Work/Life: Kids

“Yes, I know I’m supposed to be bathing him tonight, but … Yeah, I know I didn’t bathe him last night either, but tonight we’ve got a hell of a lot to get through, client changes and … What time? I really have no idea, you know I can never tell until we … Dinner? No don’t worry about dinner, we’ll call out for take-away from here … Yes, I miss you too … He’s asking for me? Tell him I love him and I’ll definitely bathe him tomorrow night, I promise … .”

Anything in the above bit of fictional dialogue sound familiar? Yes, it does for me too. You see, we are creative people us motion folk and perfecting a design, a texture, a storyboard, a render or whatever it may be takes time. And despite working like demons all day to be “out the door”-bang on leaving time, fate and clients all too often conspire to derail our best intentions.

Now, when we just have ourselves and perhaps a willing “other half” (who has decided to throw their lot in with us) to consider, late nights at work are bad enough. Bags under the eyes and cold shoulders in bed are no fun. But throw kids into the mix and it’s a whole ‘nother ball game. Concerns and neuroses multiply and multiply again: My folks were around for my bedtime, and so should I! If I don’t see her all week, will she still know me? Is my patchy bedtime attendance causing her long-term psychological damage?!

But all the while, perfection is drumming its fingers on the desk and we can’t let something half-assed go out the door. And there you have it, the classic creative parent’s tug-of-war: Do I rush this thing and leave on time to see my kid or do I do myself justice as an artist and give this the extra four hours it needs? Do I leave my design baby screaming in the cot whilst I rush home to bathe and put to bed the human one?

Well here at the Motionographer Work / Life Think Tank (disclaimer: “Think Tank” may in reality refer to a couple of casual email threads), we have decided to throw this open to you, the readers. Why struggle on your own when you can take solace in the fact that many others are having the very same problems? To this end, we’ve created a questionnaire to see how work life after kids is shaping up for you. And those of you without nippers, we want to know how you think becoming parents will change your working lives.

When the results are in we’ll pump out a couple of fancy looking diagrams which will show us what you the Motionographer readers think about work/life with kids.

Posted on Motionographer

MPC helps Mercedes Blow the door off

The MPC team put together an impressive array of motion control, CG and other effects for the two new campaigns.

PFlow Toolbox#2: Velocity Sculpting

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VR4MAX 7.0 Released

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Playgroundsfestival 2011 Titles

The Playgroundsfestival was a joy. Hidden in the little town of Tilburg, the festival had great speakers and good talks. With talks from: Edouard Salier, Mate Steinforth, Physalia, Encyclopedia Pictura, Ben & Julia, David Wilson, Spread Motion, Heyheyhey, Matt Lambert, Studio Takt, Tokyoplastic, David Wilson, DVEIN, Kyle Cooper and Onesize there was never a dull moment.

And of course there are the titles. It seems to become more and more important for a festival to have good titles. It’s like a pissing contest. Festivals compete in the coolest, biggest and most creative title. After the Offf 2011 titles it would be hard to go bigger, so Leon van Rooij (festival director) must have thought: ‘let’s be creative’. He was playing with the idea of doing ‘live’ titles. A titleshow so to speak. He contacted creative design studio HeyHeyHey and they were more then happy to go to work.

It was great fun to see the unsuspecting speakers present themselves without really knowing what was going on. The show was on thursday, recorded, edited and played back on friday. Of course ‘you had to be there’, but still, the end result is pretty funny and a totally new take on festival titles.

Playgrounds 2011 ‘The Live Titles Show’ from HEYHEYHEY on Vimeo.

Erik Sjouerman of Studio HeyHeyHey about the process:

Playgrounds Festival asked us in August 2011 to make the title sequence for their 2011 edition.
The brief was basically this: ‘please make the titles for Playgrounds 2011 but do it in such a way that it’s more than just a video, it needs to be a ‘you-should-have-been-there’ moment’.

HEYHEYHEY is ‘a design studio with a special interest in whatever comes to our attention’ (so says our website) and even though we were a bit scared by the possibilities of this assignment we knew we’d be able to come up with something more or less doable. We like to create, what we call, ‘supermoments’ and this might become one of them.

Our first ideas ranged from “something like the Muppet Show” to Real Life 3D that needed real viewer-participation, and after we gave it some more thought we realized that we were A. On a very, very tight budget, and B. We pretty much needed to do it all by ourselves.
The end result was a set that resembled a sitcom wherein we would ‘process’ most of the speakers and have them -without knowing beforehand- act out their own titles. This needed to be done as live as possible and we had to record everything so we could edit an actual video of the whole thing a day later.

The biggest problems we encountered were mostly on the production side: what we wanted had to fit in Playgrounds’ very tight day schedule and we needed a bunch of people who’d actually do the processing of the speakers. On top of that there were loads of issues with the cameras (we couldn’t just rent extra stuff) and everybody from production to lighting at the venue had to be briefed and on board.
After all the preparations we had just one day to practice all scenes with a team of people we never met before. Luckily everybody pulled through and, with the help of Playgrounds it all worked out in the end.

We can safely say this performance/ video is one of the weirdest and most stresfull things we did so far. We’re really happy with the end result and the fact that everybody, from audience and speakers to our janitors seemed to enjoy these crazy 5 minutes.

Making of photos

Credits:

Production and Concept: HeyHeyHey
Opening animation: Heerko Groefsema
Music: Studio Takt
Brass Band: De Koppersnellers
Camera: students Zoomvlietcollege

THANKS! Leon, Joris, Fons, Heerko, Diderik, Bram, Sander, Wessel, Wouter, Brecht, Bram, Emma, Jonas, Jeroen, Rik, Koos, Bas, David, Niek, all the Playgrounds speakers and the audience.

Posted on Motionographer

James Curran: The Adventures of Tintin, Unofficial Title Sequence


We’re huge fans of self-initiated personal projects, and were delighted by James Curran’s fantastic unofficial title sequence for The Adventures of Tintin. Spielberg take note!

James was kind enough to take some time out of his schedule for an interview. Learn more about the piece here.

Posted on Motionographer

MPC: Film Reel Autumn 2011

Absolutely gorgeous Film Reel from Moving Picture Company, now based in London, Los Angeles, Vancouver and India. “MPC leads the world in post production and visual effects for the Feature Film, Advertising, Digital and Television industries.”

Real Steel vfx breakdown

Digital Domain vfx supe Erik Nash breaks down the Crash Palace fight from Real Steel. Courtesy of The Daily

CG Portfolio: Bruno Hamzagic

Brazilian Artist with more than 11 years of experience and specialization in Modeling, Texturing, Animation, Lighting, Rendering, …