A Woman’s Life Through Dougal’s Eyes


Dougal Wilson’s latest spot for John Lewis (produced by Blink with VFX from MPC) flexes both his stronger and often contrasting skills; “in-camera” trickery whilst maintaining even pressure on the viewers’ heart strings.

The ambitious camera-move in this spot is an evolution of some of Dougal’s older work in the same vein (see Jarvis Cocker – “Don’t Let Him Waste Your Time” and Boots – “Bus Journey”) . While most folks get wrapped up in the technical aspect of such a project, Dougal continues to focus on the nuances of performance and warmth in cinematography that make this piece his own.

This is yet another prime example of the importance of a singular vision in an industry that can risk being diluted by technique-driven work and the sacrificed narrative that can come as a result.

Agency: Adam & Eve, London
Creative Director: Ben Priest
Copywriters: Ben Tollett, Emer Stamp, Steve Wioland, Matt Woolner
Art Directors: Ben Tollett, Emer Stamp, Steve Wioland, Matt Woolner
Agency Producer: Leila Bartlam

Production Company: Blink, London
Director: Dougal Wilson
Executive Producer: James Bland
Producer: Matt Fone
DP: Dan Landin
Offline Editor: Joe Guest @ Final Cut

Post-Production: MPC Producer: Louisa Cartwright
TK: Jean-Clement Soret
Flame: Dan Adams, Tom Harding, Byron Woodfinden
Shake: Olivier Jezequel
Sound Studio/Engineer: James Saunders @ Jungle

Posted on Motionographer

EP Banter: Talent, Trends Technique

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What is an Executive Producer? This role may go unnoticed by many of us, but the success of a company is often defined by this individual. They shape the culture of the production company they lead. In addition to their sales and strategic roles, they must define and reinforce the creative ethos of the company. This begins with bringing in the right talent and nurturing them to their full potential.

The ways in which this takes place varies from EP to EP. What follows is how some of the good ones do it, including:

Read the round table discussion and get a glimpse into 2010 and beyond.

Posted on Motionographer

D.A.D.D.Y. B.B.A.B

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Dublin-based directing team, D.A.D.D.Y., has once again laid there quirky hand on an unlikely brand. In association with Mother, London and Blink Ink, they’ve created four fake, animated PSAs for the “British Biscuit Advisory Board” (Rocky Biscuits) to promote safe biscuit-eating practices.

Both the characters and copy are rendered with a classic, dry British wit. Here’s all four of the films: Temp Storage, Quality Control, Opening Education & Meal Health.

Client: Rocky
Agency: Mother, London
Production Company: Blinkink, London
Director: D.A.D.D.Y
Producer: James Bretton
Editor: D.A.D.D.Y
Audio Post-Production: Factory Studios

Posted on Motionographer

David Wilson Breathes Life Into a Tired Technique

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David Wilson has been a busy guy recently since dropping back-to-back videos for We Have Band and We Got Time. However, this recent piece for Little Boots’ “Remedy” caught my attention for a different reason.

I know most of you are thinking, “not another kaleidoscope video.” Well yes, it is. However, I’m posting this as proof that a process, even as tired as the kaleidoscope effect, can be pushed back into relevance. It fits right in with his growing body of work that explores pattern, composition and meticulous planning.

Rather than leaning on this stock After Effects plug-in, David has a crafted an intricate structure of visuals that directly connect to the effect he is using. Take a moment to examine some of the detail and synchronization in the effects shots and you’ll see the great attention to detail that must have gone into the pre-production of this shoot. If every idea has been done, just do it better…


Little Boots
Remedy (Atlantic Records)
Prod co: Colonel Blimp
Director: David Wilson
Producer: Tamsin Glasson
DoP: Will Bex
Editor: Darren Baldwin at Final Cut
TK: James Bamford at The Mill
Post: Aftereffects c/o Munky and David Wilson
Online: The Mill
Commissioner: Tim Nash

Posted on Motionographer

Synesthesia by Terri Timely

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The latest short film from Directing-duo, Terri Timely (Ian Kibbey and Corey Creasey), is a portrait of two brother’s and their surreal experiences as they explore their Synesthesia.

Synethesia (the ability associate sounds with tastes, colors, letters, numbers or even people) is a phenomenon that easily sets the stage for a visually rich piece. However, it’s Terri’s refined storytelling abilities and aesthetic that really make this piece stand out for me.

Terri Timely’s growing body of work creates an intimate portraiture of humanity. They also posses an impressionistic disconnect that seems to thrust them into a realm of hyper-reality and oftentimes parody. This is in-part to Timely’s acute sensibilities in art direction, painterly cinematography and appropriate use of effects (both in and out of camera) to create their worlds. From there, their observation for detail — both in characters and subtle visual elements — makes their work the immersive experience that it is.

Thanks for the nudge Todd!

Posted on Motionographer