Overall Purpose and Objective
The I/O Position will be responsible for managing data in and out of the division as well as internal data integrity. Additionally, monitoring and maintaining control of the render process as well as managing the render farm.
Essential Duties & Responsibilities:
Job Requirements:
The above are minimum requirements. Resumes from more experienced candidates are welcome. Compensation and responsibilities will depend on experience/qualifications.
EOE M/F/D/V
If you are interested and meet the above qualifications, please send resumes to TDP.Recruitment@technicolor.com
if i use a glow node why is my alpha still unblurred wehn i set affect channels to rgba..?
only if i set affect channels to alpha it get blurred..
nuke 6.2
After posting PES’s latest work, The Deep, in mid December, recently, we were able to catch up with the artist himself. Chatting about everything from his artistic background to childhood inspiration, PES gives us a candid look into his personal filmmaking process in this exclusive interview for the latest Showtime Short Stories film, The Deep (full interview here).
“For as long as I can remember I’ve been obsessed with deep sea creatures. And certain tools have always reminded me of fish and other ocean creatures. One tool in particular – an old nutcracker – looked very fish-head-like to me (I used it as the head of the eel and the lantern fish in The Deep). So I collected lots of tools and metal scraps over the past 5 years with an eye toward creating an undersea-themed piece. The challenge became, can I get these rigid objects to have enough fluidity to really make them believable as sea creatures.”
While PES’s usual style of work illustrates a stark contrast between natural and synthetic objects, for The Deep, this was not the case. Varying from his previous shorts, his approach was also different. “Each shot,” he explains, “inspired the next shot I dreamt up. It was an extremely spontaneous mode of creation.” The resulting piece is rough and improvised, while at the same time, more restrained than his previous endeavors. While most of PES’s work is built around an eclectic combination of scavenged objects, The Deep is not a short that’s amplified by electrifying visuals, but rather, a visually candid, mask-free look into the versatility and creative breadth of PES.
Responsible to:
Head of PipelineMain Purpose of Job:
MPC (The Moving Picture Company) leads the world in post production and visual effects for the Feature Film, Advertising, Digital and Television industries. We are currently seeking a Systems Developer to join our Software team to develop and maintain tools to help manage our critical technical resources. Working closely with our team of top-notch systems administrators and developers you will work on projects such as managing hundreds of TBs of high performance storage, increasing efficiency of our render farm and improving management of our overall systems operations. This role would suit an experienced system administrator looking to take on a development role, or an experienced developer wanting to get more involved in system operations.Key Tasks/duties:
·Work with the Systems and Software teams to develop, maintain and support in-house tools with a particular focus on data management ·Ensure systems software can continue to scale reliably ·Help drive the strategy for our in-house system operations tools
Essential Skills and Experience:
Salary: Competitive remuneration package
Location: London
Application Closing Date: (None) Ongoing recruitment
This is an exciting opportunity to work in the movie industry at the leading edge of VFX production, continually pushing the limits of technology. If you are interested please apply online here: http://www.moving-picture.com/index….developer.html
For a TV-Feature-Film we’re looking for an experienced Character TD – Rigging Supervisor.
Job description:
* Conceptualize, monitor, and oversee the production.
* Collaborate with Animation-Supervisor to define rig requirements.
* Provide technical specification, construction, modification and maintenance of all 3D character rigs.
* Ensure rigging work is carried out on schedule and on budget.
* Actively participate in development and enhancement of workflow and pipeline.
* Define directory structure, naming conventions and versioning for all riggers
* Collaborate closely with VFX Supervisor & other Character TDs and communicate with other departments.
* Supervise & Train other team-members.
Requirements:
* Feature-Film-Production experience.
* Previous supervisory or leadership role.
* Knowledge of anatomy.
* Knowledge of modeling techniques.
* Understanding of form, geometry and movement.
* Knowledge of mathematics desirable.
* Knowledge in programming and software development desirable.
* Strong problem-solving skills.
* Artistic approach.
* Strong communication skills.
—
Please send your demo reel, cv and fx-breakdown to:
mh@d-facto-motion.de
or:
D-Facto Motion GmbH
Steinstrasse 17
81667 Munich
Germany
JOB: Character TD – Rigging Supervisor
Responsible to: Head of Systems and Features Technology
Main Purpose of Job:
MPC (The Moving Picture Company) leads the world in post production and visual effects for the Feature Film, Advertising, Digital and Television industries. We are currently seeking a Database Administrator to ensure the ongoing smooth operation of MPCs global production systems as we continue to grow. We operate a sophisticated global digital asset management and automated workflow system based around a distributed database architecture built using MySQL. We are looking for someone to take our database infrastructure to the next level to allow us to continue to scale out and improve performance for this critical cornerstone of our infrastructure. This role will also collaborate closely with our software developers to continually improve performance and quality of our software.
GreenSODA tv is a VidCast that covers relevant maya tutorials posted around the web. Other topics such as scripts, interesting websites, short films, twitter users… are also covered.
Be sure to comment or contact me if there is anything specific you’d like to see covered. At this point GreenSODA tv is kind of an experiment so dont be afraid to make ANY request at all! 😉
Hope you enjoy it!
Contact me via GreenSODA or Twitter
Alex
Geon studios delivered a number of sequences with invisible effects; from retiming, split comps, BG set extensions, cleanup etc
We require:
– relevant knowledge and experience
– fluent English
– willingnes to relocate and work in Prague, Czech Republic
Salary offer: 200 – 400 / day
If you like to learn more about this offer, please send your CV and your showreels to recruitment@upp.cz
Please, put "Flame/inferno artist" and your name to the subject of your e-mail.
Some samples of our work you can see here http://www.upp.cz/rs/generate_page.php?page_id=102
This is site is run by Sascha Endlicher, M.A. during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
