Scratch and others for HD broadcast.

I am in the process of evaluating online systems, ideally something with 2k+ DI capabilities, proper luts etc.. and the ability to do RT Color Correction.

I want something like smoke/lustre combo, but I can’t afford $500,000 worth of gear, and the RT desktop DI is getting very close to being a reality.

Pure CC’s won’t work for me like Speedgrade, since I need tools like repo, pan/scan, flip, flop etc..

I know a lot of people are content with the Scratch for film DI and CC, which can be a slower process, but what about broadcast? How are people working with Scratch on a SAN, so a motion graphics artist or compositor can work on DPX files that are read to be loaded into the Scratch?

Are people finding the Scratch a decent option to Lay off to tape?

Can you conform via a VTR with Scratch?

We are going to have one Apple Color/FCP Kona3 with Gluetools online station as well, so I know those systems can digitize DPX.

I’m just trying to get a feeling for people using a Scratch for Broadcast.

Watch Justin van der Lek from Digital Domain – FxGuideTV

Watch Justin van der Lek from Digital Domain talk us through his innovative use of Nuke in ‘The Mummy: Tomb of the Dragon Emperor’. © Universal.

http://www.youtube.com/watch?v=<object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/kQLDSJYngZc&hl=en&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/kQLDSJYngZc&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object>

http://www.youtube.com/watch?v=<object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/SThiaPzALUo&hl=en&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/SThiaPzALUo&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object>

Freeze frame / looping in shake

is it possible to add a filein node with a video clip, and picking a segment of that video to loop or a freeze frame without the need to exporting a new clip or still image?

UtopiaPeople recruiting 3D generalist/Compositor

Freelance agency UtopiaPeople (www.utopiapeople.com) is looking for a highly skilled senior 3D Generalist/Compositor for a short contract work (commercial). Our client is a awardwinning postproduction company in Stockholm, Sweden, (check out their talked about film for Stink here: http://www.stinkdigital.tv/work/carousel). The client is looking for a senior 3D studio Max generalist with compositing skills, Shake or Nuke. You will be working close with the german director animating pre-modelled objects (arrows) also taking care of shading and rendering and doing the final comp. Work is on site in Stockholm, company provides apartment/hotel as well as flight-tickets if needed during the project. 16/11-27/11 (could be longer). Daily fee: 400 Eur/day (4500 SEK/day for Swedish residents).

The client wishes that you are both a senior 3D generalist AND senior compositor.
However we may present another solution, a 3 Generalist working doing easy precomps 16-24/11 and a compositor 24-27/11. If you feel that you want to apply for these positions please look below.

TO APPLY:
You must be a registered freelancer at Utopiapeople (register free at http://www.utopiapeople.com/forms/registration.php) to apply. Deadline for applications: 11/11 – 16:00 CET (the faster the better), EC citizens prefered. Email job@utopiapeople.com write "3d generalist and compositor" as subject. If applying for ONLY 3D write ”3D gen”, if applying only for comp write ”Comp” as subject.

Cheers!
UtopiaPeople
Crew

IS IT A COMBUSTION THING??

Is it just a Combustion thing..I was just roto-ing in combustion and i was doing in times of 10-as in every ten frames i was animating the rotoshape..The shot had not much of a movement.

http://www.siliconimaging.com/Digita…y_footage.html

its the footage – dresden dolls-shores of california..

even though there was not much of a movement, i am moving the points almost every frame…is there any key strategy while roto-ing??
also lot of people outside of vfxtalk have been confusing me by saying that if we move the points individually there will be lots of boils and chatters..is this true??

also where should we fix our rotospline–i mean exactly on the character’s border, or can we leave a pixel of space…and give feather and adjust that??

am i missing something basic about rotoshaping…surprisingly i love roto and wire removal a lot..

my rate of doing roto is like for a particular shape(like hand or fore-arm) i can do 40-50 frames in an hour…is it bad..will i suck with this speed when i enter the industry??

Acciona spot

Making of Acciona RE spot by Garlic (Spain).

30ninjas on 2012

30ninjas interviews Volker Engel and Marc Weigert, co-producers and visual effects supervisors for 2012. Part 1, Part 2, Part 3.

Steve Johnson on YouTube

Steve Johnson launches his own YouTube channel showcasing 30 years of special fx.

Love Letters to the Future

Love Letters to the Future is a project designed to raise awareness about climate change. Produced by Xenophile Media in Toronto.

Walgreens Turns A Blind Eye On Higher Prices

[NEWS=”http://www.cgnews.com/wp-content/uploads/walgreens_tide_thumb.jpg”]22422[/NEWS]Bicoastal design studio Blind, in collaboration with Downtown Partners Chicago, creates a memorable branding campaign that takes us on dazzling CG journey into the world of low prices for Walgreens. Designed and directed by Blind’s Vanessa Marzaroli, House is the first in a series of three :30s which celebrate the launch of Walgreens’ new “Affordable Essentials.” Focusing primarily on the products Americans use most often, we observe a stunning array of brand name products swirling to life across a lush, brilliantly designed landscape.

Blind, a multi-disciplinary design, motion graphics, animation, visual effects, live-action, editorial, print and broadcast design studio with offices in Santa Monica and NYC, taps into diverse intellectual and creative resources to come up with compelling results.

Since 1995, Blind has been pushing beyond the expected, offering clients a new way to see with award-winning design. A few things remain constant amidst this design/production powerhouse’s constant drive to reinvent itself: the abilities to engender surprise and produce projects from conception to reality.

Blind’s creative team has built an uncommon level of respect in the advertising and entertainment communities via cutting-edge campaigns for brands such as Xbox, Showtime, Bright House Networks, DirecTV, OppenheimerFunds, McDonald’s, Scion, and recording artists including Gnarls Barkley, The Raveonettes and Justin Timberlake to name a few.

CREDITS
Client: Walgreens
Spots Title: House
Air Date: October 2009

Agency: Downtown Partners Chicago
Creative(s): Joe Stuart, Amy Ditchman
Producer: Will Meyers

Prod Company: Blind
Director: Vanessa Marzaroli
EP: David Kleinman
Producer (s): Keith Bryant, Amy Knerl, Dana Vaden
Art Director: Matthew Encina
Designer(s): Will Goodan, Chris Saunders, Satomi Nagata, Vanessa Marzaroli
2D Animator(s): Matthew Encina, Jiaran Hui, Yan Ng, Mitchell Anderson
3D Animator(s): Matthew Encina, Jiaran Hui, Chris O’neil, Yan Ng
Keying/Retouching: Satomi Nagata
Storyboard Artist: Vincent Lucido

www.blind.com