Denoise Methods?
Posted in: NUKE from The FoundryWill like to ask if anyone here have any creative ideas to Denoise a screen plate beside using the Furnace Degrain/Denoise. My purpose was to pulled a better Blue/Green screen key.
Thanks in advance for your sharing.
Cheers,
Young
Advice on this pan track?
Posted in: Matchmoving SoftwareSo I’m working on this pan shot now. I seem to have a pretty good track from what I can see. The ground plane in PFTrack is perfectly steady and follows everything like it should. My question is, I have some 2D tracks that PFTrack decided to ignore in the solve. Any ideas on how to improve the solve? There is this part in the beginning where three people walk across the screen and interrupt the track and its really annoying. Any idea on how to cover that part of the scene?
As far as I can see though, I’m pretty much done. Unless I’m missing something.
Advice?
Thanks in advance!
This is the footage:
http://moltenpictures.com/lok/pan01seq.rar (266.9 MB. Sorry its really big.)
This is the track:
http://moltenpictures.com/lok/Project%205%20v2.rar
Also please let me know what version of PFTrack you manage to open this track file on. I worked on it using 5.0r4 and I hope that r10 and r11 can open this or I’m screwed lol.
NukeX – needed?
Posted in: NUKE from The FoundryI will mostly be comping 3d render passes, so is NukeX really needed anyway?
I’ll never get the bosses to cough up another couple of grand, so what am I missing?
-=sallah=-
"Very dangerous…you go first!"
stereo 3d – convergence fcp vs. AE
Posted in: The PadThanks!
Invasion
Posted in: Demo Reels!
Please check my VFX graduation demo reel from Vanarts.
Thanx!!!
Synopsis:
A lonely night in becomes a terrifying event when an unexpected stranger comes looking for help.
Directed, Filmed & Edited by
Sam Hendi
Written & Sound by
Shahram Shayesteh
Casting & Make-up by
Abena Bentum
Music Composed by
Steve Lemaire
(steve-lemaire.com)
Set Design by
Elly Nagarajan
Grips & Lighting by
Shahla Shayesteh
Starring
Clare Nagarajan
Katy Poulter
Laura Brown
Filmed Using
Sony HVR-V1E & Letus35
Edited Using
Sony Vegas
2010. All Rights Reserved.
Drawing is a talent?
Posted in: Beginners TalkThanks!!!!!!!!!!!!!
is it really needed?
Posted in: Beginners Talk3D Roto Lead
Posted in: The Job LotJob Title: 3D Roto Lead
Location: Hollywood, California
The Roto Lead manages the team of roto artists, to plan, and create tracks for visual effects shots.
Responsibilities
- Lead will supervises a team of roto artists including development, scheduling, performance reviews, discipline, and making recommendations for advancement, hiring and termination.
- Leading the team to delivering roto elements which are technically sound
- Use discretion and independent judgment to allocate resources to meet expected quality levels within budget and ensure work is finished in a timely manner.
- Use discretion and independent judgment to create bids for potential projects.
- Manage and oversee the team of roto artists as required for each project.
- Establish quality standards.
- Supervise the development of shots, ensuring the team has the necessary skills and knowledge to complete a project.
- Approve final track before moving down pipeline.
Requirements
- A minimum Degree in computer animation, fine art, graphic design, or equivalent experience
- Minimum of 5 years work experience in related field.
- Stereo experience a plus
- Ability to communicate in manner that creates collaboration, coordination and teamwork and to ensure the mutual sharing of ideas and information
- Demonstrated ability to keep track of priorities, project activities, and critical milestones using the appropriate project management tools and techniques.
- An established leader with a demonstrated track record of success.
- Ability to generate new and innovative ideas
- Ability to manage, develop and retain key talent.
- Ability to direct and structure working practice so that design changes can be efficiently made
- Thorough understanding of the visual effects pipelines and workflows.
- Excellent understanding of photography and film, and the interactions of light, lenses and film emulsions make up the image.
- Must have clear understanding of match moving, roto, re-projection, matte painting and compositing process
- Must have strong leadership skills, be customer service oriented, and work well in a team environment
- Experience in managing large teams of artists
- Must be willing to travel
If you are interested in this position please send your resume to TDP.Recruitment@technicolor.com