pylône (360)


pylône, 360 version, 2017 2d version: https://vimeo.com/220059054 Pylône is part of brche, an on going exploration of the spherical video workflow now accessible to a broader audience thanks to the consumer tech. Shot on the island of Orleans, we are immersed in the center of a corridor of electricity pylons connecting the south and north shore of the Saint Lawrence river in Quebec. The footage is manipulated to reveal its true nature; an empty sphere upholstered by equirectangular projections attempting to simulate the real world. Giant human hands disturb this landscape collage to break reality into abstraction. Created during a creative residency at La Bande Video, Quebec. https://baronlanteigne.com, https://www.facebook.com/baronlanteigne/ lillith twin: https://kudatah.bandcamp.com/album/caress

pylône (2d)


pylône, 2d version, 2017 watch the 360 version here: https://vimeo.com/221752552 Pylône is part of brche, an on going exploration of the spherical video workflow now accessible to a broader audience thanks to the consumer tech. Shot on the island of Orleans, we are immersed in the center of a corridor of electricity pylons connecting the south and north shore of the Saint Lawrence river in Quebec. The footage is manipulated to reveal its true nature; an empty sphere upholstered by equirectangular projections attempting to simulate the real world. Giant human hands disturb this landscape collage to break reality into abstraction. Created during a creative residency at La Bande Video, Quebec. https://baronlanteigne.com, https://www.facebook.com/baronlanteigne/ lillith twin: https://kudatah.bandcamp.com/album/caress

Post-Party


A group of friends deal with their issues after a messy night. A short film by Jeff Chan & Andrew Rhymer POST-PARTY is the follow-up to the short film PREGAME (Check it out here: https://vimeo.com/197586750) Shot in one take on an ARRI AMIRA Cast: Jon Bass, Scarlett Bermingham, Maya Erskine, Roe Hartrampf, Leah Henoch, Anna Konkle, JP Quicquaro, Nick Reinhardt, Aaron Schroeder, Brian Williams, Patrick Woodall DP: Guy Godfree 1st AC: Daniel Worlock Production Designer: Francesca Palombo Art Assistant: Katherine Reed Assistant Director: Dan Schimpf Production Manager: Anna Greenfield Production Sound: Anthony Kozolowski & Kevin Coons Executive Producer: Greg Beauchamp A Bindery Film See more @ binderynyc.com

3-D Printed Tensegrity Objects Capable of Dramatic Shape Change


A team of researchers from the Georgia Institute of Technology has developed a way to use 3-D printers to create objects capable of expanding dramatically that could someday be used in applications ranging from space missions to biomedical devices.

The new objects use tensegrity, a structural system of floating rods in compression and cables in continuous tension. The researchers fabricated the struts from shape memory polymers that unfold when heated.

For more: https://news.gatech.edu/2017/06/13/researchers-create-3-d-printed-tensegrity-objects-capable-dramatic-shape-change

Nativ High Resolution Music System


Meet Nativ. A revolutionary high-resolution music system and touchscreen control center. Enjoy convenient access to all the world’s music, in spectacular quality. Connect Nativ to your TV to play stunning music videos.

The pros behind game cinematics

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3D Artist magazine asked me to dive into the expert game cinematics approaches by Blur, Plastic Wax and Realtime UK – check out the newest issue with the resulting article here.

Why people keep watching the worst movie ever made


Many people consider The Room to be the worst movie of all time. So why do thousands of people flock to midnight screenings of it every month?

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Tommy Wiseau’s film The Room (2003) is by many accounts the worst movie ever made. The plot barely makes sense, the set design is comically inept, and most of the dialogue sounds like it was fed through Google Translate multiple times. Yet, for 14 years, people have been congregating at midnight screenings all across the globe to watch what some people call “the Citizen Kane of bad movies.”

Despite the film’s incoherency, audiences ritualistically throw plastic spoons, shout call and response lines at the screen, and toss around footballs in the aisles at monthly screenings. Knowing all the inside jokes and participatory cues gives viewers what sociologist Pierre Bourdieu termed “cultural capital.” People who know when to shout specific lines or when to hurl spoons are deemed Room veterans.

Contrary to what you may think, researchers have found that an appreciation of this kind of “trash cinema” can actually indicate higher levels of intelligence. Trash films share more characteristics with avant-garde art films than they do with typical commercial Hollywood fare. Audiences are drawn to both “trash” and “art” films for many of the same reasons, like their transgressive nature and their rejection of mainstream aesthetic norms.

Watch the video to know more about The Room and be sure to pick up Bissell’s book (that he co-wrote with Greg Sestero) to read many more legendary stories about the production of the “best worst movie.”

Life without Stuff


In a world where seemingly mundane objects mysteriously vanish without warning, Life Without Stuff highlights (with astonishing scientific accuracy) what life would be like without stuff. Animation: Garth Lee SFX: Garth Lee

Shaving for Beginners


Ty Moore has been a Marine longer than he hasn’t. After 5 deployments he has seen his fair share of trauma in the theatre of war. Ty was trained to handle trauma. By his own account he isn’t afraid of anything. That is until the trauma was in Ty’s own home. Jenn, his wife, was diagnosed with soft tissue sarcoma, a very aggressive cancer in her ribs. Like they have done throughout their marriage they persevered. They both thought this would be the worst thing their family ever went through, they were wrong. Shaving for Beginners is the story of Ty, a father, a Marine, and a husband, as he takes his brokenness from situations outside his control and creates hope for him, his family, and his fellow servicemen and women. www.Bog.club Directed by Jordan Halland Produced by Luke Webster

Derborence


Seabase for Kreepz Music Bong Ripper, Hippie Killer, Tranny Ride Filmed with 35mm, super 16 & super 8 cameras. aaton minima, arri srII, Arriflex IIIC 2-perf, Leica leicina 2014