10 of America’s Creepiest Abandoned Places Part 2 of 5 | BARE USA


Visit http://BARE-USA.com/kickstarter to support this project on kickstarter now and get deep discounts on fine art prints.

My name is Brian Cattelle has been traveling the United States photographing creepy and abandoned places in search of amazing locations for my photography project BARE USA. I’ve seen some wild things and been to some of the most insane places. BARE USA isn’t just about capturing these images of solitude and decay. It’s about rejuvenating some of their past glory by injecting natural beauty. To do this I find adventurous models crazy enough to follow me into these dark and forgotten structures, letting me take nude photos of them in the chaos and destruction. This creates compositions of natural beauty in contrast with man-made decay. These are the stories of the places we braved and the resulting images from my project.

Fisher Body Plant #21 in Detroit, Michigan

ACME Coke Plant in Chicago, Illinois

City Methodist Church in Gary, Indiana

Lima Tuberculosis Hospital in Lima, Ohio

Old Crow Distillery in Frankfort, Kentucky

The Doctor’s House in Lakin, West Virginia

Forest Haven Asylum in Laurel, Maryland

Abandoned Renaissance Fair in Fredericksburg, Virginia

Abandoned Tobacco Dryers in Rocky Mount, North Carolina

10 of America’s Creepiest Abandoned Places Part 1 of 5 | BARE USA


Visit http://BARE-USA.com/kickstarter to support this project on kickstarter now and get deep discounts on fine art prints.

My name is Brian Cattelle has been traveling the United States photographing creepy and abandoned places in search of amazing locations for my photography project BARE USA. I’ve seen some wild things and been to some of the most insane places. BARE USA isn’t just about capturing these images of solitude and decay. It’s about rejuvenating some of their past glory by injecting natural beauty. To do this I find adventurous models crazy enough to follow me into these dark and forgotten structures, letting me take nude photos of them in the chaos and destruction. This creates compositions of natural beauty in contrast with man-made decay. These are the stories of the places we braved and the resulting images from my project.

Cotton Belt Train Depot in St. Louis, Missouri

Old House on Route 66 in Louisville, Nebraska

The Ghost Town of Gilman in Gilman, Colorado

The Ghost Town of Walcott in Walcott, Wyoming

Abandoned Hospital at the Glasgow Air Force Base in St. Marie, Montana

Fortuna Air Force Station in Fortuna, North Dakota

The Ghost Town of Spokan in Custer, South Dakota

Fruen Mill in Minneapolis, Minnesota

Searsboro Consolidated School in Searsboro, Iowa

Globe Grain Elevator in Superior, Wisconsin

Music: “+++” by BL▲CK † CEILING (http://soundcloud.com/danocean)

Moldovan Animation Studio Brings Death to Life!

Sun 29th Mar 2015, by Mike Hepburn | Peoplestudios

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Moldova is a landlocked country in Eastern Europe located between Romania to its west and Ukraine to its north, east and south.  It’s probably best known for its ancient vineyards and the glorious varieties of booze that are squeezed from the bulbous grapes found there.  It is also the home of Simpals, a small animation studio that packs a big punch. CGSociety caught up with Serghey Kirillov, CG supervisor of Simpals Animation Studio, recently to find out more about this hidden gem.

Can you tell us about Simpals?

Simpals Animation Studio was founded in 2002 by Dmitri Voloshin, director and producer of the studio, an enthusiast whose goal is to promote animation in Moldova and make animated films on an international level. The studio is located in Chisinau (Republic of Moldova). At first, it specialized in the production of TV commercials and music videos, successfully cooperating with local and international creative agencies. But after some time, we realized that we are ready to create something independent and decided to try our hand at CGI animation. We produced 3 short animated films: “Baro and Tagar”, “Gypsy and Death”, “Santa and Death” and 2 more shorts about the adventures of a terribly unlucky Grim Reaper named Dji.

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What is it like working in Moldova? What is the 3D animation scene like there?

3D animation is a field that is not quite developed in Moldova and we are doing our best to promote it both within and outside the country. As there is a shortage of qualified professionals in this area, we decided to open a school (Monsters School), where we could train specialists in the field of computer graphics. This school has already produced more than 300 graduates and some of them continue working in our studio.

When did you start to work in 3D and why?

I have always been passionate about computer graphics and visual effects. So, I didn’t have to choose my career. It chose me=) Initially, I worked as a CG generalist, and then I started to specialize in compositing and rendering as I loved to create CG images.  Currently, I’m working as the studio supervisor, lead compositor and assistant director.

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Where did the idea for the series of Dji animations come from?

At first, we made two animated films about a Gypsy and Death, as well as Santa and Death. But we loved our unlucky Grim Reaper so much that we decided to make a series of animated films about his misadventures. In our movies we wanted to break the common stereotype of death. Our Dji is the complete antithesis of the ugly old lady with a scythe. Firstly, he is young and handsome. And secondly, he is kind-hearted, curious, naive and fascinated by the human world.

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What tools (modelling, VFX, compositing) were used to bring your story alive?

We used mainly Maya for modelling, setup, animation and visual effects. It is great software that covered basically all our needs. We also used V-Ray for rendering and After Effects for compositing.

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Have you entered the animation into any awards? Any success?

Yes, we submitted the animation to a number of festivals and now we are waiting for the selection results. The previous episode “Dji. Death Fails” participated in more than 100 international film festivals and received more than 20 awards, among which Best Animation Budapest Short Film Festival 2013, Best Film Shortini Film Festival 2013, Best Comedy Nevada International Film Festival 2013, Best Animation Dieciminuti Film Festival 2014, Best Animation Tri-Cities International Fantastic Film Festival 2014, Best Animation ClujShorts 2014, etc.

Is there something you are currently working on, or are excited about starting, that you can tell us about?

Currently, we are working on the next episode about the new adventures of our unlucky death. We can’t reveal any details yet, so stay tuned!

What would be your #1 advice to other artists?

Always keep learning! Set yourself new goals and try to accomplish them! If you are totally satisfied with your work, it means that you stopped growing.

Thanks Serghey, we look forward to seeing more from you and your studio!

Related links

In-depth Making of “Dji. Death Sails” 

Youtube Channel

Simpals website

Serghey Kirillov’s CGPortfolio

Jurassic World – The Park Is Open

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The CGSociety is the most respected and accessible global organization for creative digital artists. The CGS supports artists at every level by offering a range of services to connect, inform, educate and promote digital artists worldwide.

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Animated Short: 'Pinched'

Mon 30th Mar 2015 | News

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Pinched from David Vandervoort on Vimeo.

A pickpocket scours the subway at the command of his inner demons, but when a chance encounter with fate brings a long-lost love back into his life, he must defy the voices in his head and choose a righteous path.

Innovation and immersion: Escape from Gringotts

IBM In The City With

IBM has launched the second instalment in the Urban Innovation web campaign, “In The City With”. The short documentary film series underscores IBMs continued commitment to transforming systems in cities, from education, public safety, transportation, health care, environmental and energy & water, to create Smarter Cities. From urban planning to haute cuisine, architecture to government, science, civic engagement, design, and urban farming, the web series explores a variety of disciplines in search of the most innovative and disruptive approaches to city life. The most recent episodes take us to London, where we meet the entrepreneurs behind civic crowd-funding site Spacehive and community engagement platform Changify; then to Copenhagen, where the Nordic Food Lab and Matt Orlando of Amass restaurant share their views on sustainability and the future of food culture.

IBM In The City With

For Jonas Pedersen and Josh Evans, the future of food lies in marrying sustainability with “deliciousness.” As researchers at the Copenhagen-based Nordic Food Lab, they’re part of a team exploring how diverse, local and underutilized ingredients such as insects can help make cooking a force for change.

According to Priya Prakash, the best place to start changing the world is your own neighborhood. Inspired by how technology and citizen action can work hand in hand to improve communities, she launched Changify, a London-based crowdsourcing platform aimed at finding local solutions to local problems.

American Matthew Orlando is making waves in the culinary world. The former head chef at Copenhagen-based Noma, acclaimed as one of the world’s best restaurants, is now behind the oven at Amass, his own renowned Danish eatery. Yet for Orlando, it isn’t only rave reviews and a full dining room every night that define his success, it’s also about his commitment to a sustainable-food ideology.

Chris Gourlay wants you to realize that you can make things happen. As founder and chief executive officer of Spacehive, a UK-based crowdfunding platform for civic projects, he should know. The organization helps people transform their communities by tapping into collective resources to help fund public urban-development projects. By knocking down barriers and shaking up community planning, Spacehive and Gourlay are ensuring that change can happen — and for the better.

The “In the city with” web series airs on the IBM program platform people4smartercities.com where you can join the movement and share your idea to make lives in cities better. Discussions are happening now on facebook.com/p4scities and at @p4scities.

“If we’re going to make our cities smarter, we have to promote the brightest urban innovations and the people behind them”, said Susan Westre, executive creative director for IBM at Ogilvy and the creative lead behind IBM’s new web series In The City With.

Credits

The IBM In The City With campaign was developed at Ogilvy France, Paris, by executive creative director Susan Westre, art director Daniel Lincoln, copywriter Nick Bakshi, junior art director Elise Richardson, TV producer Diane de Bretteville, digital producer Ryan Leonard, media leads Darlene Lee, Michael Knopf, Sarah la Rocca, account leads Mary McFarland, Muriel Benitah and Sarka Guiomar working with IBM marketing team Jacelyn Swenson, Suzanne Assaf. Digital work was developed by Julie Teicher, Ian Crowley, Edward Szeto, Kinnari Thakker, Sanjay Cherubala.

Filming was shot by directors Tomas Leach, Adam Rothlein, Jake Kornbluth with Moxie Pictures producer Lucy Tate.

TakePart producers were Jay Ku and Scott Roesch.

SCIENTIFICALLY ACCURATE™ PINKY AND THE BRAIN


Pinky and the Brain was a show about lab rats who were genetically modified and experimented on. Let that sink in.

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Animation Domination High-Def is a block of cartoons that air every Thursday on FXX at MIDNIGHT and all over the Internet all the time.

Writer: Heather Anne Campbell (https://twitter.com/heathercampbell)
Executive Producer: Samantha Scharff
Director: Kalen Whitfield
Music: David Schmoll
Voice Talent: Heather Anne Campbell
Producer: Steve Shin
Storyboard Artist: Kalen Whitfield
Lead Animators: April Wang, Kalen Whitfield
Animation: Luz Batista, Raye Rodriguez, Whitney Tang
Lead Designers: Nicky Rojo, Sarah Sloyer
Design: Rachael Hunt, Kalen Whitfield
Editors: Leroy Patterson
Animation Coordinator: Ire Lim
Digital Project Manager: Kassandra Valle

SCIENTIFICALLY ACCURATE™ PINKY AND THE BRAIN
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Josephine and the Roach


A woman. A cockroach. The course of true love never did crawl smooth. Winner of a Student Academy Award, two Student Emmys, the ASC Heritage Award, and awards at Slamdance, Newport Beach Film Festival, Arizona International Film Festival, USA Film Festival, and the Cleveland International Film Festival. Directed by Jonathan Langager Written by Jonathan Langager and Joe Swanson Starring: Jenna Augen and Jerry White Jr. Produced by Christie Hagenburger, Damon Stea, and Josh Tate Assistant Director: Cassandra Chowdhury Director of Photography: Damian Horan Production Designer: Giao-Chau Ly Roach by Lino Stavole Casting by Ali Scher Visual Effects Supervisor: Tony D’Agostino Edited by Thomas Krueger Music Composed and Conducted by Daniel James Chan Executive producers: Dorothy & James Langager; Carlton & Carol Taylor Associate Producers: Christian Hall and Xiao Zheng Unit Production Manager: Matt Morgenthaler 1st Assistant Director: Cassandra Chowdhury 2nd Assistant Director: Andrea Dimity Script Supervisors: Barbara Friedman, Christian Hall, Andrea Dimity, Joe Rosenberg Cast Josephine: Jenna Augen Moe: Jerry White Jr. Scientist: Circus Szalewski Patient: Jeremy Gladen Brain Sprayer: Olivia Choate Beach Boy: Josh Helmuth Beach Girl: Emilie O’Hara Wardrobe Supervisor: Phoebe Boynton Assistant Costume Designer: Alexis Deforest Art Director: Emily Auble Set Director: Andreea Cornel Set Dresser: Louis Garavaglia and Jesse Ayala Construction Coordinator: Dan Wolfe Carpenter: Chris Devlin, Daniel Goldenshtein, and Lesley Fairman Art Department PAs: Lia Burton, Tamara Becker, Andrea Dimity, Asshish Waghachoure, and Rachel K. Levy Makeup and Hair: David Charles and Vanessa Leon Stunt Coordinator: T Ryan Mooney Puppeteering: Lino Stavole and Stu Hirsch Digital Compositors: Nikki Donohoe, Aaron Rovner, Ryan Hedden, Seth Donald Matte Painter: Luke Pikora Antenna Animation: Jonathan Langager Visual Effects Consultant: Laura Yilmaz Production Assistants: David Agnew, Freddy Pinon, Ryan Murray, Kenton Chen, Louis Garavaglia, Kevin Kerr, Aashish Waghachoure, Scott Dow, Kaveh Taherian, Vaibhav Singh, Guillermo Calvillo, Jonathan Hay 1st Assistant Camera: Ian Barbella, Kelsey Risdon, Luke Kraman, Tim Sutherland, Mitsuyo Miyazaki 2nd Assistant Camera: Nelson Decastro and Dan Marino DIT: Eric David Gaffer (Chief Lighting Technician): Phil Mataresse Gaffer: Jen Lewis, Quentin Lareau, and Stephen Ringer Best Boy Electric: Bridgette Bartholdi Best Boy Grip: Donato Bragagnolo and Lara Weatherly Dolly Grip: Nick Nides and Donato Bragagnolo Key Grip: Joe Mattaresse, Camilla Tanabe and Donato Bragagnolo G&E: Dan Marino, Grace Lee, Alex Maggi, Isaac Ergas, Michael Coursey, Ircahn Gunawan, Corbin Frost, Christian D’Amico, Adhish Yajnik, and Ted Gerike Steadicam Operator: David Baldwin Production Sound: Evan Cheng, Alan Larsen, Daniel Gonzalez, Tom Roof, and Justin Slosky Colorist: Damon Stea Sound Designer: Bethany Sparks Assistant Sound Editor: Jean Tsai Re-recording Mixers: Bethany Sparks and Jean Tsai Accordion: Peter Bufano Violin: Joel Pargman Music Scoring Engineer: Daniel Blanck Score Recording Assistant: Sean Sekino Orchestrator: Daniel James Chan USC Faculty Mentor: Michael Taylor A Very Special Thanks to: The Charles and Lucille King Foundation and Panavision

Firewalker – The Movie


A short film inspired by Jungle Fire’s debut LP “Tropicoso” (2014 Nacional Records). CAST Dwayne Adway as Culebro Micah Fitzgerald as Tony Jonee Shady as Doña Carmen Mateo Cartaya as Kid 1 Riley Wilburn as Kid 2 Kuma Jacobson as Kid 3 Orpheu Amen Cummings as Kid 4 Sundiata Samuel Cummings as Kid 5 Rebecca Ocampo as Amazonian 1 Juanita Gomez as Motel Girl 1 Sandra Segersteen as Motel Girl 2 Joel Soyffer as Car Owner Michael Duffy as Motel Guy 1 Judson McDaniel as Motel Guy 2 Joey Reina as Mechanic 1 David Moyer as Mechanic 2 Patrick Bailey as Snake Charmer Alberto Lopez as Santero Diablo as Chicken Sam Halterman as Tech Man Irene Deros as Pool Girl 1 Anna de Lachapelle as Pool Girl 2 Steve Crest as Police Officer Michelle Ang as Pool Girl 3 Steve Haney as Pool Owner Todd Stroik as Counselor Otto Granillo as Trombone Sean Billings as Trumpet Uhura Moor AS amazonian 2 Stefanie Guarino AS amazonian 3 Parisa Faghigi as amazonian 4 Arlene Chaves as amazonian 5 Penelope Shum as amazonian 6 Madoki Josepha AS amazonian 7 Tia Robinson as amazonian 8 Mary Jeanette AS amazonian 9 Marta bravo As amazonian voice 1 Paula MARXUACH AMAZONIAN VOICE 2 MARCELA RESTREPO Amazonian voice 3 CREW Writers & Directors Alejo Restrepo & Roger Gonzalez 1st Assistant Director Mike Montgomery Executive Producer Lia Mayer-Sommer Producer Ruth Du Editors Niv Gat, Alejo Restrepo, Roger Gonzalez Color by The Mill Cinematographer Nate Hurtsellers 1st Assistant Camera Erick Aguilar 2nd Assistant Camera Kate Johnson 2nd Assistant Camera Brody Engelgard Gaffer Nico Navia Best Boy Electric Yan Ramos Key Grip Farhad Dehivi Best Boy Grip Daga Malinky Swing Sean Burke Swing Chad Mullenix Steadicam Operator Orlando Duguay Sound Design & Rerecording Mixer Nicolas Tsabertidis Sound Recordist Ivan Rodriguez Production Designer Nicholas Tong Set Dresser Allison Lopez Propmaster Yihong Ding Colourist Jim bracher VFX Artist Valentino laz Hair and Make Up Jordan Venetis Assistant HMU Eva Seltzer Assistant Hair Stylist onique Benitez Costume Designer Irene Deros Assistant Costume Anna de LACHAPELLE Production Manager Lisa Gollobin Production Assistant Zig Hooker Assistant to Exec. producer Adam Chitayat CLOTHES provided by: MVT Vintage Clothing Lenceria Boutique Graphic Design by David Sanden