Read Node – default
Posted in: NUKE from The Foundrynuke.knobDefault("Read.frame", "1")
My read node shows error. correct me please.
My read node shows error. correct me please.
After a long hiatus Greg Durrell is back with a massive update and new work to show, primarily focussing on his design contributions as part of the design team on the 2010 Winter Olympics in Canada. A must see!
Simple is beautiful. In Lights, Paranoid US and new SF-based agency, DOJO, keeps it simple and retells the classic story of boy meets girl. With director Sophie Gateau at the helm, the piece dually functions as an advert for LG and a music video —similarly named— for electropop artist, LIGHTS.
At the heart of it, the piece is a canny take on an old story —fancying a straightforward approach to create something elaborate, yet deceptively simple. Technically, the piece is exquisitely executed —so well that, on multiple viewings— the animated images appear to be the result of practical effects. The kicker is that it wasn’t. In a most spectacular display of CG stagecraft, Gateau, with a background in CG and motion graphics, utilized her skillset to the utmost degree. To sum it up:
“Utilizing motion control to shoot the available 45 pre-production models , Sophie shot twenty passes–moving the phones along in each pass. The Paranoid Design Studio team then assembled the passes, tracked animated characters and environmental drawings, and composited them into the scenes.”
The visual effects of Scott Pilgrim vs. the World
In Edgar Wright’s Scott Pilgrim vs. the World, the title
character woos his new girlfriend by battling her seven evil exes in
Japanese Anime-style fights punctuated with video game-like on-screen
graphics. Visual effects supervisor Frazer Churchill oversaw more than
1200 shots for film. fxguide takes a look at the work by Double Negative and
Mr. X.
RESPONSIBILITIES include performing tasks such as 2D tracking, matte extraction, rig removal/paint fixes, 3d camera projections, clean plate creation, grain matching, and spline based roto creation.
QUALIFICATIONS: Artist should have at least one year of experience working on feature films or HD Teleproductions. Artists must know Nuke, Shake, Combustion, and/or Motor. Los Angeles residents preferred.
SUBMISSIONS: Artists must submit show reel demonstrating their ability to produce tightly tracked rotos with motion blur as well as an ability to remove unwanted elements from a shot while preserving the original material. Artists must be able to take direction and work in a team focused environment. Good communication skills are a must. If you think you fit the bill and want a quick response, email your resume, a link to your online reel/portfolio and a shot breakdown to jobs10@luma-pictures.com. Please make the email subject "ATTN: Recruiting – Roto/Paint". Do not attach images or movie files to your email because they will get filtered out. If you prefer to send hard copies, you can submit a resume, reel, shot breakdown and cover letter to:
Attention: Recruiting – Roto/Paint
Luma Pictures
248 Westminster Ave
Venice, CA 90291
Submitted materials will not be returned and no phone calls please.
Questions and comments welcome!
For tutorial Click Here!
Have ideas for more tutorials? Contact me via GreenSODA or Twitter
Alex