Logs) I also put together a FAQ after I got some questions, which helped a lot, especially since there was some language barriers with the international group.

Yule Log 2.0 Brief
Yule Log 2.0 FAQ

What’s coming next for Yule Log 2.0?
If there is enough interest, this may become an annual tradition.

The project will be screened at Big Screen Plaza on rotation throughout the winter, as well as being projected on the Manhattan Bridge in DUMBO nightly from December 12th till the 23rd (shout out to HUSH for hooking this up)

Posted on Motionographer

Michael Fragstein: Boozoo Bajou “Jan Mayen”


Stuttgart-based Michael Fragstein created this music video for Boozoo Bajou’s Jan Mayen. Inspired by a volcanic island in the Arctic Ocean, landscape and weather maps, the animation uses a kind reverse-stratacut approach to explore flowing lava-like animation.

Credits
Boozoo Bajou – boozoobajou.com
Apollo Records – apollorecordings.tumblr.com
Directed by Michael Fragstein at Büro Achter April

Posted on Motionographer

in/out: Mt. Wolf “Midnight Shallows”


London-based in/out (aka Jean-Philippe Blunt & Thom Humphreys) explore the world of chronophotography and Étienne-Jules Marey in this music video for Mt. Wolf’s Midnight Shallows. I love the video’s restraint and balance, lovingly reveling in each unique motion. The later shots that composite the dancer and echoed ribbon are particularly lovely.

For more chronophotography love, check out Norman Maclaren’s Pas de deux, Michael Langan’s Choros and Mass Market’s Nike “Human Chain”. Or roll your own in processing.

Hat tip to Promonews.


Credits
Directors/Editors: in/out (Jean-Philippe Blunt & Thom Humphreys)
Director Of Photography: Rina Yang
Head of music: Natalie Arnett @ JJ Stereo
Producer: Oliver Samuel @JJ Stereo
Manager: Keith Wozencroft @Third Rock Music
Female Dancer: Lily Grundy @The Royal Ballet
Male Dancer: Conal Francis-Martin @The Royal Ballet
Antique Camera: Sebastian Sussmann @Double Negative Darkroom
Bird Handler: Nigel King
Production Designer: Sean Leishman
Colourist/Online Editor: Toby Tomkins
Post Production Consultancy: Paul Gardner @JJ Stereo
Online Conform: Sam White & Joe Lovelock @The Whealhouse
Focus Puller: Karl Hui
Clapper-loader: Brendan Harvey
DIT: Joe Lovelock
Grip: James Roberts
Pre-light Gaffer: Rob White
Gaffer: Steve Garay
Bestboy: Elliot Beach
Sparks: Poom Saiyavath, Maikel Popic, Joel Judah Honeywell, Eduardo Dominicci
Runners: Ugne Ciesiunate, Declan Slattery, Saad Abbas, Hayley Dunn

Posted on Motionographer

The Podium Waltz


Daniel Bruson directed this marvellous animation for the opening scene for “The Podium Waltz”, a short film about visually impaired brazilian runner Terezinha Guilhermina.

This scene follows the way her guide described the opening ceremony of the Paralympics to her, as they walked through the Olympic Stadium. For that I created about 1400 black and white watercolors, that were photographed and then composed and colored digitally. I tried to create this atmosphere where shapes and sounds emerge as they come to the character’s attention, and also to bring some of the joy and wonder of the moment.

Daniel was also responsible for this rather emotional animated scene for the film:

Update: Check out this nice making of as well.


The Podium Waltz

Direction
Daniel Hanai & Bruno Carneiro

Animation Direction
Daniel Bruson

Animation
Daniel Bruson
Francisco Beraldo
Ian Sampaio
Flávio de Paula
Leandro Franci

Compositing
Daniel Bruson
Francisco Beraldo
Leandro Franci

General Assistance
Rafael Moretti
Talita Annunciato

Posted on Motionographer

i.am.graphic.artist: Need for Speed ~ Rvials

Nice motion work from London based Graphic and Motion Designer Miguel Rato‘s latest proejct; Need for Speed ~ Rivals. See all the spots on his site.

Wanda Print

Wanda Print is an integrated print services studio, part of Wanda Productions specialized in digital Art, photography, image manipulation, retouching, Matte-painting, 3D CGI, direction and graphic design.

Wanda Print is constituted of a sharp offer of talents: graphic designers, digital artists, matte painters, photographers, artistic directors including :
Photographer Monica Menez | Art Director Antoni Tudisco | Photographer J.A.C.K | Digital Artist Benoit Challand |

Created under Charles Denis’ impulse in association with Patrick Barbier (CEO of Wanda Productions). Charles Denis brings with him more than 15 years of experience that won him the most prestigious international awards (Cannes Lions, Grand prix Strategies, Epica…). His strong expertise in techniques of production gives him a better picture of the complexities of the market and allows him to provide the projects with an ambitious production value.

Gergely Wootsch: Savages “Marshal Dear”


London-based Gergely Wootsch brings gorgeous Vonnegut-inspired visuals to this music video for the Savages’ Marshal Dear. Love the mix of 3D camera/environment and drawn 2D textures.

For more of Gergely’s work, check out The Hungry Corpse, This is Not Real and Ordæmonium.

Credits
Savages – ‘Marshal Dear’
savagesband.com

Designed and Animated by Gergely Wootsch
Additional Animation by Rosanna Wan – rosanna-wan.com
Produced by Beakus – beakus.com
Producer: Steve Smith
Commissioner: Big Dipper Productions

As imagined by Gemma Thompson and Gergely Wootsch.

matadorrecords.com
popnoire.com

Posted on Motionographer

Pause 2014 ID – Airspace

Ident for the Pause Fest 2014 by New Zealand based motion designer Rich Nosworthy. Music and sound design by Sonosanctus.

+ Breakdown