A short documentary on the pantsula dance in South Africa Director/Editor: Juri Badenhorst Producer: Rowen Smith Cinematographer & Colorist: Hennie Le Roux Sound Designer: Barend van der Walt Illustrator/Designer: Chrizanne van Breda All the music: John Wizards
Bobby Fischer and Donald Byrne dance their way through the most famous chess game of 20th century. Music: “Kamarinskaya” by Osipov State Russian Folk Orchestra, Vitaly Gnutov http://en.wikipedia.org/wiki/Osipov_State_Russian_Folk_Orchestra Chess Game: Bobby Fischer vs Donaldy Byrne 1956 (aka The Game of the Century) http://en.wikipedia.org/wiki/The_Game_of_the_Century_%28chess%29
ミラノ物語 (mirano monogatari) The tragedy of migrants attempting to cross the Mediterranean Sea off the coast of Africa to reach Europe . a real massacre!!!! In 2015. It was on 11 February this year when off the coast of Lampedusa 29 refugees are dying from hypothermia during a journey of hope through the Strait of Sicily . At the time of the rescue , 7 of them are already dead , others do not make it because of the cold , and blow during transport on the Coast Guard patrol boats . The episode about a hundred miles from the island of Lampedusa . The migrants were part of the group of 105 refugees rescued last night . In 2014. It was on December 5 last year when 18 migrants , including a 6 year old girl , died of cold on a boat 110 miles south of Lampedusa . It warned , the vessel is reached by two Coast Guard patrol boats and tug civil ‘ Burbon Argos ‘ . The bodies are taken to Porto Empedocle . In this case , it was not a wreck to cause the tragedy : 16 victims killed allegedly for hypothermia and dehydration , another is cut short by a pulmonary edema immediately after the arrival of rescuers . The eighteenth victim is a young person died in the department of gynecology and obstetrics hospital of Agrigento , where he had been brought to Lampedusa by helicopter rescue for severe hypothermia , burns to spread almost all over the body and for an abortion in progress . Seventy-three survivors , who are transferred before the ship ‘ Orion ‘ and then on ‘ Etna ‘ . October 2013. That took place on October 3 two years ago is now defined as ” a massacre unprecedented ” number of victims . A boat full of shipwrecked migrants in Lampedusa , at the Island of Rabbits . The final budget will come to count 366 victims and 20 presumed dead . Among the dead there are many women , some pregnant , and many children . The wreckage was found on the seabed sunk : in it , like a large coffin , hundreds of corpses . The recovered bodies will be transported to a hangar because not be able to find more room in the morgue. September 2013. 30 September, 13 migrants die in a landing on the beach of Sampieri , in Scicli , trying to reach the coast . Strapped migrants , all men , were forced to jump into the sea by the smugglers . Immigrants , about 200 , had reached the coast of Ragusa on board a fishing vessel that ran aground a few meters from the shore . August 2013. On 10 August 6 migrants die on the beach promenade of Plaia of Catania , near the ‘ Lido Verde ‘ , drowning , just trying to reach the shore . The boat ran aground about 15 meters from the shore , they traveled more than 100 immigrants, rescued by the police and the coast guard and transferred in the port of Catania for the identification and rescue . October 2012. The October 11 34 migrants , including seven children and eleven women , are victims of a shipwreck 70 miles from Lampedusa . The boat on which they travel tips while migrants move to get noticed by a helicopter reconnaissance . About 206 migrants are instead rescued by the Navy . August 2011. The August 1, 25 refugees , all men, not yet in their thirties , died of asphyxiation in the hold of a boat departed from the Libyan coast to Lampedusa . The corpses are discovered by men of the Coast Guard once the transfer of immigrants . April 2011. On April 6, a boat left Libya with 300 people on board is overturned in the Strait of Sicily due to bad sea conditions . A more than 12 hours after the tragedy are 51 people were rescued while missing from what emerges from the story of the survivors are over two hundred . April 2011. On April 3, the bodies of 70 migrants who died probably during a crossing to reach , perhaps , the Italian coast are retrieved off Libya , at the height of Tripoli . March 2011. On the night of 29 and 30 March a boat carrying 17 immigrants left from Libya sank off the coast of Lampedusa . A recount are the six survivors , that would be drowned their 11 companions during navigation. March 2011. On March 14, in the channel of Sicily sank a boat carrying about forty Tunisians . Only five of them manage to escape , the only ones who knew how to swim , going up on another boat bound for Lampedusa . To recount the details of the sinking are the same survivors just landed in Lampedusa . Three of the survivors were transferred to the emergency medical service . The vessel would be overturned immediately after leaving Zarzis , Tunisia. and many more .. Immigrants , twenty years of shipwrecks and tragedies in the Sicilian Channel Actress: Alberta Ayele Director: Kursk Apparatus Produced by Thaumatrope Tnx Giacomo Rebecchi Songs: – “Signal Loss” Pariah RS1207 – “Fur Alina” Arvo Part – “The big ship” Brian Eno Another Green World
“MER” is inspired by the harsh grasp of consumerism, and how it can make us blind by greed in the pursuit for material goods. The story is set in a post apocalyptic world, where a group of nomads collect the remains of a lost society. But as their collection grows bigger, so does their desire for more. All that glitters is not gold. – This video was largely shot on Karmøy, an island located on the west coast of Norway, but also 1883 meters above the ocean on the peak of Gaustatoppen, a vast mountain overlooking 1/6th of the country. The large flying factories were made by Steamheads, an Oslo-based VFX-house known for their work on films like Harry Potter and Elysium, and the rest of the post-production was completed at Hocus Focus in Oslo, one of Norway’s largest post-production companies. – Starring: Fredrik Skogsrud Forrester, Gunnar Dundas, Orleo Berisha Written and directed by Kristoffer Klunk (kristofferklunk.com) Presented by Hocus Focus (hocusfocus.no) DOP: John-Erling Holmenes Fredriksen Focus Puller: Annicken Aasheim Post Production Producer: Lene Albertsen Post Production Producer: Ole-Arild Svendsen Post Production Assistant: Elin Holde Hegsvold VFX Supervisor: Bengt Ove Sannes / Marius Andre Jacobsen (steamheads.no) Colourgrading & compositing: Haavard Albertsen Production Designer: Mirjam Veske Costume Designer: Mari Melilot Production Assistant: Morten Kjennerud Post Production Trainee: Elin Holde Hegsvold Editor: Henrik Berge (Hocus Focus / hocusfocus.no) Ship Design / Animation: Nils Arne Brekke Sound Design: Erik Ljunggren THANKS: Bård Røssevold, Eirik Einarsen Vikene, Hilde Pettersen, Ørjan Baugstø Iversen, Sturla Nyborg, Rover Haugaland scouts, Halvor Haukass (gaustatoppen.no), Espen Zubi (gripservice.no), Runaround film.
https://www.behance.net/gallery/26081943/O-D-Y-S-S-E-Y Video by Rus Khasanov (ruskhasanov.com) Music by Ilya Beshevli (soundcloud.com/beshevli) Sony a7r, Sonnar T* 55mm f/1.8 ZA + Macro Lenses
Production Co: Aggressive Client: New Balance Directors: Alex Topaller, Dan Shapiro Producer: Kelvin Craver Postproduction: Loop, Aggressive Creative Director: Alex Mikhaylov CG Supervisor: Max Chelyadnikov Edit: Alex Mikhaylov, Max Chelyadnikov, Dan Shapiro, Adam Thomson Design: Alex Mikhaylov, Andrey Krasavin 2D Animation: Andrey Krasavin, Federico Gonzalez, Dan Shapiro Modelling: E.D.Satan, Evaldas Cesnavicius Texturing: E.D.Satan, Konstantin Zankov Animation: Dmitriy Paukov, Max Chelyadnikov Simulation: Dmitriy Paukov, Rendering: Max Chelyadnikov Compositing: Max Chelyadnikov, Dan Shapiro, Storyboard Artist: Rolo Ledesma Production Manager: Dustin Pownall Sound Design: Wesley Slover
The Bench Go Round is interactive social furniture that creates playful connection between strangers. Commissioned by the Market Street Prototyping Festival, San Francisco, CA. April 2015. Design + Fabrication by Rachel McConnell www.GeorgeLovesYou.com
Directed by Roger Guàrdia Production company: Canada Production Manager: Maria Vives Ad: Txesma Lasa DOP: Daniel Fernández Abelló Art director: Iván Triviño Stylist: Vinyet Escobar Editor: Carlos Font Clos 2015
TURNS is a portrait of master woodturner Steven Kennard. VISIT http://www.lifesworkfilms.com COMMISSION STEVEN’S WORK / SHOW YOUR SUPPORT Steven Kennard http://www.stevenkennard.com/ FOLLOW @breakwatermp / @Craft_Alliance / @NSDCC VISIT http://www.breakwaterstudios.com WATCH other films from Life’s Work, a series of six conversations with Nova Scotian makers. Directed by Ben Proudfoot | @bgproudfoot / ben@breakwaterstudios.com
Pepsico has launched “Pepsi Max Drone Football”, a commercial in which a group of footballers in Barcelona have their local pitch transformed into an interactive football arena. The first in a series of digital content under the ‘Genius’ campaign in 2015, the commercial was made possible with drones, advanced projection technology and over 30,000 programmable LED lights. Watch the players’ reactions as their Friday night five-a-side match is elevated to unimaginable heights.
Pepsi MAX transforms what appears to be a normal game of five-a-side football by using specially designed LED lights and illuminating the pitch to create an unexpected and elevated experience. In an extra ‘Genius’ twist, a drone officiates the game, at one point even giving a yellow card to a player for rough play. Directed by Scott Lyon, the short film was captured in real-time in Barcelona with local players from the neighborhood where the filming took place. Reactions of neighbours and bystanders was authentic and genuine as Pepsi MAX created a surprising and exciting night with LED lights, as well as drone and on-the-ground camera technologies capturing the inventive, epic game from multiple angles.
“Pepsi MAX is an important and growing brand in our Pepsi portfolio. It has become a brand known for not only delivering the unexpected combination of ‘maximum taste, no sugar’, but also for its highly engaging digital content,” said Kristin Patrick, Senior Vice President and Chief Marketing Officer, PepsiCo Global Beverage Brands. “We believe that the most exciting experiences don’t just happen—they’re created. The ‘Genius’ campaign will show experiences that are elevated and made more exciting when something unexpected happens. In the case of ‘Drone Football,’ our first TV and digital ad under this new campaign, we’ve taken something that’s already exciting — a pickup game of football among friends—and elevated it by adding in surprising twists, like a drone that delivers a unique football, and light effects that at first surprise the footballers and then make their game even more exciting than it might have been.”
The Pepsi Max Drone Football campaign was developed at AMV BBDO, London, by creative director Thiago de Moraes, copywriter Milo Campbell, art director Sonny Adorjan, account team Clive Tanqueray, James Walker-Smith and Kristiana Grant, producers Christina Hermann, Ian Whittle, planner Emma Batho.
Media was handled at OMD by planner Tobie Rhodes.
Filming was shot by director Scott Lyon via Outsider with director of photography Tom Townend, producer Zeno Campbell-Salmon.
Post production was done at The Mill by executive producer Gemma Humphries, shoot supervisor Hitesh Patel, 2D lead artist Wes, 2D artists Sole Martin, Matthew (Wispy) Clarke, John Thornton, James Pratt, David Wishart, 3D artists Sam Driscoll, colourist Seamus O’Kane, and production assistant George Reid.
Editor was Art Jones at Work Post with assistant editor Hasani Franke.
Audio post production was done at 750mph. Music was produced at Meanred.
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