Hasta La Motion!

So I wonder if you have any tips and tricks on what to do if you have greenscreen shot that are not illuminated and a iso value that is so high that the shots has extremely high noise in the background.

(and i haven’t reall time to roto out every shot becuase it is a ten minute film)

All tips and tricks are appreciated

Thanks in advance

aezz

I’m overriding the creation of the Write node, and using that creation event to add an extra knob to the node. When I add this new knob to the interface, it creates a new tab and places the new control on it. It also brings the tab to the front in the property editor.

The net result is that when the user now creates a Write node, it shows them the new custom tab, rather than the main one which is what they would want to see 99% of the time.

Is there any way around this? Is there some way to tell Nuke to display a particular tab of a node in the editor?

Thanks for any help,
Andy

I’m working as a compositor on a short film shot on a nikon D7000 and i’ve run into some problems with the keying.

Some of the green screen scenes were filmed pretty late in the night and without enough lights. To compensate for this i think the DP cranked up the ISO pretty high (which creates the grainy/noisy plates), and i’m pretty sure that they forgot to turn off the in camera sharpening.

I’ve tried to degrain the footage, but it only helps a little bit. Do you guys have any ideas how to solve this or should i just roto the damn thing?

Thanks in advance!

I was wondering if its possible to export for example an animated geometry from Nuke to Maya so it preserves the animation..? so basically you could animate that simple shape in NUKE and export it to maya in order to light it and render it and then you would use those renders for projections back in Nuke..?

Best Regards