My new 3D-Rig

Hello Community,
first sorry about my bad english.
It´s online: my next version of a beamsplitter 3d-rig 2.0 beta.
Have a look at:

http://www.stereoscopic.25frames.de

You´ll see the rig with and without a case.
At this time, the option for rotating the beamsplitter isn´t included, this will be finish at Christmas.
The next version (3.0?) is motorized.
For the preview on the field i´m using a modified videoglass (for every eye a little lcd-monitor, headmounted).

Nike Cortez

Fun little animation for the release of the Nike Cortez Brothers Pack.

Nike Trackball

Cool interactive retail installation for CTR360 football boot launch in Singapore, featuring a football trackball inspired on the mighty mouse ball. Don’t miss the Behind the scenes and the rest of the videos of OurWork.

Still Images

Hi there,

Just composited some 3D elements into some still images I took with a Canon 5D.

3D lighting and shader work done in Maya (did not model any of the models). Still image color corrected in nuke and final compositing done in after effects. The final was composited in after effects and not in nuke because that was a requirement for the project.

Please critique!



Thanks!

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Ars Thanea – Avatar

Ars Thanea created some limited edition game covers for John Cameron’s Avatar – The Game through Ubisoft. Check out some of the details on Behance.

VFX Animator Needed

Nitrogen Studios Canada Inc is looking for another VFX Animator to join its VFX department for full time employment on our award winning series of "Thomas and Friends" movies and TV shows.
Applicants must be Canadian residents and preferably resident in the Vancouver area.
A thorough understanding and expertise in working with Maya particle systems is essential and a solid understanding and expertise of animating fluids in Real Flow would be a plus.
Applicants interested in this position should apply to recruiting@nitrogenstudios.com with a link to a portfolio or blog site. Please note that no attachments should be included with application emails.
For more information about Nitrogen Studios please refer to our website www.nitrogenstudios.com

Digital Amputees

Hello everyone, new member here with first post.

So I recently noticed that a lot of TV programs have actors with amputated limbs (i.e. Michael Shanks from Stargate Continuum, Genevieve Cortese from the latest Flash Forward, Suleka Mathew from Hawthorne) and I was wondering what was the best method of creating these digital amputations?

I was thinking of rotoing the leg out and having a clean plate in the back to fill in the gap but unless it’s a locked off shot, it seems the process would be time-consuming. I was also thinking that the limb is roto-ed out and then the background is painted back in.

Does anyone know of possible methods to recreate these digital amputations?

Rhino ‘Crashes’ Fall Lineup With Spot Promoting Starz Series

[NEWS=”http://www.cgnews.com/wp-content/uploads/crash_title_thumb.jpg”]22532[/NEWS]Rhino Creative Director Vico Sharabani recently completed yet another close collaboration with the Snorri Bros., this time creating all the VFX for a carefully choreographed :30 promoting the new season of Starz’ acclaimed series, Crash. The unique spot captures Los Angeles through the lens of a camera continuously swinging across the cityscape, the masses jostling in slow motion before a backdrop of palm trees, mountains, construction cranes, and other iconic Southern California images.

The cast – including legendary actor Dennis Hopper – is shown mingling amidst this hoard in the hustling, deal-making, wild streets of Tinseltown. The spot concludes with the convergence of the main characters at center screen, where they appear poised to “crash” into one another, symbolizing the complex, intermingled maze that the characters live in.

To create a full portrait of the unhinged L.A. lifestyle that Crash portrays, Sharabani and the rest of the Rhino crew expertly stitched together a mosaic of characters that the Snorri Bros. shot on long lens against a green screen. Rhino deftly arranged these moving pieces so that the show’s stars mingle effortlessly with LA’s background masses while their individual stories move inexorably toward intersection.

Rhino then combined stills and live-action shots from all over the city to create an enormous, 100,000-pixel-long panorama of Los Angeles, against which they transposed the various characters in motion. The result is a seamless, detail-rich, 360-degree shot that seems to swivel over all of LA and the entirety of its shuffling life in one effortless motion. The crew also amped up the lighting to create an overly bright glare that perfectly communicates the atmosphere of walking through the steaming hot L.A. concrete jungle.

“The trick here was to capture the constant behind-the-scenes and in-the-streets action of Hollywood while simultaneously showing the countless fascinating stories behind that lifestyle, which is really the story of Crash,” said Sharabani. “So we had to balance the fast-paced camera movement with the intersection of the fascinating cast and the indescribable L.A. masses. All of this while capturing the exact mood of L.A., from the steaming weather to the every-man-for-himself realities of the entertainment industry. Luckily the Snorri Bros. are expert at exactly capturing the attitude and personality of each character through their motions alone.”

“We’ve worked with the Snorri Bros. on spots for Mercedes, Toyota, Subway and Dell over the past two years so we’re very familiar with one another,” said Rhino MD Rick Wagonheim. “We’re incredibly happy to have this successful ongoing collaboration with a team that’s so imaginative, diligent, and easy to work with.”

About Starz:
Starz Entertainment, LLC, is a premium movie service provider operating in the United States. It offers 16 movie channels including the flagship Starz® and Encore® brands with approximately 17.5 million and 31.5 million subscribers respectively. Starz Entertainment airs more than 1,000 movies per month across its pay TV channels and offers advanced services including Starz HD, Encore HD, Starz On Demand, Encore On Demand, MoviePlex On Demand, Starz HD On Demand, Encore HD On Demand, MoviePlex HD On Demand, and Starz Play.

About Rhino:
Since its launch in 2000, Rhino has created award-winning visual effects, design, and animation for commercials, VFX for feature films, episodic television, webisodic mini-series, and videogame cinematics. The company’s principals and artists have also led the industry’s exploration into the boundless potential of branded digital content. By cultivating extensive relationships with key brands, advertising agencies, and film/TV studios, Rhino utilizes its creative directors and artists to develop and execute powerful branded entertainment to build both identity and awareness. The company’s principals include: CD/Director Vico Sharabani, CD/Director Harry Dorrington, CD/Director Natasha Saenko, COO/EP Camille Geier, Managing Director Rick Wagonheim, and CEO North America Zviah Eldar.

CREDITS
Spot: Starz Network Crash Promo
Airdate: October 2009

Agency: Kirshenbaum Bond Senecal + Partners
CD(s): Jon Goldberg, Chris Cereda
Account Director: Rachel Mahoney
Group Business Director: Cora Byrne
Account Executive: Amy Olsen
Producer: Sharon Harte
AP: Ali Wasserstein

Prod Company: The Cartel
Director: Snorri Bros
Director: Eidur Eysteinsson
Executive Producer: Faith Dektor
Executive Producer: Jeff Miller
Producer: Dave Bernstein

Post/Effects: Rhino
CD: Vico Sharabani
VFX Supervisor: Elad Offer
Producer: Linda Gallagher
COO/EP: Camille Geier
Managing Director: Rick Wagonheim
CEO: Zviah Eldar

RELATED LINKS
www.rhino-gravity.com
www.starz.com

VFX Artist/Compositor

CHANDAN KUMAR

CG & VFX SUPERVISOR
E-MAIL:- chandank13@yahoo.com info@vfxrider.com
WebSite :- www.vfxrider.com
Status:- President & Founder
PHONE +91- 9312008374
New Delhi-49

Nationality : Indian
DOB: 13th June 1980

CAREER PROFILE

Over 5 years of experience gained in the field of CG and VFX, working as a CG and VFX artist on a wide variety of 3d animation and VFX.I have been fully committed to the supervision and
completion of all projects undertaken.
I now aim to advance my career gaining new challenges and creative involvement in innovation animation and VFX.
WORK EXPERIENCE
Presently I am engaged with my own website www.vfxrider.com which is the first and only Indian website running its own video tutorials for Compositing and VFX.

July 2009 – Ongoing
PicassoAnimationCollege, New Delhi
Head-VFX
Work Details:- 1. Managing and providing technical solutions to all the centers of Picasso.
2. Taking the classes of Visual Effects and Compositing

October 2006 – June 2009
PumpkinAcademy Of Digital Arts, New Delhi
Technical Head
Work Details:- 1. Managing and providing technical solutions to all the centers of Pumpkin Academy
2. Arranging & recommending Faculty Training Programs.
3. Supervising the team of professionals working on projects.
4. Making 3d animated projects and VFX shots
5. Taking the classes of Visual Effects and Compositing
6. Writing book contents and tutorials for the course ware.
7. Taking technical interviews of job applicants

December 2005 – October 2006
Channel Punjab, Mohali
Sr. Graphics Animator
Work Details:- 1. Program packaging
2. Channel id creation
3. Taking technical interviews of job applicants
4. Providing technical solutions to the junior graphics artists.

December 2004 – September 2005
Cine Vision Pvt.Ltd.
VFX artist
Work Details:- 1. Making visual effects shots in the music albums
2. Providing on location shooting techniques to the Director

April 2004 – December 2004
Freelance CG and Vfx Artist
Work Details:- 1. Making TVC for different companies and products
2. Providing Architectural works in 3d


ACHIEVEMENTS
Awards won by me for a short 3d movie “Takes you higher ” in 2004-2005

1. 24fps Best 3D Animated Film : Silver
2. 24fps Best Story/Concept
3. 24fps Best Modeling & Texturing
4. Nominated in the Asia Image Apollo Awards 2005 held in Singapore in the category of Best TVC
5. ASIFA Special Jurors’ Award of Excellence 2005
6. Best Student Animation Film : Social Welfare at FICCI BAF Awards 2005

Award won for the works done for Pumpkin Academy

1. In May, 2008 my 3d works got the international award for the best animation reel in South Beach International Animation Film Festival at Miami(USA)

SOFTWARES & SKILLS
1. Digital Painting and Textures using Adobe Photoshop.
2. Editing using Adobe Premiere pro.
3. Modeling, Shading & Lighting, Character Animation using 3DS Max with all latest professional plugins.
4. 3D Match Moving using Boujou.
5. 3D Sculpting and texturing in MudBox
6. Non Linear Editing with Adobe Premiere Pro
7. Compositing and Visual Effects using Adobe After effects,
Combustion

EDUCATIONAL QUALIFICATION
B.Sc (Maths Honor) from TMB University, Bihar

HOBBIES
Drawing Portraits, Body Building, Mimicry

Nokia N900: “Focus Group”

Channeling the same rebel spirit as the recent Verizon adverts for the Motorola Droid, this viral for the Nokia N900 injects the nucleus of a narrative into what could be a fun campaign.

The turn to grittier aesthetics makes sense. Attempts to unseat the incumbent iPhone using the same glossy look as Apple only confuses customers; the trick is to differentiate the brands somehow. Trouble is, Nokia and Motorola have struck the same chord at more or less the same time.

The recently posted Droid “Stealth” spot directed by Rupert Sanders aims at creating the same sense of epic mystery as the Nokia N900 campaign, albeit with a much slicker production value. It’s the J.J. Abrams school of advertising, with phones instead of “mystery boxes.”

Who will win? At this point, it’s hard to say: but it seems that they’ll still be fighting for second place.

“Focus group” was directed by Jack Masters and conceived by agency Jack Morton. The Mill’s Bif (Fabrice Le Nezet, Jules Janaud and Francois Roisin) helmed the post-production efforts.

Thanks to Harm for the tip.

Posted on Motionographer